Starting from diverse premises and points of view, Cedric Price, Aldo Rossi, James Stirling, and Gordon Matta-Clark each engaged in a radical rethinking of the status, history, and purpose of architecture. out of the box: price rossi stirling + matta-clark brings the ideas of these four pivotal figures of the 1970s into dialogue through a group of archives that recently(...)
Main galleries
23 October 2003 to 6 September 2004
out of the box: price rossi stirling + matta-clark
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Starting from diverse premises and points of view, Cedric Price, Aldo Rossi, James Stirling, and Gordon Matta-Clark each engaged in a radical rethinking of the status, history, and purpose of architecture. out of the box: price rossi stirling + matta-clark brings the ideas of these four pivotal figures of the 1970s into dialogue through a group of archives that recently(...)
Main galleries
None
22 March 2018 to 2 September 2018
Lab Cult: An unorthodox history of interchanges between science and architecture
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None
The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
Hall cases
11 September 2009 to 15 November 2009
Robert Burley: The Disappearance of Darkness
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The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
Hall cases
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
16 October 1996 to 2 February 1997
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
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Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Main galleries
Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
11 May 2016 to 16 October 2016
Archaeology of the Digital: Complexity and Convention
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Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Octagonal gallery
17 April 1996 to 4 August 1996
Dieter Appelt: The Catastrophe of Things
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Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Octagonal gallery
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
13 October 2017 to 4 March 2018
Greystone: Tools for Understanding the City
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The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
31 May 2017 to 24 September 2017
Educating Architects: Four Courses by Kenneth Frampton
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Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
exhibitions
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Hall cases
12 October 1994 to 15 January 1995
From Society to Solitude: Public and Private Space in Seventeenth-Century France
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The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
exhibitions
12 October 1994 to
15 January 1995
Hall cases