9992 Results
Form:
photographs
photographs
Actions:
Reference number:
ARCH256555
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
ARCH256555
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
People:
Date:
1967
1967
Title:
Partial view of the Île Notre-Dame site, Expo 67, Montréal, Québec
Actions:
ARCH256555
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
Partial view of the Île Notre-Dame site, Expo 67, Montréal, Québec
Actions:
ARCH256555
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH255898
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
ARCH255898
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
People:
Date:
1967
1967
Title:
Partial view of the Île Notre-Dame site, Expo 67, Montréal, Québec
Actions:
ARCH255898
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
Partial view of the Île Notre-Dame site, Expo 67, Montréal, Québec
Actions:
ARCH255898
Description:
Front row (left): Cuban Pavilion = Pavilion of Cuba. Middle row (left to right): Ceylon Pavilion = Pavilion of Ceylon; Guyana and Barbados Pavilion; European Communities Pavilion. Back row (left to right): Pavilion of Judaism; Kaleidoscope; Pavilion of India = Indian Pavilion.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Myron Goldsmith fonds
Myron Goldsmith fonds
Reference number:
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
People:
Date:
1933-1996
1933-1996
Title:
Myron Goldsmith fonds
Actions:
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Myron Goldsmith fonds
Actions:
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
Form:
exhibitions
exhibitions
Description:
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Location:
Main galleries
Main galleries
Date:
6 March 1996 to 26 May 1996
6 March 1996 to 26 May 1996
Title:
Power and Planning: Industrial Towns in Québec, 1890-1950
Actions:
Description:
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Power and Planning: Industrial Towns in Québec, 1890-1950
Actions:
Description:
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Form:
exhibitions
exhibitions
Date:
6 March 1996 to
26 May 1996
6 March 1996 to
26 May 1996
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Aditya Prakash fonds
Aditya Prakash fonds
Reference number:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
People:
Date:
1947-2008
1947-2008
Title:
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2008
1947-2008
People:
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
People:
Date:
October 1996
October 1996
Title:
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Form:
drawings
drawings
Date:
October 1996
October 1996
People:
Level of archival description:
Series
Series
Actions:
Reference number:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
People:
Date:
1983-2006
1983-2006
Title:
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Level of archival description:
Series
Series
Date:
1983-2006
1983-2006
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH255266
Description:
correspondence, Skidmore, Owings & Merril "Report on the Use of Glass for the United Airlines-Plot 4 Hangar, San Francisco Airport" (with photographs and handcoloured plates) (1956), "The Journal of Civil Aviation Administration" (September-October 1960), and "The Design and Construction of the British European Airways Hangars at London Airport, with Particular Reference to Prestressed Concrete" (1953)
ARCH255266
Description:
correspondence, Skidmore, Owings & Merril "Report on the Use of Glass for the United Airlines-Plot 4 Hangar, San Francisco Airport" (with photographs and handcoloured plates) (1956), "The Journal of Civil Aviation Administration" (September-October 1960), and "The Design and Construction of the British European Airways Hangars at London Airport, with Particular Reference to Prestressed Concrete" (1953)
People:
Date:
1953-1960
1953-1960
Title:
Correspondence, journals, reports
Actions:
ARCH255266
Description:
correspondence, Skidmore, Owings & Merril "Report on the Use of Glass for the United Airlines-Plot 4 Hangar, San Francisco Airport" (with photographs and handcoloured plates) (1956), "The Journal of Civil Aviation Administration" (September-October 1960), and "The Design and Construction of the British European Airways Hangars at London Airport, with Particular Reference to Prestressed Concrete" (1953)
Correspondence, journals, reports
Actions:
ARCH255266
Description:
correspondence, Skidmore, Owings & Merril "Report on the Use of Glass for the United Airlines-Plot 4 Hangar, San Francisco Airport" (with photographs and handcoloured plates) (1956), "The Journal of Civil Aviation Administration" (September-October 1960), and "The Design and Construction of the British European Airways Hangars at London Airport, with Particular Reference to Prestressed Concrete" (1953)
Form:
textual records
textual records
Date:
1953-1960
1953-1960
People:
Form:
textual records
textual records
Actions:
Reference number:
AP149.S3.SS2.002
Description:
Group consists of documents related to submission of the research paper "The Self-Selection Process" by Vikram Bhatt and Jesús Navarrete for conferences, including the symposium of the European Network for Housing Research. Groups includes application to symposiums and conferences, correspondence, abstract of the research paper and copy of the text "Self-Selection Process". Previously stored in a folder entitled "PAPERS".
AP149.S3.SS2.002
Description:
Group consists of documents related to submission of the research paper "The Self-Selection Process" by Vikram Bhatt and Jesús Navarrete for conferences, including the symposium of the European Network for Housing Research. Groups includes application to symposiums and conferences, correspondence, abstract of the research paper and copy of the text "Self-Selection Process". Previously stored in a folder entitled "PAPERS".
People:
Date:
1991-1993
1991-1993
Title:
Submission of research papers on Self-Selection Process for conferences
Actions:
AP149.S3.SS2.002
Description:
Group consists of documents related to submission of the research paper "The Self-Selection Process" by Vikram Bhatt and Jesús Navarrete for conferences, including the symposium of the European Network for Housing Research. Groups includes application to symposiums and conferences, correspondence, abstract of the research paper and copy of the text "Self-Selection Process". Previously stored in a folder entitled "PAPERS".
Submission of research papers on Self-Selection Process for conferences
Actions:
AP149.S3.SS2.002
Description:
Group consists of documents related to submission of the research paper "The Self-Selection Process" by Vikram Bhatt and Jesús Navarrete for conferences, including the symposium of the European Network for Housing Research. Groups includes application to symposiums and conferences, correspondence, abstract of the research paper and copy of the text "Self-Selection Process". Previously stored in a folder entitled "PAPERS".
Form:
textual records
textual records
Date:
1991-1993
1991-1993
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
People:
Date:
2002-2010
2002-2010
Title:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Level of archival description:
Series
Series
Date:
2002-2010
2002-2010
People:
