4617 Results
Form:
textual records
textual records
Reference number:
DR1982:0128 R:001-002
Description:
- The upper drawing depicts a stepped, semicircular structure, perhaps a monumental ampitheatre, and the lower drawing depicts an arcaded two-story building resembling a Renaissance villa.
DR1982:0128 R:001-002
Description:
- The upper drawing depicts a stepped, semicircular structure, perhaps a monumental ampitheatre, and the lower drawing depicts an arcaded two-story building resembling a Renaissance villa.
People:
Subject:
architecture
architecture
Date:
second half of the 19th century
second half of the 19th century
Title:
Two sketches for an ampitheatre and a villa honouring Alberto I
Actions:
DR1982:0128 R:001-002
Description:
- The upper drawing depicts a stepped, semicircular structure, perhaps a monumental ampitheatre, and the lower drawing depicts an arcaded two-story building resembling a Renaissance villa.
Two sketches for an ampitheatre and a villa honouring Alberto I
Actions:
DR1982:0128 R:001-002
Description:
- The upper drawing depicts a stepped, semicircular structure, perhaps a monumental ampitheatre, and the lower drawing depicts an arcaded two-story building resembling a Renaissance villa.
Form:
textual records
textual records
Date:
second half of the 19th century
second half of the 19th century
People:
Subject:
architecture
architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Lionel March fonds
Lionel March fonds
Reference number:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
People:
Date:
circa 1957-2017
circa 1957-2017
Title:
Lionel March fonds
Actions:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1957-2017
circa 1957-2017
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282038
Description:
Photographie d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
ARCH282038
Description:
Photographie d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
People:
Date:
entre 1871 et 1907?
entre 1871 et 1907?
Title:
Perspective pour la restauration et l'achèvement de la Villa Madama, Rome, Italie
Actions:
ARCH282038
Description:
Photographie d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
Perspective pour la restauration et l'achèvement de la Villa Madama, Rome, Italie
Actions:
ARCH282038
Description:
Photographie d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
Form:
photographs
photographs
Date:
entre 1871 et 1907?
entre 1871 et 1907?
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH282039
Description:
Reproduction d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
ARCH282039
Description:
Reproduction d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
People:
Date:
circa 1914
circa 1914
Title:
Élévation du côté de la Grande Loge pour la restauration de la Villa Madama, Rome, Italie
Actions:
ARCH282039
Description:
Reproduction d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
Élévation du côté de la Grande Loge pour la restauration de la Villa Madama, Rome, Italie
Actions:
ARCH282039
Description:
Reproduction d'un dessin d'Émile Bénard (voir Espouy, Hector d'. Fragments d'architecture du moyen âge et de la renaissance. Paris : C. Massin, [1897?]-c1925, volume 1, figures 25-30).
Form:
photographs
photographs
Date:
circa 1914
circa 1914
People:
Level of archival description:
Sub-series
Sub-series
Title:
Travels
Travels
Actions:
Reference number:
AP075.S4.SS5
Description:
This sub-series documents Cornelia Hahn Oberlander's travel for the purpose of research on lansdscaping. It contains material related to her travels in China in the mid 1970s, a tour of Renaissance gardens in Italy in 1988, a tour of gardens in England in the end of the 1980s, a travel in Japan in the early 1990s, in Germany in 1998, and in England and Sweden in the mid 2010s. The sub-series predominantly photographs, notes from her travels, and collected touristic documentation and leaflets. It also contains a collection of slides from various travels in Europe, in the Middle East and the United States.
AP075.S4.SS5
Description:
This sub-series documents Cornelia Hahn Oberlander's travel for the purpose of research on lansdscaping. It contains material related to her travels in China in the mid 1970s, a tour of Renaissance gardens in Italy in 1988, a tour of gardens in England in the end of the 1980s, a travel in Japan in the early 1990s, in Germany in 1998, and in England and Sweden in the mid 2010s. The sub-series predominantly photographs, notes from her travels, and collected touristic documentation and leaflets. It also contains a collection of slides from various travels in Europe, in the Middle East and the United States.
People:
Date:
1975-2015
1975-2015
Title:
Travels
Actions:
AP075.S4.SS5
Description:
This sub-series documents Cornelia Hahn Oberlander's travel for the purpose of research on lansdscaping. It contains material related to her travels in China in the mid 1970s, a tour of Renaissance gardens in Italy in 1988, a tour of gardens in England in the end of the 1980s, a travel in Japan in the early 1990s, in Germany in 1998, and in England and Sweden in the mid 2010s. The sub-series predominantly photographs, notes from her travels, and collected touristic documentation and leaflets. It also contains a collection of slides from various travels in Europe, in the Middle East and the United States.
Travels
Actions:
AP075.S4.SS5
Description:
This sub-series documents Cornelia Hahn Oberlander's travel for the purpose of research on lansdscaping. It contains material related to her travels in China in the mid 1970s, a tour of Renaissance gardens in Italy in 1988, a tour of gardens in England in the end of the 1980s, a travel in Japan in the early 1990s, in Germany in 1998, and in England and Sweden in the mid 2010s. The sub-series predominantly photographs, notes from her travels, and collected touristic documentation and leaflets. It also contains a collection of slides from various travels in Europe, in the Middle East and the United States.
Level of archival description:
Sub-series
Sub-series
Date:
1975-2015
1975-2015
People:
Form:
events
events
Actions:
Keyword(s):
Visiting Scholar, Christopher Heuer, Guidebooks to Chaos, The Grotesque Renaissances, Hans Vredeman de Vries, The City Rehearsed, Urban Design, Architectural Imaginary, Visiting Scholar Seminar
Visiting Scholar, Christopher Heuer, Guidebooks to Chaos, The Grotesque Renaissances, Hans Vredeman de Vries, The City Rehearsed, Urban Design, Architectural Imaginary, Visiting Scholar Seminar
Date:
13 July 2006
13 July 2006
Form:
events
events
Date:
13 July 2006
13 July 2006
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Vive L'Architectute (circa 2013)
Actions:
AP207.S1.2013.PR03
Description:
The project series documents the film "Vive l'architecture" produced by Pettena in 2013. The film shows a series of religious Renaissance paintings, however, the human subjects were removed leaving only the architectural elements of the paintings. "Usually considered just a support and background to the scene represented, architecture is instead a subject itself, and a fundamental one, of the painting." [1] The project series contains digital versions of the film, a film still, and a project description in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/ff-vive-l-architecture-2013-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
3 March 2011 to 22 May 2011
3 March 2011 to 22 May 2011
Title:
Palladio at Work: An annotated exhibition
Actions:
Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Palladio at Work: An annotated exhibition
Actions:
Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Form:
exhibitions
exhibitions
Date:
3 March 2011 to
22 May 2011
3 March 2011 to
22 May 2011
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
People:
Date:
1985
1985
Title:
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Mémoire présenté au Comité consultatif du Vieux-Port de Montréal
Actions:
AP066.S2.D12
Description:
Le dossier documente la production d'un mémoire présenté au Comité consultatif du Vieux-Port de Montréal, à Montréal, Québec. Le dossier contient des dessins, des reprographies et des documents textuels. Description du projet par l'architecte: Pour la renaissance d'un espace naturel: UN NOUVEAU PORT "… nous croyons à la fois au projet porté par [l'architecte Marc] Drouin et au projet nommé par [l'architecte Jean-Claude] Marsan… Du premier, plutôt que le fleuve seul, retenons l'élément de reflexion de base: la nature comme modèle de l'espace… Du second, plutôt que la continuité portuaire seule, retenons l'élément de figuration de base : la culture comme l'espace idéal de 'projetation' du modèle." Jacques Rousseau, "Le Monument Ultime", Section A, mai 1985, p. 35-36.
Level of archival description:
Projet
Projet
Date:
1985
1985
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
People:
Date:
circa 1968-2015
circa 1968-2015
Title:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Level of archival description:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
People:
