*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
Main galleries
2 March 1994 to 19 June 1994
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988
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*Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988* explores how American architect and writer Peter Eisenman questioned the concept of “site,” and demonstrates the importance of drawing and modelmaking in generating his ideas. The exhibition reveals the richness and complexity of the design process by looking carefully at Eisenman’s drawings and(...)
Main galleries
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Main galleries
8 September 1992 to 28 February 1993
Opening the Gates of Eighteenth-Century Montréal
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*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Main galleries
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Main galleries, octagonal gallery, and hall cases
16 June 1998 to 8 November 1998
The American Lawn: Surface of Everyday Life
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The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Main galleries, octagonal gallery, and hall cases
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
The Mound of Vendôme
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Octagonal gallery
19 June 2014 to 28 September 2014
The Mound of Vendôme
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The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Octagonal gallery
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries
19 July 1994 to 25 September 1994
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
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Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Main galleries
Health is a focus of contemporary political debate in a moment of historically high anxiety, but are architects, urban designers, and landscape architects seeking a new moral and political agenda within these concerns? Imperfect Health examines the complexity of today’s interrelated and emerging health problems juxtaposed with a variety of proposed architectural and urban(...)
Main galleries Keyword(s):
imperfect health, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
25 October 2011 to 15 April 2012
Imperfect Health: The Medicalization of Architecture
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Health is a focus of contemporary political debate in a moment of historically high anxiety, but are architects, urban designers, and landscape architects seeking a new moral and political agenda within these concerns? Imperfect Health examines the complexity of today’s interrelated and emerging health problems juxtaposed with a variety of proposed architectural and urban(...)
Main galleries Keyword(s):
imperfect health, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
11 October 1995 to 4 February 1996
Architects of the Image: Photography in the Heroic Age of Construction
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Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Architects’ Books
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Octagonal gallery
24 June 2004 to 26 September 2004
Architects’ Books
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This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Octagonal gallery
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
15 September 1982 to 16 October 1982
Photography and Architecture: 1839–1939
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In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)