111 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Max Wolfe Roth fonds
Max Wolfe Roth fonds
Actions:
Reference number:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
People:
Date:
1933-2000
1933-2000
Title:
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-2000
1933-2000
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH287614
ARCH287614
People:
Date:
4 October 1954
4 October 1954
Form:
textual records
textual records
Date:
4 October 1954
4 October 1954
People:
Form:
books
books
Actions:
Reference number:
ARCH287630
ARCH287630
People:
Form:
books
books
People:
Form:
articles
articles
Title:
Bringing Projects to Life
Bringing Projects to Life
Actions:
A selection of letters written by Amancio Williams, introduced by Claudia Shmidt
Keyword(s):
Amancio Williams, Claudia Shmidt, correspondence, letters, Jean Prouvé, Richard Neutra, Oscar Niemeyer, Max Bill, Kenneth Frampton
Amancio Williams, Claudia Shmidt, correspondence, letters, Jean Prouvé, Richard Neutra, Oscar Niemeyer, Max Bill, Kenneth Frampton
Published:
12 November 2023
12 November 2023
Title:
Bringing Projects to Life
A selection of letters written by Amancio Williams, introduced by Claudia Shmidt
Actions:
Bringing Projects to Life
A selection of letters written by Amancio Williams, introduced by Claudia Shmidt
Actions:
Form:
textual records
textual records
Reference number:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
People:
Date:
1958-1984
1958-1984
Title:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Form:
textual records
textual records
Date:
1958-1984
1958-1984
People:
Form:
books
books
Actions:
Holdings:
Description:
198 pages : illustrations (some color) ; 28 cm
Description:
198 pages : illustrations (some color) ; 28 cm
Author:
Subject:
Publication:
Buffalo, N.Y. : Buffalo Fine Arts Academy, [1974]
Buffalo, N.Y. : Buffalo Fine Arts Academy, [1974]
Title:
Max Bill : [catalogue / compiled and edited by Max Bill and James N. Wood].
Actions:
Holdings:
Description:
198 pages : illustrations (some color) ; 28 cm
Max Bill : [catalogue / compiled and edited by Max Bill and James N. Wood].
Actions:
Holdings:
Description:
198 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
Buffalo, N.Y. : Buffalo Fine Arts Academy, [1974]
Buffalo, N.Y. : Buffalo Fine Arts Academy, [1974]
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
199 pages : illustrations (some color) ; 29 cm
Description:
199 pages : illustrations (some color) ; 29 cm
Author:
Subject:
Publication:
Herford : Marta Herford : Scheidegger & Spiess, ©2008.
Herford : Marta Herford : Scheidegger & Spiess, ©2008.
Title:
Max Bill : ohne Anfang, ohne Ende : eine Retrospektive zum hundertsten Geburtstag des Künstlers, Designers, Architekten, Typografen und Theoretikers = Max Bill : no beginning, no end : a retrospective making the centenary of the artist, designed, architect, typographer and theoretician.
Actions:
Holdings:
Description:
199 pages : illustrations (some color) ; 29 cm
Max Bill : ohne Anfang, ohne Ende : eine Retrospektive zum hundertsten Geburtstag des Künstlers, Designers, Architekten, Typografen und Theoretikers = Max Bill : no beginning, no end : a retrospective making the centenary of the artist, designed, architect, typographer and theoretician.
Actions:
Holdings:
Description:
199 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
Herford : Marta Herford : Scheidegger & Spiess, ©2008.
Herford : Marta Herford : Scheidegger & Spiess, ©2008.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
148 pages illustrations (some color), portrait, plan 23 cm
Description:
148 pages illustrations (some color), portrait, plan 23 cm
Author:
Subject:
Publication:
[Buenos Aires] Editorial Nueva Visión [1955]
[Buenos Aires] Editorial Nueva Visión [1955]
Title:
Max Bill [por] Tomás Maldonado.
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Holdings:
Description:
148 pages illustrations (some color), portrait, plan 23 cm
Max Bill [por] Tomás Maldonado.
Actions:
Holdings:
Description:
148 pages illustrations (some color), portrait, plan 23 cm
Form:
books
books
Publication:
[Buenos Aires] Editorial Nueva Visión [1955]
[Buenos Aires] Editorial Nueva Visión [1955]
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
329 pages (some folded) : illustrations (chiefly color) ; 27 cm
Description:
329 pages (some folded) : illustrations (chiefly color) ; 27 cm
Author:
Subject:
Publication:
Madrid : Fundación Juan March : Editorial de Arte y Ciencia, [2015], ©2015
Madrid : Fundación Juan March : Editorial de Arte y Ciencia, [2015], ©2015
Title:
Max Bill / Manuel Fontán del Junco, María Toledo, eds. ; texts by Max Bill, Jakob Bill, Karin Gimmi, Manuel Fontán del Junco, Neus Moyano, Gillermo Zuaznabar, Fernando Marzá and María Amalia García.
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Description:
329 pages (some folded) : illustrations (chiefly color) ; 27 cm
Max Bill / Manuel Fontán del Junco, María Toledo, eds. ; texts by Max Bill, Jakob Bill, Karin Gimmi, Manuel Fontán del Junco, Neus Moyano, Gillermo Zuaznabar, Fernando Marzá and María Amalia García.
Actions:
Holdings:
Description:
329 pages (some folded) : illustrations (chiefly color) ; 27 cm
Form:
books
books
Publication:
Madrid : Fundación Juan March : Editorial de Arte y Ciencia, [2015], ©2015
Madrid : Fundación Juan March : Editorial de Arte y Ciencia, [2015], ©2015
Author:
Subject:
Form:
books
books
Title:
Max Bill.
Max Bill.
Actions:
Holdings:
Description:
176 pages : chiefly illustrations ; 26 cm
Description:
176 pages : chiefly illustrations ; 26 cm
Author:
Subject:
Publication:
[Berlin?] : Zentrum für Kunstausstellungen der DDR, [1988?]
[Berlin?] : Zentrum für Kunstausstellungen der DDR, [1988?]
Form:
books
books
Publication:
[Berlin?] : Zentrum für Kunstausstellungen der DDR, [1988?]
[Berlin?] : Zentrum für Kunstausstellungen der DDR, [1988?]
Author:
Subject:
