Into the Island
Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Francesco Garutti, Into the island, groundwork, ecology
7 May 2024 to 17 November 2024
Into the Island
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Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Francesco Garutti, Into the island, groundwork, ecology
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
12 December 2019 to 15 November 2020
Detour: Alternative Readings of Travel
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In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
3 May 2023 to 7 April 2024
The Lives of Documents—Photography as Project
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Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
31 March 1993 to 25 July 1993
Eadweard Muybridge and the Photographic Panorama of San Francisco, 1850-1880
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Centring on Eadweard Muybridge’s panoramas, this exhibition examines the representations of San Francisco from 1850 to 1880, a period of phenomenal growth and development for the city. Contextualizing Muybridge’s work, the exhibition includes multi-panel daguerreotype panoramas, photographic panoramas (including sets of stereocards), photographic-view books and albums,(...)
Main galleries
The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
Main galleries
2 May 1990 to 21 October 1990
Ernest Cormier and the Université de Montréal
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The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
Main galleries
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Octagonal gallery
10 May 1995 to 15 October 1995
Four Photographers Visit Québec: Sipprell, Moser, Volkerding, Kawamata
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Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Octagonal gallery
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
21 May 2014 to 5 October 2014
Archaeology of the Digital: Media and Machines
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Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
19 September 1989 to 19 November 1989
Le Panthéon: Symbol of Revolution
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The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Main galleries
31 January 1990 to 18 March 1990
Friedrich Weinbrenner, Architect of Karlsruhe
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As Building Director of Baden in southwest Germany, Friedrich Weinbrenner (1766–1826) had the unique opportunity to create in Karlsruhe—the capital and his native city—one of the most homogeneous architectural ensembles ever achieved by a single architect. The exhibition focuses on the impact of scientific and administrative reform on the urban and agricultural(...)
Main galleries
Sense of the City
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries
26 October 2005 to 10 September 2006
Sense of the City
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Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries