West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Octagonal gallery
11 December 2003 to 7 March 2004
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
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This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Octagonal gallery
exhibitions
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Hall cases
12 October 1994 to 15 January 1995
From Society to Solitude: Public and Private Space in Seventeenth-Century France
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The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
exhibitions
12 October 1994 to
15 January 1995
Hall cases
This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Octagonal gallery
11 September 2009 to 10 January 2010
Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997-2007
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This exhibition features Italian photographer Guido Guidis photographs of the Brion family mausoleum in Italy, considered to be architect Carlo Scarpa’s masterpiece. The artist’s 54 colour photographs reveal the beauty of the funerary complex, its clean architectural lines, and the poetic nature of Scarpa’s work. By concentrating on particular architectural features,(...)
Octagonal gallery
Archaeology of the Digital
Archaeology of the Digital is conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s through four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: the Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized(...)
Main galleries
7 May 2013 to 27 October 2013
Archaeology of the Digital
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Archaeology of the Digital is conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s through four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: the Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized(...)
Main galleries
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade
11 September 2009 to 19 October 2009
Robert Burley: Photographic Proof
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Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Main galleries
25 January 1995 to 23 April 1995
The Photographs of Édouard Baldus: Landscapes and Monuments of France
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Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Main galleries
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Octagonal gallery
19 May 1993 to 29 August 1993
An Architectural Odyssey: The Travel Sketches of Louis I. Kahn
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A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Octagonal gallery
The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Octagonal gallery
11 November 2010 to 6 February 2011
404 ERROR: The object is not online
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The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Octagonal gallery
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Octagonal gallery
22 September 1993 to 28 November 1993
"Letters from the People": Photographs by Lee Friedlander
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Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Octagonal gallery
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room
6 December 1989 to 11 February 1990
Mills and Factories of New England: Photographs by Serge Hambourg
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Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Octagonal gallery ante-room