1405 Results
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exhibitions
exhibitions
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*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Location:
Main galleries
Main galleries
Date:
8 September 1992 to 28 February 1993
8 September 1992 to 28 February 1993
Title:
Opening the Gates of Eighteenth-Century Montréal
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Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Opening the Gates of Eighteenth-Century Montréal
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Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Form:
exhibitions
exhibitions
Date:
8 September 1992 to
28 February 1993
8 September 1992 to
28 February 1993
Location:
Main galleries
Main galleries
Form:
events
events
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Keyword(s):
Jean-Marie Moral, l`architecte-paysagiste, Transformation of the Garden, Eighteenth Century, Visiting Scholar
Jean-Marie Moral, l`architecte-paysagiste, Transformation of the Garden, Eighteenth Century, Visiting Scholar
Date:
15 March 2002
15 March 2002
Form:
events
events
Date:
15 March 2002
15 March 2002
Form:
events
events
Form:
events
events
Date:
21 May 2004
21 May 2004
Form:
exhibitions
exhibitions
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Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Location:
Main galleries
Main galleries
Date:
18 August 1993 to 2 January 1994
18 August 1993 to 2 January 1994
Title:
Exploring Rome: Piranesi and His Contemporaries
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Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Exploring Rome: Piranesi and His Contemporaries
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Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Form:
exhibitions
exhibitions
Date:
18 August 1993 to
2 January 1994
18 August 1993 to
2 January 1994
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
The Idea of the Penitentiary
The Idea of the Penitentiary
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Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
Location:
Hall cases
Hall cases
Date:
8 November 1995 to 31 May 1996
8 November 1995 to 31 May 1996
Title:
The Idea of the Penitentiary
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Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
The Idea of the Penitentiary
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Description:
This exhibition explores the notion of penitentiary, which worked its way into the consciousness and across the landscape of Europe and North America during the nineteenth century. Drawing upon the growing rationalist tendencies in architecture and social theory during the eighteenth century, proponents of penitentiary emphasised a clear geometry of separation,(...)
Form:
exhibitions
exhibitions
Date:
8 November 1995 to
31 May 1996
8 November 1995 to
31 May 1996
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
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Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 October 2008 to 15 February 2009
23 October 2008 to 15 February 2009
Title:
Toplight: Roof Transparencies from 1760 to 1960
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Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Toplight: Roof Transparencies from 1760 to 1960
Actions:
Description:
Toplight: Roof Transparencies from 1760 to 1960 traces the evolution of skylights from their origins at the end of the eighteenth century, when this type of fenestration was first explored in Paris’s new Halle au blé (1763–1782), to James Stirling’s History Faculty Building, University of Cambridge (1963–1968). The exhibition is organized around a series of case studies(...)
Form:
exhibitions
exhibitions
Date:
23 October 2008 to
15 February 2009
23 October 2008 to
15 February 2009
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
Starting from... People
Starting from... People
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Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Location:
Hall cases
Hall cases
Date:
5 October 2011 to 22 January 2012
5 October 2011 to 22 January 2012
Title:
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Form:
exhibitions
exhibitions
Date:
5 October 2011 to
22 January 2012
5 October 2011 to
22 January 2012
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
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Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Location:
Main galleries and hall cases
Main galleries and hall cases
Date:
24 November 1999 to 30 April 2000
24 November 1999 to 30 April 2000
Title:
En chantier: The Collections of the CCA, 1989-1999
Actions:
Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
En chantier: The Collections of the CCA, 1989-1999
Actions:
Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Form:
exhibitions
exhibitions
Date:
24 November 1999 to
30 April 2000
24 November 1999 to
30 April 2000
Location:
Main galleries and hall cases
Main galleries and hall cases
Form:
exhibitions
exhibitions
Title:
Cedric Price: Mean Time
Cedric Price: Mean Time
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Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 October 1999 to 27 February 2000
19 October 1999 to 27 February 2000
Title:
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Form:
exhibitions
exhibitions
Date:
19 October 1999 to
27 February 2000
19 October 1999 to
27 February 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
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Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
