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243 pages : illustrations (chiefly color), portraits ; 27 cm
London : Whitechapel Gallery, 2018., ©2018
Theatre of the natural world / Mark Dion ; editor, Iwona Blazwick.
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243 pages : illustrations (chiefly color), portraits ; 27 cm
books
London : Whitechapel Gallery, 2018., ©2018
books
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144 p. : 1 ill. (woodcut) ; 17 cm. (8vo)
Augsburg : Bey Conrad Heinrich Stage, 1778.
Erste Gründe der Rechenkunst vor Baugewerke : darinnen die vier Rechnungsarten, nebst der gemeinen Regel Detri, der Regel inversa, der Regel von fünfen, die Ausziehung der Quadrat, und Kubikwurzel, nebst andern Flächen und Körperberechnungen enthalten sind : zum Nutzen derer, so mit dem Bauwesen beschäfftiget, als auch andern Liebhabern, besonders aber denen lehrbegierigen Maurer- Steinmetz- und Zimmergesellen / aufgesezt von Lukas Voch, Ingenieur und Architekt ...
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144 p. : 1 ill. (woodcut) ; 17 cm. (8vo)
books
Augsburg : Bey Conrad Heinrich Stage, 1778.
books
Description:
xiv, 338 pages : illustrations ; 24 cm
New York : Routledge, 1996.
Double exposures : the subject of cultural analysis / Mieke Bal ; with Das Gesicht an der Wand, Edwin Janssen.
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Description:
xiv, 338 pages : illustrations ; 24 cm
books
New York : Routledge, 1996.
Huma Bhabha
$83.00
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Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Contemporary Art Monographs
November 2010
Huma Bhabha
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Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Contemporary Art Monographs
Rachel Harrison: fake titel
$55.00
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Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the(...)
Contemporary Art Monographs
February 2014
Rachel Harrison: fake titel
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$55.00
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Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000–2012).
Contemporary Art Monographs
Waste (object lessons)
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Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those(...)
Waste (object lessons)
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$21.95
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Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it's also waste-or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse: nuclear waste, climate debris, pop-culture rubbish, digital detritus, and more.
Critical Theory
Gabriel Orozco: Asterisms
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while(...)
Gabriel Orozco: Asterisms
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while invoking several of the artist’s recurrent motifs, including the effects of erosion, the poetry of the mundane, the relationship between the macro and the micro and the tension between nature and culture.
Contemporary Art Monographs
books
What's left
$38.00
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Summary:
The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and(...)
What's left
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$38.00
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The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and communal living meet in both places, as diverse as they may seem, as do other places drawn together using non-linear, multi-layered methods to explore subjects like the history of the Colorado River, the social functions of books and libraries, and disciplines as diverse as chemistry, architecture, social psychology, agriculture, language and disaster response.
books
January 2008
Contemporary Art Monographs
Low cost design, vol. 1
$55.00
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This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by(...)
Low cost design, vol. 1
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$55.00
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This publication is based on the principle that the most innovative design ideas are probably not the ones passing through patent offices. Functioning as a visual dictionary of everyday ingenuity and self-sufficiency, and spanning Northern Europe and the Mediterranean, it catalogues inspiring examples of the creative repurposing of detritus, and of overlooked land, by ordinary people — whether for reasons of subsistence, politics or sheer artistry. Thus, a flowerpot and a section of a fence become an improvised barbeque; a tree stump on a sidewalk is carved into a makeshift one-seater. The innovations are classified as either "objects" or "actions," demonstrating a decentralized but palpable European movement conscious of avoiding waste. The book features an essay by the artist and designer Daniele Pario Perra, who in 2001 began the Design on the Cheap database.
Industrial Design
$49.95
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Contemporary Art Monographs