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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using(...)
Ron Thom: Copp House. West Coast Modern houses series
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n 1950, a young Vancouver architectural apprentice was handed a small house project that his boss was too busy to take on. The apprentice, Ron Thom, took the simple plan and rectangular foundation that had been roughed in, and transformed it into a groundbreaking work of architecture that gained national fame. Inspired by Frank Lloyd Wright and Richard Neutra, but using local wood and paying careful attention to its verdant oceanside setting, Thom created a landmark for the new architectural movement known as West Coast Modernism. The client, Dr. Harold Copp, was himself a trailblazer, the first head of the physiology department in the University of British Columbia’s new Faculty of Medicine and a research pioneer. Generously illustrated with both vintage and contemporary architectural photography, line drawings, and photographs of the architect and residents, The Copp House is the story of a cultural landmark on the shores of Vancouver.
Canadian Architects
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which(...)
Living in a modern way: California design 1930-1965
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In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions....It has developed out of our own preferences for living in a modern way."California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds others pecific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use(exemplified by Charles and Ray Eames's plywood and fiberglass furniture).
Design, Periods and Styles
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The mid-twentieth century was one of the most productive and inventive periods in Wright's career, producing such masterworks as the Guggenheim Museum, Price Tower, Fallingwater, the Usonian houses, and the Loveness House, as well as a vast array of innovative furniture and object design. With a variety of shapes and forms-ranging from honeycombs to spirals-this period is(...)
Architecture Monographs
October 2007, New York
Frank Lloyd Wright : Mid-Century Modern
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The mid-twentieth century was one of the most productive and inventive periods in Wright's career, producing such masterworks as the Guggenheim Museum, Price Tower, Fallingwater, the Usonian houses, and the Loveness House, as well as a vast array of innovative furniture and object design. With a variety of shapes and forms-ranging from honeycombs to spirals-this period is an important contribution to mid-century modernism. Mentoring such talents as Richard Neutra and Rudolph Schindler among others, Wright was one of the most influential proponents of the simplicity, democratic designs, and organic forms that characterize Mid-Century Modern. With lavish, new, previously unpublished color photographs and detailed plans, Frank Lloyd Wright: Mid-Century Modern is a comprehensive examination of an underserved period in Wright's career.
Architecture Monographs
Log houses of the world
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Long considered the apotheosis of rustic kitsch, the log house actually has a rich architectural pedigree. Since the late 19th century, a surprising number of architects, along with their artisan-builder counterparts, have transformed the simple pioneer log cabin into a supremely crafted work of high art. "Log houses of the world" is the first-ever chronological survey of(...)
Log houses of the world
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Long considered the apotheosis of rustic kitsch, the log house actually has a rich architectural pedigree. Since the late 19th century, a surprising number of architects, along with their artisan-builder counterparts, have transformed the simple pioneer log cabin into a supremely crafted work of high art. "Log houses of the world" is the first-ever chronological survey of the greatest examples of log houses designed in Europe and the United States from 1890 to the present. Included are photographs, plans, and little-known drawings - most never before published - from such celebrated Modern-era architects as Eliel Saarinen, Adolf Loos, Le Corbusier, Richard Neutra, and others. The result is both a tour of many homes, and an important vehicle for garnering for these houses the popular recognition, critical and otherwise, that they deserve.
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Living in Los Angeles has always been equated with the suburban single-family home with a big backyard. But for decades, L.A. has also been the consummate laboratory for exceptional experiments in multifamily housing — dwellings centered on shared open space, from the central courtyard to the rooftop garden. In this volume, author Frances Anderton explores that(...)
Common ground: Multi-family housing in Los Angeles
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Living in Los Angeles has always been equated with the suburban single-family home with a big backyard. But for decades, L.A. has also been the consummate laboratory for exceptional experiments in multifamily housing — dwellings centered on shared open space, from the central courtyard to the rooftop garden. In this volume, author Frances Anderton explores that fascinating history— from the bungalow courts and apartment-hotels of the 1910s, through the development of garden apartments, to contemporary mid-rise "urban villages" and co-living spaces. It features the work of the Zwebells, R.M. Schindler, Richard Neutra, John Lautner, Ralph Vaughn, Koning Eizenberg, Sean Knibb, Michael Maltzan, Brooks + Scarpa, and many more. In a time of housing crisis, Frances Anderton makes the case that well-designed, equitable, connected living is tomorrow’s American dream.
Collective Housing
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone,(...)
Long Island Modernism, 1930-1980
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This illustrated history of Long Island’s modern architecture is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects — among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture - the relatively unknown aspects of their production, their associations with clients, artists, and politicians - is complemented by more than three hundred archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures : residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Modernism
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to(...)
Modern architecture and climate: design before air conditioning
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explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.
Architectural Theory
books
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable(...)
Commercial interiors, Building types
August 1998, New York
The architecture of diplomacy : building America's embassies
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Beginning with the inception of the U.S. embassy building program in 1926, and continuing through the 1996 competition for a new embassy in Berlin, "The Architecture of Diplomacy" examines a remarkable yet little-known chapter in architectural history. It focuses on the 1950s, when modernism became linked with the idea of freedom and the State Department's Office of Foreign Buildings Operations began to showcase modern architecture in its embassies. Architects could build abroad in styles never sanctioned at home, resulting in unusual and sometimes outlandish designs intended to express an "open" America overseas. Indeed, the embassy building program was part of the nation's larger effort to establish and assert its superpower status following World War II. Terrorist threats and espionage scandals also shaped the worldwide building program, and continue to affect it today. "The Architecture of Diplomacy" features the stories behind the Rio de Janiero and Havana embassies by Harrison & Abramovitz, Ralph Rapson's designs for Stockholm and Copenhagen, Gordon Bunshaft's work in Germany, Eero Saarinen's constructions in London and Oslo, and Edward Durell Stone's embassy in New Delhi. Other architects involved in the program included Arquitectonica; Pietro Belluschi; Marcel Breuer; Walter Gropius; Kallmann, McKinnell & Wood; Richard Neutra; and Skidmore, Owings & Merrill. Author Jane C. Loeffler obtained access to original correspondence, drawings, and photographs that have never been published.
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August 1998, New York
Commercial interiors, Building types
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Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work(...)
Paffard Keatinge-Clay : modern architect(ure) / modern master(s)
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Paffard Keatinge-Clay was born near Stonehenge in England, studied in London and Zurich, worked in both Le Corbusier's studio in Paris and at Frank Lloyd Wright's Taliesin, and then settled in the American West, where he worked for Skidmore, Owings & Merrill before starting out on his own. While he remained in the U.S. until the mid-1970s, and practiced there, his work remains largely unknown even in San Francisco, where he spent more than 20 years. His brand of orthodox Modernism was decidedly out of step with the prevailing Bay Area Modernism exemplified by figures like Moore, Wurster, McCue and Turnbull, who dominated both the academic and professional arenas of the period. Keatinge-Clay had to struggle to execute his own expressive, nonconformist architectural language, and when he did, he garnered minimal recognition. This book brings to light the importance of his work as representative of its time period and clarifies the influences his mentors - including Mies van der Rohe, Richard Neutra and Charles and Ray Eames--had upon it.
Architecture Monographs
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When we think of the gardens of Southern California, we tend to think of the enormous semiarid landscapes of the Huntington and Rancho Los Alamitos, often built on the sprawling grounds of former ranches. But there is another garden tradition in Southern California: the modest, rectangular suburban plots designed by the most famous architects of mid-century modernism:(...)
Private landscapes : modernist gardens in Southern California
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When we think of the gardens of Southern California, we tend to think of the enormous semiarid landscapes of the Huntington and Rancho Los Alamitos, often built on the sprawling grounds of former ranches. But there is another garden tradition in Southern California: the modest, rectangular suburban plots designed by the most famous architects of mid-century modernism: Richard Neutra, Rudolph Schindler, Gregory Ain, Raphael Soriano, Harwell Hamilton Harris, A. Quincy Jones, and John Lautner. These architects saw the garden as an outdoor extension of the space of the houses they designed, rather than a neo-Spanish fantasy to be added later by a "landscapist." Their modern gardens made use of low-maintenance, drought-resistant plants, and made room for informal outdoor living by children and adults with an emphasis on recreation and exercise. «Private Landscapes» profiles twenty significant gardens-and their accompanying houses-by these celebrated architects. Using contemporary photographs by Julius Shulman and newly commissioned color images, along with plans and plant lists, «Private Landscapes» provides a never-before-seen look at these gardens. As beautiful and practical now as they were 50 years ago, these designs continue to provide inspiration for gardeners and designers everywhere.
Gardens