books
Description:
618 pages : chiefly illustrations (chiefly color), plans ; 22 cm
Sulgen : Verlag Niggli, ©2011.
Architecture dialogues : positions, concepts, visions / Marc Angélil, Jørg Himmelreich (editors) ; [interviewers, authors, Hubertus Adam ... et al. ; translation, Michelle Durham and others].
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618 pages : chiefly illustrations (chiefly color), plans ; 22 cm
books
Sulgen : Verlag Niggli, ©2011.
$18.00
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Summary:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
Toys
November 2016
Dymaxion folding globe, blue and green
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$18.00
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Summary:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
Toys
$18.00
(available to order)
Summary:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer(...)
Toys
December 2016
Dymaxion folding globe, black and white
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$18.00
(available to order)
Summary:
In 1946, Buckminster Fuller patented a map of Earth which presents geographic information without breaks in any of the continental contours, or any visible distortion of the relative shapes or sizes of the land masses. In 1954, the Dymaxion Projection as we know it today was hand drawn by architect, Shoji Sadao, the cartographer and collaborator behind the map. Designer Brendan Ravenhill has configured Fuller’s projection as a magnetic folding globe, a representation of Earth that easily transitions from flat to three dimensional. Fold it to form a geometric globe or unfold to reveal our flattened planet.
Toys
books
Description:
viii, 254 pages : illustrations (black and white) ; 24 cm
Seattle : University of Washington Press, [2022]
Material contradictions in Mao's China / edited by Jennifer Altehenger and Denise Y. Ho.
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viii, 254 pages : illustrations (black and white) ; 24 cm
books
Seattle : University of Washington Press, [2022]
books
Description:
239 pages : color illustrations ; 24 cm
Leuven : Leuven University Press, [2015], ©2015
Allan Sekula : ship of fools / the dockers' museum / edited by Hilde Van Gelder.
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Description:
239 pages : color illustrations ; 24 cm
books
Leuven : Leuven University Press, [2015], ©2015
books
Description:
271 pages : illustrations (chiefly color), maps ; 30 cm.
Zurich : Park Books, [2021], ©2021
Swissness applied : learning from New Glarus / Nicole McIntosh & Jonathan Louie.
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Description:
271 pages : illustrations (chiefly color), maps ; 30 cm.
books
Zurich : Park Books, [2021], ©2021
books
Description:
296 pages : illustrations (some color), maps (some color) ; 24 cm
New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
Architecture is all over / edited by Esther Choi and Marrikka Trotter.
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296 pages : illustrations (some color), maps (some color) ; 24 cm
books
New York, NY : Columbia Books on Architecture and the City, [2017], ©2017
$46.95
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Les Cahiers du Musée national d'art moderne 103, printemps 2008
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Philippe Rahm & Alain Robbe-Grillet: Météorologie d'intérieur Christine Macel: Nouvelles temporalités dans l'architecture, entretien avec Philippe Rahm Olivier Lugon: La conférence, Parole, dessin et projection chez Le Corbusier Maria Stavrinaki: Dada inhumain; l'artiste et son milieu Éric Michaud: Portrait du juif en négateur de l'Incarnation
Contemporary Art Monographs
books
Description:
[52] pages : illustrations ; 27 x 20 cm.
New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
Ultimo : an imaginative narration of life under the earth / with projections by John Vassos and the text by Ruth Vassos.
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[52] pages : illustrations ; 27 x 20 cm.
books
New York : E.P. Dutton & Company, Inc., 1930 (United States of America : Stratford Press)
$36.95
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Summary:
Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a(...)
What you see- Luciano Rigolini
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$36.95
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Summary:
Anonymous snapshots are the ideal projection screen: they inspire the imagination to invent stories. The photographer and artist Luciano Rigolini demonstrates, however, that these images, freed from their context, can also convey a visual experience. Rigolini pieces together his findings from flea markets, archives, or the Internet to create a new, independent work - a grammar of seeing and perception. Les instantanés anonymes sont des surfaces de projection idéales : ils incitent l'imagination à inventer des histoires. Artiste photographe, Luciano Rigolini révèle que, même détachées de leur contexte, ces images peuvent transmettre une expérience visuelle. En fouillant dans les marchés aux puces, les archives et l'Internet, il trouve tout un matériel qu'il assemble ensuite pour en faire une œuvre nouvelle, autonome, une grammaire de la vision et de la perception.
Photography Periods and Styles