PH1985:0932
1883-1886
PH1993:0413
April 1993
PH2003:0049
architecture, landscape architecture, portrait
August 1994
architecture, landscape architecture, portrait
PH1986:0196
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
1953
Partial view of the broad veranda of the Old Shoin showing the south lawn (also known as the court football [kemari] field in the background, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0196
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
landscape architecture
1953
View of the south lawn (also known as the court football [kemari] field), stepping-stones, moss and trees near the Old Shoin, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0173
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266). - This photograph was taken from the moss garden beside the broad veranda of the Old Shoin (Isozaki, et al, pp. 78, 244; Ito, p. 42, site plan; Tange, n.p., plan).
landscape architecture
PH1986:0197
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
1953
View of the Moon-viewing Platform and the broad veranda of the Old Shoin showing the moss garden and the south lawn (also known as the court football [kemari] field) in the background, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0197
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
PH1986:0212
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
1953
View of the Music Room veranda showing the south lawn (also known as the court football [kemari] field) and a corner of the New Palace (also known as the New Goten) in the background, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0212
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
PH1986:0211
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
1953
Partial view of the Music Room and its veranda with the New Palace (also known as the New Goten) and the south lawn (also known as the court football [kemari] field) in the background, Katsura Rikyu (also known as Katsura Imperial Villa), Kyoto, Japan
Actions:
PH1986:0211
Description:
- Photographs PH1986:0148 - PH1986:0283 form a sequence of views. Accession numbers follow an order established by the photographer that is based on the temporal experience of walking through the grounds of Katsura Rikyu (also known as Katsura Imperial Villa) (see acquisition file). - Yasuhiro Ishimoto returned to Katsura Rikyu (also known as Katsura Imperial Villa) in 1982 and took another series of photographs, this time with many in colour, often using the same or very similar views to those of his 1953 photographs at the same location (Ishimoto, p. 266).
architecture, landscape architecture
No Parks?
Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
25 May 2017
No Parks?
Actions:
Description:
Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
Mel Ziegler: Growing Concern
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Baile Park
16 June 1998 to 8 November 1998
Mel Ziegler: Growing Concern
Actions:
Description:
The front garden is a sign, a place both public and private, conveying the convictions and values of the households they frame. Growing Concern, a grass relief in Baile Park by American artist Mel Ziegler (b.1956), represents the North American obsession with the lawn. The artist considers the cultural obsession with the growth of our lawns to be symbolic of the taming(...)
Baile Park