PH1981:1177
architecture, sculpture
between 1850 and 1890
architecture, sculpture
DR1995:0263:032:014:006
22 May 1974
articles
Familiar Observations
The Lives of Documents—Photography as Project, Stefano Graziani, Bas Princen, Tokuko Ushioda, Ice Box, My Husband
17 July 2023
Familiar Observations
Tokuko Ushioda in conversation with Stefano Graziani and Bas Princen
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articles
Domestic Monument
Domestic Monument
Mauricio Pezo and Sofia von Ellrichshausen reflect on the Amancio Williams archive
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articles
On the Horizon
On the Horizon
Gilles Delalex and Yves Moreau of Studio Muoto offer a reading of the Amancio Williams archive
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Online
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Octagonal gallery
24 May 2015 to 12 July 2015
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
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Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Octagonal gallery
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Octagonal gallery
23 July 2015 to 13 September 2015
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
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Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Octagonal gallery
articles
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Baile Park
6 May 2004 to 6 September 2004
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
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Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Baile Park