7154 Results
Form:
research
research
Date:
January 2001 to December 2001
January 2001 to December 2001
Form:
research
research
Date:
January 2001 to
December 2001
January 2001 to
December 2001
Form:
research
research
Title:
Visiting Scholars 2001–2002
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Date:
September 2001 to August 2002
September 2001 to August 2002
Title:
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Form:
research
research
Date:
September 2001 to
August 2002
September 2001 to
August 2002
Form:
research
research
Title:
Visiting Scholars 2000–2001
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Date:
September 2000 to August 2001
September 2000 to August 2001
Title:
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Visiting Scholars 2000–2001
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
Form:
research
research
Date:
September 2000 to
August 2001
September 2000 to
August 2001
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
People:
Date:
2001-2018
2001-2018
Title:
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Level of archival description:
Project
Project
Date:
2001-2018
2001-2018
People:
Level of archival description:
Project
Project
Title:
Carbon Tower (2001)
Carbon Tower (2001)
Reference number:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
People:
Date:
2002-2014
2002-2014
Title:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Level of archival description:
Project
Project
Date:
2002-2014
2002-2014
People:
Form:
books
books
Title:
Campaña 2001-2001
Campaña 2001-2001
Actions:
Reference number:
ARCH271639
Description:
Catalog of flowers, plants and trees.
ARCH271639
Description:
Catalog of flowers, plants and trees.
People:
Date:
circa 2001
circa 2001
Form:
books
books
Date:
circa 2001
circa 2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
People:
Date:
1999-2001
1999-2001
Title:
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Torre Barcelona, Spain (2001)
Actions:
AP164.S1.2001.D2
Description:
The project series documents the competition entry of a skyscraper in Barcelona, Spain. The firm identified this project as number 137. The project is related to the Barcelona Forum 2004 (AP164.S1.2000.D9). Documenting the project are conceptual and design development drawings, graphic and photographic materials, and project des criptions.
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
Level of archival description:
Project
Project
Title:
Loewe, Madrid, Spain (2001)
Loewe, Madrid, Spain (2001)
Actions:
Reference number:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
People:
Date:
1953, 1956, 2000-2001
1953, 1956, 2000-2001
Title:
Loewe, Madrid, Spain (2001)
Actions:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Loewe, Madrid, Spain (2001)
Actions:
AP164.S1.2001.D5
Description:
The project series documents a competition entry for the facade for the store Loewe, in Madrid, Spain. The firm identified this project as number 140. Documenting the project are presentation drawings, textual records, and photographic and digital materials.
Level of archival description:
Project
Project
Date:
1953, 1956, 2000-2001
1953, 1956, 2000-2001
People:
Level of archival description:
Project
Project
Title:
Ciudad Real, Spain (2001)
Ciudad Real, Spain (2001)
Actions:
Reference number:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
People:
Date:
2001-2003
2001-2003
Title:
Ciudad Real, Spain (2001)
Actions:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
Ciudad Real, Spain (2001)
Actions:
AP164.S1.2001.D8
Description:
The project series documents the competion entry for a housing project in the sector A.-Herr of Ciudad Real, Spain. The firm's submission won and was built under the direction of another firm. The promotor of the project was the Grupo Empresarial Magenta. Abalos & Herreros identified the project as number 143. Documenting the project are conceptual, design development and working drawings, project descriptions, estimates, budgets, contracts, and photographic materials. Depending on the sources or design phase, the project includes 80, 240 or 270 housing units and garages.
Level of archival description:
Project
Project
Date:
2001-2003
2001-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
People:
Date:
ca. 2001
ca. 2001
Title:
Maison Folie, Lille, France (2001)
Actions:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Maison Folie, Lille, France (2001)
Actions:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Level of archival description:
Project
Project
Date:
ca. 2001
ca. 2001
People:
