Material matters: paper
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new(...)
Material matters: paper
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$37.95
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The ''Material matters'' series illustrates the power of materials to affect human experiences and emotions by helping us build intimate connections with inanimate objects through touch and feel. Whether they are used as a point of reference or the medium of creation itself, they are integral to artists and designers who seek to explore fresh outcomes, experiment with new techniques, and elicit distinct responses from their audiences. ''Material matters : paper'' showcases stunning creative interpretations of the common material across a variety of mediums. From the simple act of folding or tearing different sheets up to create complex new shapes to burning random pieces to make radical elements for an artwork, this edition explores the compelling ways with which the unique characteristics of paper can be cleverly drawn upon or manipulated to shape the outcome of a particular project, with insights into the key techniques featured.
Paper and packaging design
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In Unlocking the Church, William Whyte explores a forgotten revolution in social and architectural history and in the history of the Church. He details the architectural and theological debates of the day, explaining how the Tractarians of Oxford and the Ecclesiologists of Cambridge were embroiled in the aesthetics of architecture, and how the Victorians profoundly(...)
Unlocking the church: the lost secrets of Victorian sacred space
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In Unlocking the Church, William Whyte explores a forgotten revolution in social and architectural history and in the history of the Church. He details the architectural and theological debates of the day, explaining how the Tractarians of Oxford and the Ecclesiologists of Cambridge were embroiled in the aesthetics of architecture, and how the Victorians profoundly changed the ways in which buildings were understood and experienced. No longer mere receptacles for worship, churches became active agents in their own rights, capable of conveying theological ideas and designed to shape people's emotions. These church buildings are now a challenge: their maintenance, repair or repurposing are pressing problems for parishes in age of declining attendance and dwindling funds. By understanding their past, unlocking the secrets of their space, there might be answers in how to deal with the legacy of the Victorians now and into the future.
Architectural Theory
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona,(...)
Arcosanti, 2012. Viagens / Journeys
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In this journey, Pedro Bandeira takes us to Arcosanti, the city of Paolo Soleri. In a tale about the experience of driving the American interior by car, avoiding cities and “collecting nature parks and deserts”, Pedro Bandeira wanders between the desert and the meaning of the trip. On the way, he finds Arcosanti, exploring the experimental city isolated in Arizona, revealing it in the negatives of the Kodak 35mm black-and-white film, uncovering the level of detail of Soleri's architecture, "capable of taming the various reinforced concrete masses" but also the "pragmatic informality" with which time and the community that lives there occupied the place. The book is part of the collection Journeys whose aim is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Situationism
Nadav Kander: The Meeting
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise(...)
Nadav Kander: The Meeting
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter.” This collection, the first book dedicated to his portraiture, shows the range and nuance of Kander’s work. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders?from Barack Obama, John le Carré and Alexander McQueen to Tracey Emin, Robert Plant and Prince Charles are layered and penetrating, revealing unexpected moments of reverie and vulnerability.
Photography monographs
books
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221 pages : illustrations ; 24 cm.
Paris : Pommier, ©2014.
Histoires de gare, de dessins et de ruines : 1896-1914 / Jean-Louis Brahem.
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221 pages : illustrations ; 24 cm.
books
Paris : Pommier, ©2014.
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the(...)
The gargoyles of Notre-Dame: medievalism and the monster of modernity
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"The `restoration' of Notre Dame de Paris has always been controversial. Viollet-le-Duc and Jean Baptiste Lassus have long been cast as the handmaidens of nineteenth-century positivism, instilling a vision of rational structure and historical development on the cathedral only recently purged of its Revolutionary years as a Temple of Reason. Writing a history of the cathedral's bevy of gargoyles, Michael Camille brilliantly confirms Viollet-le-Duc's definition of `restoration' as both a word and thing of modern coinage. This last work of one of our time's great medievalists is, like Victor Hugo's Notre Dame de Paris, at once monumental and wide ranging, yet always focused on a demonic protagonist. Provocative, at times profoundly insightful, Michael Camille unveils the fantasies and anxieties of both Viollet-le-Duc and all the restorations since in the veils of meaning and emotions of France's most visited cathedral." Barry Bergdoll, Philip Johnson Chief Curator of Architecture and Design, Museum of Modern Art
History until 1900
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé(...)
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms "non-places"--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants, and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artists in "Vanishing point" make an effort to "place" these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos, and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen, and Amy Wheeler.
Contemporary Art Monographs
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
Photography monographs
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
CCA Publications
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the(...)
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the natural world around them, and in the decades that followed, they became sensitized to potential threats. Sellers shows how the philosophy, science, and emotions that catalyzed the environmental movement sprang directly from suburbanites' lives and their ideas about nature, as well as the unique ecology of the neighborhoods in which they dwelt. Sellers focuses on the spreading edges of New York and Los Angeles over the middle of the twentieth century to create an intimate portrait of what it was like to live amid suburban nature. As suburbanites learned about their land, became aware of pollution, and saw the forests shrinking around them, the vulnerability of both their bodies and their homes became apparent.
Urban Landscapes