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Formless furniture
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In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane(...)
Formless furniture
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In the mid-1960s, artists like Robert Morris, Joseph Beuys, Michelangelo Pistoletto and Lynda Benglis began to experiment with formlessness in their materials. The maxim Form follows material, however, was not only proclaimed in the era's avant-garde art: it had a distinct impact on furniture design as well--for example, on Gunnar A. Andersen's experimental polyurethane Portrait of My Mother's Chesterfield Chair of 1964 and Zanotta's famous Sacco beanbag chair of 1968. Edited by Peter Noever, Director of Vienna's MAK museum of applied and contemporary art, this volume is the first to concentrate on formlessness in furniture design. Featuring work from the 1960s through today by such revolutionary figures as Frank Gehry, Gaetano Pesce, Ron Arad and Karim Rashid, it illuminates connections between the historical avant-garde and the applied arts, and tracks the various manifestations of design formlessness to have emerged over the past half century.
books
June 2008
Interior Design
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
small format
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in(...)
Modeling messages : the architect and the model
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in architectural practice. Among the illustrations are inventive designs by architects Peter Eisenman, Frank Gehry, Zaha Hadid, and Rem Koolhaas. Author Karen Moon discusses the meaning of the model for the architect, the relationship between model and building, and the impact of scale. She also explores how architects use models for presentation and the creation of a public image. In addition, she focuses on the practice of model making: the relationship between the architect and the maker; the materials and new technologies that are transforming model making.
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The popular image of the winery remains the picturesque European chateau, but a growing number of winemakers around the world are seeking a fresh approach. Architects are being challenged to rethink the winery as a bold contemporary expression of tradition and innovation, agriculture and technology, production and hospitality: powerful architecture with a(...)
Commercial interiors, Building types
January 1900, Mulgrave
Adventurous wine architecture
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The popular image of the winery remains the picturesque European chateau, but a growing number of winemakers around the world are seeking a fresh approach. Architects are being challenged to rethink the winery as a bold contemporary expression of tradition and innovation, agriculture and technology, production and hospitality: powerful architecture with a serious purpose. This book by well-known architectural writer Michael Webb contains a selection of wineries designed by architects such as Frank Gehry, Zaha Hadid, Renzo Piano, Steven Holl, Herzog & de Meuron, Santiago Calatrava, Rafael Moneo, Glenn Murcutt, Norman Foster and more. Each project has been carefully chosen for its architectural excellence and offers a new perspective on an age-old craft, and an adventurous approach to building. The locations are evocative: California, Canada, Australia, New Zealand, Italy, Austria, Spain, Chile and Argentina.
Commercial interiors, Building types
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Exposed concrete is one of the most fascinating and demanding building materials. To work with it calls for technical precision of the highest order, especially where the architecture’s character is determined by the material’s special qualities. Architects such as Tadao Ando, Frank Gehry, Daniel Libeskind, Gigon-Guyer, and Diener & Diener have defined the highest(...)
Materials and Lighting
December 2005, Basel
Exposed concrete : technology and design
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Exposed concrete is one of the most fascinating and demanding building materials. To work with it calls for technical precision of the highest order, especially where the architecture’s character is determined by the material’s special qualities. Architects such as Tadao Ando, Frank Gehry, Daniel Libeskind, Gigon-Guyer, and Diener & Diener have defined the highest standard for the use of exposed concrete with their buildings. In its first part, this book presents groundbreaking examples of exposed concrete architecture by ten international architects and analyzes their treatment of the material. In its second part, it describes the key aspects of exposed concrete (surface, color, sheeting, framework, seams, composition, etc.); discusses the concreting process in detail; and gives advice on avoiding defects and writing successful proposals.
Materials and Lighting
books
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This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James(...)
Theories and manifestoes of contemporary architecture
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This book presents over 120 of the key arguments of today's major architectural philosophers. These show that the modern architecture of the early part of this century has mutated into three main traditions: a critical and ecological post-modernism; a high-tech and sculptural late modernism, and deconstructive, subversive new modernism. Here are the seminal texts of James Stirling, Robert Venturi, Colin Rowe, Christopher Alexander, Frank Gehry, Reyner Banham, Bernard Tschumi, Rem Koolhaas and many others who have changed the discourse of architecture. Here also are the anti-modern texts of the traditionalists - Leon Krier, Demetri Porphyrios, Quinlan Terry, Prince Charles and others. Many of these texts are concise, edited versions of influential books. Reprinted in 2003.
books
September 1997, London
Architectural Theory
Architects' houses
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Thirty of the world's most talented architects, including Norman Foster, Thom Mayne, Tod Williams and Billie Tsien, talk about the houses they designed for themselves over the past decade in Architects' Houses. What inspired them, what were the constraints, how did their concepts take shape? Michael Webb explores the creative process and traces the influence of(...)
Architects' houses
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Thirty of the world's most talented architects, including Norman Foster, Thom Mayne, Tod Williams and Billie Tsien, talk about the houses they designed for themselves over the past decade in Architects' Houses. What inspired them, what were the constraints, how did their concepts take shape? Michael Webb explores the creative process and traces the influence of architects' houses over the past two hundred years, from Jefferson's Monticello to the creations of Charles and Ray Eames, Toyo Ito, and Frank Gehry. Texts, sketches, and plans illustrate houses that differ widely, in size, material, character, and location. Spacious or frugal, ambitious or modest, refined or rough-edged, daring or reductive, these adventurous dwellings make a statement. This generously illustrated book brims with ideas and inspiration as these architects' houses show different answers to the question: how can a house enrich lives and its natural surroundings?
Residential Architecture
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Museums and Universal Exhibitions
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Architectural discourse today is characterized by an overlapping conversation between architects and academics, teachers and students, theorists and practitioners. Certain terms-"diagram, " "extreme form, " "autonomy, " and "the generic, " among others-capture the moment in architecture in definition and in operation. "Crib sheets" is a guide-a "crib"-to twenty-two of(...)
sale books
June 2005, New York
Crib sheets : notes on thecontemporary architectural conversation
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Architectural discourse today is characterized by an overlapping conversation between architects and academics, teachers and students, theorists and practitioners. Certain terms-"diagram, " "extreme form, " "autonomy, " and "the generic, " among others-capture the moment in architecture in definition and in operation. "Crib sheets" is a guide-a "crib"-to twenty-two of those buzzwords, framing contemporary currents and trajectories. Each of the words is presented with a list of quotations, or sound bites, arranged in order of length and drawn from more than two hundred commentators, from Charles Baudelaire, Le Corbusier, and Buckminster Fuller to Frank Gehry, Paul Goldberger, and Rem Koolhaas. The structure attempts to evoke the present-day architectural conversation, capturing social milieus, current events, clusters of topics, and even background noise and eavesdropping.
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books
Mood River
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From an i-MAC computer to a Karim Rashid trashcan to a Philippe Starck stool to an Issey Miyake coat to a Frank Gehry building, design shapes our sense of being in today's world. "Mood River" examines the cornucopia of objects that form the complex visual fabric of our lives, titillate our senses, modulate our moods, and pique our desires. By scanning contemporary art and(...)
Interior Design
February 2002, Columbus, Ohio
Mood River
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From an i-MAC computer to a Karim Rashid trashcan to a Philippe Starck stool to an Issey Miyake coat to a Frank Gehry building, design shapes our sense of being in today's world. "Mood River" examines the cornucopia of objects that form the complex visual fabric of our lives, titillate our senses, modulate our moods, and pique our desires. By scanning contemporary art and design, and loosely organizing thousands of sundry objects into four categories of moods--Bliss, Ecstasy, Rage, and Trauma--"Mood River" aims to arouse a deep respect for the complex economic, technical, and aesthetic processes that join the diverse elements of our material life into that most elusive of unities: a world. Essays by Jeffrey Kipnis, Sanford Kwinter, Annetta Massie, Chee Perlman and Jose Oubrerie. Foreword by Philip Johnson. Introduction by Sherri Geldin.
books
February 2002, Columbus, Ohio
Interior Design