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AD Space architecture
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This Architectural Design title poses a unique challenge to architects. It incites designers to respond to the limitless potential that outer space presents at the beginning of the third millennium. No longer man's final frontier restricted to the activities of government space agencies, the extraterrestial environment is soon to be opened up by private enterprises and(...)
AD Space architecture
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$54.99
(available in store)
Summary:
This Architectural Design title poses a unique challenge to architects. It incites designers to respond to the limitless potential that outer space presents at the beginning of the third millennium. No longer man's final frontier restricted to the activities of government space agencies, the extraterrestial environment is soon to be opened up by private enterprises and individuals. Featured work, by those such as WAT, Shimizu Systems and the X-Prize contenders, prove that entrepreneurial companies are already producing independent pioneering designs for the first tourists. Contributing specialists from a wide range of disciplines endorse these developments: the engineer David Ashford describes the viability of developing commercial passenger planes for space tourism within decades and the economist Patrick Collins analyses the commercial rewards to be reaped from outer space. The social, legal and scientific effects of creating what could ultimately be an unlimited ecological zone beyond Earth are explored further. Just how far reaching the effects will be for the practice of architecture is suggested both by John Zukowsky's comprehensive overview of space architecture and Ted Krueger, who organised an architectural workshop with NASA. This is not, however, to overlook space's artistic impact on architectural design in the latter 20th century. Space Architecture also recognises the seductive power that high-technology space imagery has had for contemporary architects and their debt to film and TV, as well as cult figures such as David Bowie.
books
March 2000
Architecture since 1900, Europe
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Architectural Theory
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Architectural Drawing
October 1999, New York
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
books
October 1999, New York
Architectural Drawing