events
28 June 2002
events
28 June 2002
Catherine Ingraham, Architecture and the Scene of Evidence, Visiting Scholar, Louis Sullivan, Chicago Stock Exchange, Trading Room
27 April 2006
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Main galleries
18 April 2002 to 15 September 2002
Laboratories: Six Young Architectural Firms in the CCA Galleries
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Description:
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Main galleries
Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries
27 March 1991 to 26 May 1991
The Filter of Reason: The Work of Paul Nelson
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Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
21 May 2014 to 5 October 2014
Archaeology of the Digital: Media and Machines
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Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
Being There examines Arthur Erickson’s exchanges with people, places, landscapes, buildings, rituals, and ideas during his early travels in Europe and North Africa between 1950 and 1952, and in Asia in 1961. Drawing on a prescient understanding of site and environment, Erickson was convinced that architecture must be experienced to be understood. He knew that travel and(...)
15 November 2024 to 16 March 2025
Being There: Photography in Arthur Erickson’s Early Travel Diaries
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Being There examines Arthur Erickson’s exchanges with people, places, landscapes, buildings, rituals, and ideas during his early travels in Europe and North Africa between 1950 and 1952, and in Asia in 1961. Drawing on a prescient understanding of site and environment, Erickson was convinced that architecture must be experienced to be understood. He knew that travel and(...)
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
18 March 1998 to 24 May 1998
Montréal Métropole, 1880–1930
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This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
research
Visiting Scholars 2001–2002
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
September 2001 to August 2002
Visiting Scholars 2001–2002
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Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
research
September 2001 to
August 2002
archives
Level of archival description:
Fonds
AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
1991-2009
Asymptote Architecture New York Stock Exchange project records
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AP184
Synopsis:
The Asymptote Architecture New York Stock Exchange project records, 1990 - 2009, document the firm’s work on three major projects for the New York Stock Exchange (NYSE), in collaboration with the Securities Industry Automation Corporation (SIAC): the Three Dimensional Trading Floor (3DTF), MarkeTrac/OrderTrac, and the Advanced Trading Floor Operations Center. The majority of the records date from 1998 to 2004, and include textual, born-digital, audiovisual and over-sized materials.
archives
Level of archival description:
Fonds
1991-2009
archives
Level of archival description:
Fonds
Peter Carter fonds
AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
1943-1996
Peter Carter fonds
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AP047
Synopsis:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
archives
Level of archival description:
Fonds
1943-1996