529 Results
Form:
events
events
Actions:
Date:
28 June 2002
28 June 2002
Form:
events
events
Date:
28 June 2002
28 June 2002
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
People:
Date:
1991-2009
1991-2009
Title:
Asymptote Architecture New York Stock Exchange project records
Actions:
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Asymptote Architecture New York Stock Exchange project records
Actions:
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-2009
1991-2009
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
People:
Date:
1988-1994
1988-1994
Title:
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Level of archival description:
Project
Project
Date:
1988-1994
1988-1994
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP149.S1.2004.PR02
Description:
The project series documents Minimum Cost Housing Group's project of a student exchange with universities in Mexico and in the United States to expose the urgent need in urban and sustainable housing in North America. The research project was undertaken in collaboration with the Dalhousie Faculty of Architecture and Planning. The material in this project series was produced between 2004 and 2007 and includes textual records related to the planning of the project, including grant applications, correspondence and project applications.
AP149.S1.2004.PR02
Description:
The project series documents Minimum Cost Housing Group's project of a student exchange with universities in Mexico and in the United States to expose the urgent need in urban and sustainable housing in North America. The research project was undertaken in collaboration with the Dalhousie Faculty of Architecture and Planning. The material in this project series was produced between 2004 and 2007 and includes textual records related to the planning of the project, including grant applications, correspondence and project applications.
People:
Date:
2004-2007
2004-2007
Title:
North American Sustainability, Housing and Community Consortium Student Exchange
Actions:
AP149.S1.2004.PR02
Description:
The project series documents Minimum Cost Housing Group's project of a student exchange with universities in Mexico and in the United States to expose the urgent need in urban and sustainable housing in North America. The research project was undertaken in collaboration with the Dalhousie Faculty of Architecture and Planning. The material in this project series was produced between 2004 and 2007 and includes textual records related to the planning of the project, including grant applications, correspondence and project applications.
North American Sustainability, Housing and Community Consortium Student Exchange
Actions:
AP149.S1.2004.PR02
Description:
The project series documents Minimum Cost Housing Group's project of a student exchange with universities in Mexico and in the United States to expose the urgent need in urban and sustainable housing in North America. The research project was undertaken in collaboration with the Dalhousie Faculty of Architecture and Planning. The material in this project series was produced between 2004 and 2007 and includes textual records related to the planning of the project, including grant applications, correspondence and project applications.
Level of archival description:
Project
Project
Date:
2004-2007
2004-2007
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH289510
ARCH289510
People:
Date:
November 1967
November 1967
Form:
textual records
textual records
Date:
November 1967
November 1967
People:
Form:
exhibitions
exhibitions
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Location:
Main galleries
Main galleries
Date:
18 April 2002 to 15 September 2002
18 April 2002 to 15 September 2002
Title:
Laboratories: Six Young Architectural Firms in the CCA Galleries
Actions:
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Laboratories: Six Young Architectural Firms in the CCA Galleries
Actions:
Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Form:
exhibitions
exhibitions
Date:
18 April 2002 to
15 September 2002
18 April 2002 to
15 September 2002
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Date:
19 April 2018
19 April 2018
Form:
events
events
Date:
19 April 2018
19 April 2018
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Actions:
Reference number:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
People:
Subject:
architecture, temporary architecture, urban planning
architecture, temporary architecture, urban planning
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Title:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
People:
Subject:
architecture, temporary architecture, urban planning
architecture, temporary architecture, urban planning
Form:
born digital, photographs
born digital, photographs
Actions:
Reference number:
AP207.S1.2018.PR03.002
Description:
Most common file formats: JPEG File Interchange Format, MPEG-4 Media File, Adobe Photoshop, Exchangeable Image File Format (Compressed)
AP207.S1.2018.PR03.002
Description:
Most common file formats: JPEG File Interchange Format, MPEG-4 Media File, Adobe Photoshop, Exchangeable Image File Format (Compressed)
People:
Date:
2018
2018
Title:
Photographs and videos of the installation, Rebreathing Architecture
Actions:
AP207.S1.2018.PR03.002
Description:
Most common file formats: JPEG File Interchange Format, MPEG-4 Media File, Adobe Photoshop, Exchangeable Image File Format (Compressed)
Photographs and videos of the installation, Rebreathing Architecture
Actions:
AP207.S1.2018.PR03.002
Description:
Most common file formats: JPEG File Interchange Format, MPEG-4 Media File, Adobe Photoshop, Exchangeable Image File Format (Compressed)
Form:
born digital, photographs
born digital, photographs
Date:
2018
2018
People:
Form:
born digital, photographs
born digital, photographs
Actions:
Reference number:
AP207.S1.2012.PR04.004
Description:
Most common file formats: JPEG File Interchange Format, Exchangeable Image File Format (Compressed), Microsoft Word for Windows
AP207.S1.2012.PR04.004
Description:
Most common file formats: JPEG File Interchange Format, Exchangeable Image File Format (Compressed), Microsoft Word for Windows
People:
Date:
2012 - 2015
2012 - 2015
Title:
Photographs of the installations, and project description, Breathing Architecture
Actions:
AP207.S1.2012.PR04.004
Description:
Most common file formats: JPEG File Interchange Format, Exchangeable Image File Format (Compressed), Microsoft Word for Windows
Photographs of the installations, and project description, Breathing Architecture
Actions:
AP207.S1.2012.PR04.004
Description:
Most common file formats: JPEG File Interchange Format, Exchangeable Image File Format (Compressed), Microsoft Word for Windows
Form:
born digital, photographs
born digital, photographs
Date:
2012 - 2015
2012 - 2015
People:
