Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
21 September 2018 to 19 May 2019
Scripts for a new world
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Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
Hochelaga Depicta: Documenting Montréal traces the urban and architectural development of Montreal since its founding in 1642. Engravings of different scenes of Montreal, guide books, postcards, and other documents from the CCA collection present this history. Curated by Joshua Wolfe, Héritage Montréal, and Helen Malkin, CCA.
Hall cases
7 May 1989 to 15 August 1989
Hochelaga Depicta: Documenting Montréal
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Hochelaga Depicta: Documenting Montréal traces the urban and architectural development of Montreal since its founding in 1642. Engravings of different scenes of Montreal, guide books, postcards, and other documents from the CCA collection present this history. Curated by Joshua Wolfe, Héritage Montréal, and Helen Malkin, CCA.
Hall cases
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
15 September 1982 to 16 October 1982
Photography and Architecture: 1839–1939
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In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Civic Visions, World's Fairs
The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Hall cases
17 March 1993 to 1 August 1993
Civic Visions, World's Fairs
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The dazzling energies of world’s fairs are well known —millions of visitors, encyclopaedic displays of goods and ideas, fantastic settings of pavilions and exhibition halls—but the sites that gather the exposition experience into a spatial unity are often overlooked. Civic Visions, World’s Fairs looks at the contribution of site planning to the history of international(...)
Hall cases
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Main galleries
12 February 1992 to 19 April 1992
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
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British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Main galleries
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Octagonal gallery
6 June 2013 to 11 August 2013
Dissections: Geoffrey Smedley
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Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Octagonal gallery
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Octagonal gallery
17 April 1996 to 4 August 1996
Dieter Appelt: The Catastrophe of Things
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Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Octagonal gallery
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
31 May 2017 to 24 September 2017
Educating Architects: Four Courses by Kenneth Frampton
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Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Octagonal gallery
2 May 2001 to 16 September 2001
Meditations on Piero
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Meditations on Piero presents contemporary sculptures by British/Canadian artist Geoffrey Smedley alongside over thirty rare books from the fifteenth to the eighteenth centuries. The sculptures draw their inspiration from a series of drawings of the human head by the great Italian Renaissance artist Piero della Francesca. The exhibition relates these drawings and(...)
Octagonal gallery
John Soane 1753-1837
Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries
16 May 2001 to 3 September 2001
John Soane 1753-1837
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Described by Henry James as “one of the most curious things in London,” Sir John Soane’s Museum was built as the picturesque and enigmatic home, office, collector’s trove, and personal showplace of one of history’s most innovative architects. This exhibition is a major re-evaluation of Soane’s career, as well as a reconsideration of his importance to the history of modern(...)
Main galleries