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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Literally no place communes, bars, and greenrooms: Liam Gillick book works
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Literally No Place was published to coincide with Liam Gillick's exhibition, The Wood Day at Whitechapel Art Gallery, London, May 2002.
Contemporary Art Monographs
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Proxemics: Selected Writings (1988-2006)
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Liam Gillick has consistently used text as a site of artistic, theoretical and political intervention in his work. This book brings together a selection of his published critical writings, focusing on his role among a group of artists who emerged in the 1990s.
Art Theory
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Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to(...)
Industry and intelligence: contemporary art since 1820
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Liam Gillick has written a holistic genealogy of contemporary art that addresses art’s engagement with history, even when it seems apathetic or blind to current events. Rather than focus on dominant works or special cases, Gillick takes a broad view of artistic creation from 1820 to today, underscoring the industry and intelligence of artists as they have responded to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of the contemporary artist to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.
Art Theory
Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and(...)
Factories in the snow
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This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
Contemporary Art Monographs
Meaning Liam Gillick
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as(...)
Meaning Liam Gillick
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Liam Gillick emerged as part of the generation of "Young British Artists" who energized the British art scene in the 1980s and 1990s. He is now one of the most influential (and perplexing) artists in all of contemporary art. Gillick's discursive mode of art practice—often associated with "relational aesthetics"—complicates object production, embraces the exhibition as medium, and explores the social role and function of art. This reader coincides with a year-long, multi-venue, mid-career retrospective that serves both as a continuous investigation into Gillick's practice and an in-depth study of his work to date. The book offers a range of critical perspectives on artist's work. Introduction by Monika Szewczyk.
Art Theory
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Art Resource Transfer, Inc. is a nonprofit, tax exempt organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of books to public libraries and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of(...)
Between artists: Liam Gillick, Lawrence Weiner
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Art Resource Transfer, Inc. is a nonprofit, tax exempt organization dedicated to establishing a more egalitarian access to the arts through publishing and the free distribution of books to public libraries and schools in underserved communities nationwide. Between Artists is a series of conversation based books that document different positions and strategies of contemporary, critical visual practice. These conversations provide an opportunity for artists to speak clearly about their practice and give readers a better understanding of the power and relevance of the artists' voice in the discussion of larger social issues.
Contemporary Art Monographs
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion(...)
Again the metaphor problem and other engaged critical discouses about art : a conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated by Beatrix Ruf
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The use of the metaphor has from time immemorial been a central practice of art, and it represents an important issue for all three artists here, who work with language, film and installations. Their discussion leads to a new perception of the metaphor and the function for art and architecture, of the role and interests of artists and mediators of art. A discussion about the world of art and art in the world.
Art Theory
Afterall 29 : Spring 2012
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Moyra Davey - Eugenio Dittborn - Exhibition histories : 'Useful Life' - Liam Gillick on R. Kelly
Afterall 29 : Spring 2012
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Moyra Davey - Eugenio Dittborn - Exhibition histories : 'Useful Life' - Liam Gillick on R. Kelly
Magazines
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Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.
Para-platforms: on the spatial politics of right-wing populism
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Three cases studies on social, spatial, and material reality of right-wing populism. Issues tackled include Trump and Brexit; spaces of right-wing extremism in Germany; and a racist murder by a German far-right group in 2006. Other contributions includes an introduction by anthropologist Mahmoud Keshavarz, an interview with Wolfgang Tillmans, and a comic strip by Liam Gillick.
Critical Theory
Of bridges and borders
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Of Bridges & Borders celebrates the opening up of communication among writers and artists worldwide following the collapse of the Berlin Wall (the primary border referred to in the title), to mark the emergence of a new collective memory in the age of global connectivity. Its numerous contributors include Carlos Amorales, John Bock, Chris Burden, Matias Duville, Gardar(...)
July 2010
Of bridges and borders
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Of Bridges & Borders celebrates the opening up of communication among writers and artists worldwide following the collapse of the Berlin Wall (the primary border referred to in the title), to mark the emergence of a new collective memory in the age of global connectivity. Its numerous contributors include Carlos Amorales, John Bock, Chris Burden, Matias Duville, Gardar Eide Einarsson, Elmgreen & Dragset, Carlos Garaicoa, Liam Gillick, Fabrice Gygi, Thomas Hirschhorn, Hassan Khan, Guillermo Kuitca, Dr. Lakra, Gianni Motti, Antoni Muntadas, and more.