Project
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
1987
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Project
1987
archives
Level of archival description:
Fonds
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
1996 - 2016
Morphosis Hypo Alpe-Adria Center project records
Actions:
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
archives
Level of archival description:
Fonds
1996 - 2016
DR1987:0353
Description:
- The lower right corner of the airport is shown, including amphibian landing, station and part of the hangars. Graphite lines with arrows indicate the circulation route of taxiing airplanes as they pick up and deposit passengers under the station. This drawing is one of a series of eight drawings in which the architect works out airplane circulation (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). For a more detailed discussion of this drawing and its relationship to others in the series, consult Shubert.
architecture
1929
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation
Actions:
DR1987:0353
Description:
- The lower right corner of the airport is shown, including amphibian landing, station and part of the hangars. Graphite lines with arrows indicate the circulation route of taxiing airplanes as they pick up and deposit passengers under the station. This drawing is one of a series of eight drawings in which the architect works out airplane circulation (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). For a more detailed discussion of this drawing and its relationship to others in the series, consult Shubert.
architecture
Series
Personal Papers
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
1931-1995
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Series 1
1931-1995
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
11 August 2016, 6pm
Visiting Scholar Seminar: Cara Rachele
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Description:
2016 Visiting Scholar Cara Rachele presents her research: This lecture investigates the explosion of detail drawings in the Renaissance. It connects the emergence of the detail in the sixteenth century as a canonical drawing type with the evocation of the material antique. The organic evolution of the detail drawing method can be seen in the sketchbooks of everyday(...)
Project
AP056.S1.1990.PR02
Description:
This project series documents the Nicolas store at 86 Bloor Street West in Toronto in 1990. The office identified the project number as 9010. This project consisted of renovations to the existing 983 square foot space to accommodate the high-end menswear store. Located at ground level at the corner of Bellair Street, renovations to the interiors included mechanical and electrical upgrades, as well as new finishes and fitments. The finishes were done in wood veneer panelling and stone and polished concrete flooring. Fitments included new lighting fixtures, rack systems and other clothing display furnishings. Renovations to the exterior consisted of reglazing part of the Bellair Street facade and recladding. The project is recorded through drawings and photographs dating from 1990. Photographs show the finished store and the drawings include sketches, presentation drawings, plans, elevations, sections, details, perspectives and furnishings drawings. Many of the furnishings drawings are for the new rack system.
1990
Nicolas Store, Toronto (1990)
Actions:
AP056.S1.1990.PR02
Description:
This project series documents the Nicolas store at 86 Bloor Street West in Toronto in 1990. The office identified the project number as 9010. This project consisted of renovations to the existing 983 square foot space to accommodate the high-end menswear store. Located at ground level at the corner of Bellair Street, renovations to the interiors included mechanical and electrical upgrades, as well as new finishes and fitments. The finishes were done in wood veneer panelling and stone and polished concrete flooring. Fitments included new lighting fixtures, rack systems and other clothing display furnishings. Renovations to the exterior consisted of reglazing part of the Bellair Street facade and recladding. The project is recorded through drawings and photographs dating from 1990. Photographs show the finished store and the drawings include sketches, presentation drawings, plans, elevations, sections, details, perspectives and furnishings drawings. Many of the furnishings drawings are for the new rack system.
Project
1990
Series
Bruno Taut
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
between 1919 and 1920
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
series
between 1919 and 1920
Series
Architectural projects
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
1990-2012, predominant 1990-1996
Architectural projects
Actions:
AP166.S1
Description:
Series 1, Architectural Projects (1990-2012, predominant 1990-1996) contains files for seven projects developed by Shoei Yoh and the firm Shoei Yoh + Architects. Six of these projects were developed during the period 1990-1996 in Japan. The Galaxy Toyama Gymnasium in Imizu, Toyama Prefecture, Japan, is the most voluminous project file and is related to two other projects in the series—the Odawara Municipal Sports Complex and the Prospecta Toyama ’92 Observatory Tower. The Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium were developed at approximately the same time, and, for both projects, digital technology was used to calculate the dimensions of elements in a space frame roof structure. The Galaxy Toyama Gymnasium and the Prospecta Toyama ’92 Observatory Tower were both designed by Shoei Yoh for the 1st Japan Expo Toyama ’92 (JET ‘92) and each of the two project files contains some material related to the other. The Galaxy Toyama Gymnasium project contains CAD files related to the roof design, printouts from computer simulations of the roof, design drawings, presentation material, architectural and structural working drawings, models and textual records. The project file for the Odawara Municipal Sports Complex contains some design drawings--including printouts from computer simulations of the roof, proposal documents and some photographs of the site. The other built projects—the Prospecta Toyama ’92 Observatory Tower, the Glass Station, the Naiju Community Center and Nursery School, and the Uchino Community Center for Seniors and Children—are documented through drawings, models, and photographic material. The final project file in the series--a project for a tower in Taichung, Taiwan—is composed of a few presentation documents. Drawings in the series include hand drawings and printouts or photocopies of images created using digital design software. Apart from the CAD files related to the roof design for the Galaxy Toyama Gymnasium, digital material in the series is composed of still images in .jpg format related to the projects for the Odawara Municipal Sports Complex and the Galaxy Toyama Gymnasium. Some of the documents in .jpg format are duplicates of paper documents in the series.
series
1990-2012, predominant 1990-1996
drawings, graphic materials
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
architecture
after 20 December 1806
Projet pour la Madeleine. Album de 5 dessins (vers 1806).
DR1988:0270:001-005
Description:
- Five competition drawings for a Temple of Glory on the site of the Madeleine, Paris, placed in an album by the architects, who also wrote the petition on folio 2. Apparently this album with its five drawings is the complete submission, since the other album guards have no traces of glue. Also received with the album, placed loosely inside it, were two pamphlets for different projects from the same competition. They were inserted at a later date, possibly by the collector Hippolyte-Alexandre-Gabriel-Walter Destailleur, whose bookplate appears on the front endpaper.
drawings, graphic materials
after 20 December 1806
architecture
Project
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
1973-1974
Toronto International Airport, Land Use Study, Mississauga, Ontario (1974)
Actions:
AP018.S1.1974.PR21
Description:
This project series documents a land use study for the Toronto International Airport in Mississauga, Ontario in 1974. The project number assigned by the office is unknown. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of a study to determine, amongst other things, where to place future hangars for Air Canada, near the airline's existing hangars. The project also proposed locations for passenger and cargo terminals and cargo terminals, parking, and air cargo areas, with future expansions in mind. This study included both short term and long term planning of the airport land. The project is recorded through drawings dating from 1973-1974, which include sketches and reprographic copies of site plans.
Project
1973-1974