The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
19 September 1989 to 19 November 1989
Le Panthéon: Symbol of Revolution
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The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
5 September 2013 to 5 December 2013
H-BLOCK: Social Housing – Ilse Bing
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In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Octagonal gallery
19 March 2009 to 23 August 2009
Total Environment: Montréal, 1965-1975
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“Today everything is environment,” proclaimed a Montreal newspaper at the beginning of the 1970s. The word “environment” had dominated the discourses and practices of artists, architects, social activists and intellectuals during the previous decade. Visitors of Expo ‘67, the event that galvanized the world’s attention on Montreal, commented the phantasmagorical(...)
Octagonal gallery
Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Main galleries
15 November 2000 to 1 April 2001
New York: CCA Competition for the Design of Cities
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Launched in November 1998 by the International Foundation for the Canadian Centre for Architecture, The CCA Competition for the Design of Cities invited architects from around the world to submit solutions to a problem facing all major cities at the dawn of the twenty-first century: how to repair the scars left by transportation structures that are vestiges from a bygone(...)
Main galleries
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
25 November 2009 to 28 February 2010
Intermission: Films From a Heroic Future
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The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
Through the work of internationally renowned architects, this exhibition reveals the presence of utopian modernist ideas thought to have been discarded with the advent of the postmodern era. According to the exhibition’s lead curator Reinhold Martin, much of the architectural production of the last half-century has been haunted by the ghosts of modernist utopias: “The(...)
Octagonal gallery
28 February 2008 to 25 May 2008
Utopia's Ghost: Postmodernism Reconsidered
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Through the work of internationally renowned architects, this exhibition reveals the presence of utopian modernist ideas thought to have been discarded with the advent of the postmodern era. According to the exhibition’s lead curator Reinhold Martin, much of the architectural production of the last half-century has been haunted by the ghosts of modernist utopias: “The(...)
Octagonal gallery
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
26 November 2008 to 19 April 2009
Actions: What You Can Do With the City
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Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Main galleries
1973: Sorry, Out of Gas
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
7 November 2007 to 20 April 2008
1973: Sorry, Out of Gas
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1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
16 May 2012 to 14 October 2012
Notes from the Archive: James Frazer Stirling
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Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Main galleries
Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries