5651 Results
Form:
exhibitions
exhibitions
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Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Location:
Hall cases
Hall cases
Date:
5 September 2013 to 5 December 2013
5 September 2013 to 5 December 2013
Title:
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
H-BLOCK: Social Housing – Ilse Bing
Actions:
Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Form:
exhibitions
exhibitions
Date:
5 September 2013 to
5 December 2013
5 September 2013 to
5 December 2013
Location:
Hall cases
Hall cases
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
People:
Date:
2004-2006
2004-2006
Title:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Level of archival description:
Series
Series
Date:
2004-2006
2004-2006
People:
Form:
research
research
Actions:
Description:
Selecting and interpreting material within the John C. Parkin fonds at the CCA, Shirley Blumberg offers a portrait of one of the key actors in the modernization of Canadian cities in the 1950s and 1960s and discusses the power of photography and advertising techniques in promoting the agenda of a corporate practice during those years.
Selecting and interpreting material within the John C. Parkin fonds at the CCA, Shirley Blumberg offers a portrait of one of the key actors in the modernization of Canadian cities in the 1950s and 1960s and discusses the power of photography and advertising techniques in promoting the agenda of a corporate practice during those years.
Date:
April 2022
April 2022
Title:
Find and Tell: Shirley Blumberg on John C. Parkin
Actions:
Description:
Selecting and interpreting material within the John C. Parkin fonds at the CCA, Shirley Blumberg offers a portrait of one of the key actors in the modernization of Canadian cities in the 1950s and 1960s and discusses the power of photography and advertising techniques in promoting the agenda of a corporate practice during those years.
Find and Tell: Shirley Blumberg on John C. Parkin
Actions:
Description:
Selecting and interpreting material within the John C. Parkin fonds at the CCA, Shirley Blumberg offers a portrait of one of the key actors in the modernization of Canadian cities in the 1950s and 1960s and discusses the power of photography and advertising techniques in promoting the agenda of a corporate practice during those years.
Form:
research
research
Date:
April 2022
April 2022
Form:
articles
articles
Title:
Pioneers of the Bijlmermeer
Pioneers of the Bijlmermeer
Actions:
Keyword(s):
Bijlmermeer, Journeys: How Travelling Fruit, Ideas and Buildings Rearrange Our Environment
Bijlmermeer, Journeys: How Travelling Fruit, Ideas and Buildings Rearrange Our Environment
Published:
30 April 2016
30 April 2016
Form:
articles
articles
Title:
Toward a Sensorial Urbanism
Toward a Sensorial Urbanism
Actions:
Text by Mirko Zardini
Issue:
The rest of your senses
The rest of your senses
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Milton Parc fonds
Milton Parc fonds
Actions:
Reference number:
AP025
Synopsis:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
AP025
Synopsis:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
People:
Date:
1962-1989
1962-1989
Title:
Milton Parc fonds
Actions:
AP025
Synopsis:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Milton Parc fonds
Actions:
AP025
Synopsis:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1962-1989
1962-1989
People:
Form:
events
events
Actions:
Keyword(s):
Panos Mantziaras, City Landscape, H. Thünen's Isolierte Staat, R. Schwarz, Von der Bebauung der Erde, Visiting Scholar
Panos Mantziaras, City Landscape, H. Thünen's Isolierte Staat, R. Schwarz, Von der Bebauung der Erde, Visiting Scholar
Date:
19 October 2001
19 October 2001
Form:
events
events
Date:
19 October 2001
19 October 2001
Actions:
Reference number:
DR2001:0050:006
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:006
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
People:
Date:
1927
1927
Title:
"Projet d'altération, Eglise Pointe-Claire, Paroisse St Joachim, P. Q.
Actions:
DR2001:0050:006
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
"Projet d'altération, Eglise Pointe-Claire, Paroisse St Joachim, P. Q.
Actions:
DR2001:0050:006
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
1927
1927
People:
Reference number:
DR2001:0050:007
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:007
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
People:
Date:
février 1929
février 1929
Title:
Eglise de Pointe-Claire, P. Q., Réparations et additions
Actions:
DR2001:0050:007
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Eglise de Pointe-Claire, P. Q., Réparations et additions
Actions:
DR2001:0050:007
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
février 1929
février 1929
People:
Reference number:
DR2001:0050:008
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:008
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
People:
Date:
février 1929
février 1929
Title:
Eglise de Pointe-Claire, P. Q., Réparations et additions
Actions:
DR2001:0050:008
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Eglise de Pointe-Claire, P. Q., Réparations et additions
Actions:
DR2001:0050:008
Synopsis:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
février 1929
février 1929
People:
