research
Visiting Scholars 2002–2003
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venice, Italy Topic: Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Topic: Dinocrate ou l’architecte en représentation Martin Bressani, McGill University, Montreal,(...)
5 January 2003 to 31 August 2003
Visiting Scholars 2002–2003
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Description:
Chiara Baglione, IUAV-Istituto Universitario di Archittetura di Venezia, Venice, Italy Topic: Becoming an Architect in the Rome of Urban VIII: Architectural Training and Early Works of Pietro da Cortona Laurent Baridon, Université Marc Bloch, Strasbourg, France Topic: Dinocrate ou l’architecte en représentation Martin Bressani, McGill University, Montreal,(...)
research
5 January 2003 to
31 August 2003
research
Visiting Scholars 2005
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
3 January 2005 to 30 September 2005
Visiting Scholars 2005
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Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
research
3 January 2005 to
30 September 2005
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
22 September 2016, 6pm
Nicholas de Monchaux: Local Code
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Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
Talking Pictures
Sophie Dars and Carlo Menon, Stefano Graziani, and Yasufumi Nakamori present strategies for reimagining and employing visual formats such as the photo essay, the photo novel, and the photo exhibition. The event takes place in the framework of an ongoing CCA research project on the relationship between architecture and photography funded by The Andrew W. Mellon(...)
13 October 2016, 6pm
Talking Pictures
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Description:
Sophie Dars and Carlo Menon, Stefano Graziani, and Yasufumi Nakamori present strategies for reimagining and employing visual formats such as the photo essay, the photo novel, and the photo exhibition. The event takes place in the framework of an ongoing CCA research project on the relationship between architecture and photography funded by The Andrew W. Mellon(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Paul Desmarais Theatre
11 November 2010 to 13 November 2010
The CCA in an Expanding Curatorial Field
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Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Paul Desmarais Theatre
research
Visiting Scholars 2006
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
10 January 2006 to 15 September 2006
Visiting Scholars 2006
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Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
research
10 January 2006 to
15 September 2006
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Paul-Desmarais Theatre
5 November 2015
John Palmesino: Territorial Agency
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Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Paul-Desmarais Theatre
Learning from... Mexico City
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Paul-Desmarais Theatre
10 May 2012 , 7pm
Learning from... Mexico City
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Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Paul-Desmarais Theatre
textual records
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
ca. 1936
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”)
Actions:
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
textual records
ca. 1936
archives
Level of archival description:
Fonds
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
1991-2009
Asymptote Architecture New York Stock Exchange project records
Actions:
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
archives
Level of archival description:
Fonds
1991-2009