articles
Promise or Perturbation
Figuring Territory
20 March 2023
Figuring Territory
PH1984:1157:002
architecture
July 1984
architecture
articles
Ideas of living
British Columbia, Calgary, Canada, Colombie-Britannique, landscape, Manitoba, Nova Scotia, Ontario, Ottawa, Québec, Saskatchewan, urban landscape, Winnipeg, Yukon
18 May 2010
Ideas of living
The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
1440 rue Sainte-Catherine Ouest
5 June 1985 to 6 September 1985
Ernest Isbell Barott, architecte/architect : une introduction/an introduction
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The exhibition is an introduction to the work and life of Ernest Isbell Barott, a Montréal architect who practised from 1912 to 1966. The drawings and photographs in the exhibition are largely drawn from the Ernest Isbell Barott Archive at the CCA. Ernest Barott’s career coincided with a period of profound physical and social change in Canada, a time of national and civic(...)
1440 rue Sainte-Catherine Ouest
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
3 May 2023 to 7 April 2024
The Lives of Documents—Photography as Project
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Description:
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Canadian Megaform
The documents in this hall case display refer to seven Canadian projects as a way to exemplify the concept of megaform through the work of Arthur Erickson, Cornelia Hahn Oberlander, Harold Ship, Ray Affleck, and Victor Prus, among others. Curated by Maristella Casciato, CCA. {: .info }
Hall cases
10 September 2014 to 6 April 2015
Canadian Megaform
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The documents in this hall case display refer to seven Canadian projects as a way to exemplify the concept of megaform through the work of Arthur Erickson, Cornelia Hahn Oberlander, Harold Ship, Ray Affleck, and Victor Prus, among others. Curated by Maristella Casciato, CCA. {: .info }
Hall cases
Super City
This installation by Canadian writer and artist Douglas Coupland (Generation X) investigates the creative impact of the 1960s explosion of toy building kits, offering a reflection on the profound effect toys can have-not only on how children learn to perceive the world, but also in terms of the kinds of things they produce as adults. Named after Super City, a kit(...)
Octagonal gallery
9 June 2005 to 20 November 2005
Super City
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This installation by Canadian writer and artist Douglas Coupland (Generation X) investigates the creative impact of the 1960s explosion of toy building kits, offering a reflection on the profound effect toys can have-not only on how children learn to perceive the world, but also in terms of the kinds of things they produce as adults. Named after Super City, a kit(...)
Octagonal gallery
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
18 March 1998 to 24 May 1998
Montréal Métropole, 1880–1930
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This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Hall cases
22 April 2015 to 30 November 2015
The CCA in Photographs, 1987–2015
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When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Hall cases
Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade
11 September 2009 to 19 October 2009
Robert Burley: Photographic Proof
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Created on the occasion of the Mois de la Photo à Montréal 2009, Canadian photographer Robert Burley’s Photographic Proof is a large-scale photographic installation on the north facade of the CCA. The mural reproduces a processed Polaroid photograph, symmetrically juxtaposing the negative and positive versions of the same image, and shows an unidentified crowd observing(...)
North façade