801 Results
Form:
books
books
Title:
OfficeUS : Atlas / edited by Eva Franch i Gilabert, Michael Kubo, Ana Miljački, Ashley Schafer.
OfficeUS : Atlas / edited by Eva Franch i Gilabert, Michael Kubo, Ana Miljački, Ashley Schafer.
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1229 pages : illustrations (chiefly color), maps, plans ; 25 cm
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1229 pages : illustrations (chiefly color), maps, plans ; 25 cm
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Publication:
Zürich, Switzerland : Lars Müller Publishers, [2015], ©2015
Zürich, Switzerland : Lars Müller Publishers, [2015], ©2015
Title:
OfficeUS : Atlas / edited by Eva Franch i Gilabert, Michael Kubo, Ana Miljački, Ashley Schafer.
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1229 pages : illustrations (chiefly color), maps, plans ; 25 cm
OfficeUS : Atlas / edited by Eva Franch i Gilabert, Michael Kubo, Ana Miljački, Ashley Schafer.
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1229 pages : illustrations (chiefly color), maps, plans ; 25 cm
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books
books
Publication:
Zürich, Switzerland : Lars Müller Publishers, [2015], ©2015
Zürich, Switzerland : Lars Müller Publishers, [2015], ©2015
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books
books
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319 pages : illustrations (chiefly color) ; 24 cm
Description:
319 pages : illustrations (chiefly color) ; 24 cm
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Paris : Carré, [2021]
Paris : Carré, [2021]
Title:
Les communautés à l'œuvre = Communities at work / sous la direction de Christophe Hutin.
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319 pages : illustrations (chiefly color) ; 24 cm
Les communautés à l'œuvre = Communities at work / sous la direction de Christophe Hutin.
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319 pages : illustrations (chiefly color) ; 24 cm
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books
books
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Paris : Carré, [2021]
Paris : Carré, [2021]
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books
books
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23 pages : illustrations ; 14 x 18 cm
Description:
23 pages : illustrations ; 14 x 18 cm
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[Alabaster, Mich.] : [The Company], [1901]? (Detroit : Wm. Graham)
[Alabaster, Mich.] : [The Company], [1901]? (Detroit : Wm. Graham)
Title:
Alabaster cement wall plaster : the strongest, toughest and most elastic cement plaster on the market.
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23 pages : illustrations ; 14 x 18 cm
Alabaster cement wall plaster : the strongest, toughest and most elastic cement plaster on the market.
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23 pages : illustrations ; 14 x 18 cm
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books
books
Publication:
[Alabaster, Mich.] : [The Company], [1901]? (Detroit : Wm. Graham)
[Alabaster, Mich.] : [The Company], [1901]? (Detroit : Wm. Graham)
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books
books
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137 pages : illustrations ; 25 cm
Description:
137 pages : illustrations ; 25 cm
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Syracuse, N.Y. : The Company, 1892 (Detroit Winn & Hammmond)
Syracuse, N.Y. : The Company, 1892 (Detroit Winn & Hammmond)
Title:
Electric Engineering and Supply Company, manufacturers of electric light and railway supplies for all systems.
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137 pages : illustrations ; 25 cm
Electric Engineering and Supply Company, manufacturers of electric light and railway supplies for all systems.
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Description:
137 pages : illustrations ; 25 cm
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books
books
Publication:
Syracuse, N.Y. : The Company, 1892 (Detroit Winn & Hammmond)
Syracuse, N.Y. : The Company, 1892 (Detroit Winn & Hammmond)
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books
books
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25 unnumbered pages : illustrations, facsimile, plans ; 11 x 16 cm
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25 unnumbered pages : illustrations, facsimile, plans ; 11 x 16 cm
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[Chicago?] : [publisher not identified], [1893?] (Detroit, Mich. : John Bornman & Son, Printers)
[Chicago?] : [publisher not identified], [1893?] (Detroit, Mich. : John Bornman & Son, Printers)
Title:
The Hyde Park Hotel Club : Fifty-first Boulevard and Lake Avenue, Chicago.
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25 unnumbered pages : illustrations, facsimile, plans ; 11 x 16 cm
The Hyde Park Hotel Club : Fifty-first Boulevard and Lake Avenue, Chicago.
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25 unnumbered pages : illustrations, facsimile, plans ; 11 x 16 cm
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books
books
Publication:
[Chicago?] : [publisher not identified], [1893?] (Detroit, Mich. : John Bornman & Son, Printers)
[Chicago?] : [publisher not identified], [1893?] (Detroit, Mich. : John Bornman & Son, Printers)
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Sub-series
Sub-series
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Photographs and Slides
Photographs and Slides
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Reference number:
AP032.S5.D2
Description:
Black and white and colour photographs, negatives, colour slides mostly taken in Europe (Holland, Switzerland) and the United States (Cleveland, Kansa City, Detroit). Includes work by SOM and Goldsmith (the Republic Newspaper Plant, Europoint, and the Portland Arena), personal photographs of friends (including T.Y. Lin), and vacation slides.
AP032.S5.D2
Description:
Black and white and colour photographs, negatives, colour slides mostly taken in Europe (Holland, Switzerland) and the United States (Cleveland, Kansa City, Detroit). Includes work by SOM and Goldsmith (the Republic Newspaper Plant, Europoint, and the Portland Arena), personal photographs of friends (including T.Y. Lin), and vacation slides.
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Date:
[ca. 1960s-1970s]
[ca. 1960s-1970s]
Title:
Photographs and Slides
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AP032.S5.D2
Description:
Black and white and colour photographs, negatives, colour slides mostly taken in Europe (Holland, Switzerland) and the United States (Cleveland, Kansa City, Detroit). Includes work by SOM and Goldsmith (the Republic Newspaper Plant, Europoint, and the Portland Arena), personal photographs of friends (including T.Y. Lin), and vacation slides.
Photographs and Slides
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AP032.S5.D2
Description:
Black and white and colour photographs, negatives, colour slides mostly taken in Europe (Holland, Switzerland) and the United States (Cleveland, Kansa City, Detroit). Includes work by SOM and Goldsmith (the Republic Newspaper Plant, Europoint, and the Portland Arena), personal photographs of friends (including T.Y. Lin), and vacation slides.
Level of archival description:
File 2
File 2
Date:
[ca. 1960s-1970s]
[ca. 1960s-1970s]
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Level of archival description:
Project
Project
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Reference number:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
People:
Date:
1970-1973
1970-1973
Title:
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Level of archival description:
File 13
File 13
Date:
1970-1973
1970-1973
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Form:
books
books
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Description:
xvii, 314 pages : illustrations ; 23 cm
Description:
xvii, 314 pages : illustrations ; 23 cm
Author:
Subject:
Publication:
Washington : Smithsonian Institution Press, ©1998.
Washington : Smithsonian Institution Press, ©1998.
Title:
Critical issues in public art : content, context, and controversy / edited by Harriet F. Senie and Sally Webster.
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Description:
xvii, 314 pages : illustrations ; 23 cm
Critical issues in public art : content, context, and controversy / edited by Harriet F. Senie and Sally Webster.
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Description:
xvii, 314 pages : illustrations ; 23 cm
Form:
books
books
Publication:
Washington : Smithsonian Institution Press, ©1998.
Washington : Smithsonian Institution Press, ©1998.
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Subject:
Level of archival description:
Series
Series
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Reference number:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
People:
Date:
1990-1992
1990-1992
Title:
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Level of archival description:
Série
Série
Date:
1990-1992
1990-1992
People:
Form:
books
books
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Description:
561 pages, that is, 676 pages : illustrations (chiefly color) ; 31 x 42 cm
Description:
561 pages, that is, 676 pages : illustrations (chiefly color) ; 31 x 42 cm
Author:
Subject:
Publication:
Los Angeles, CA, USA : AMMO, [2011], ©2011
Los Angeles, CA, USA : AMMO, [2011], ©2011
Title:
Alexander Girard / written by Todd Oldham, Kiera Coffee.
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Description:
561 pages, that is, 676 pages : illustrations (chiefly color) ; 31 x 42 cm
Alexander Girard / written by Todd Oldham, Kiera Coffee.
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Holdings:
Description:
561 pages, that is, 676 pages : illustrations (chiefly color) ; 31 x 42 cm
Form:
books
books
Publication:
Los Angeles, CA, USA : AMMO, [2011], ©2011
Los Angeles, CA, USA : AMMO, [2011], ©2011
Author:
Subject:
