497 Results
Form:
exhibitions
exhibitions
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Location:
Main galleries
Main galleries
Date:
14 June 1995 to 14 September 1995
14 June 1995 to 14 September 1995
Title:
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Form:
exhibitions
exhibitions
Date:
14 June 1995 to
14 September 1995
14 June 1995 to
14 September 1995
Location:
Main galleries
Main galleries
Actions:
Bui Quy Son and Paul-Antoine Lucas of Exutoire speak with Mahé Cordier-Jouanne and Jean Makhlouta about queer methodologies and the notion of decentring in architecture
Keyword(s):
queer, queer architecture, queer practice, Paris, conversation, future of architectural practice, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
queer, queer architecture, queer practice, Paris, conversation, future of architectural practice, Bui Quy Son, Paul-Antoine Lucas, Exutoire, Mahé Cordier-Jouanne, Jean Makhlouta
Published:
1 May 2023
1 May 2023
Title:
Paris: Between Collective Practices and Searching for Queer Spatialities in the City
Bui Quy Son and Paul-Antoine Lucas of Exutoire speak with Mahé Cordier-Jouanne and Jean Makhlouta about queer methodologies and the notion of decentring in architecture
Actions:
Paris: Between Collective Practices and Searching for Queer Spatialities in the City
Bui Quy Son and Paul-Antoine Lucas of Exutoire speak with Mahé Cordier-Jouanne and Jean Makhlouta about queer methodologies and the notion of decentring in architecture
Actions:
Form:
articles
articles
Published:
1 May 2023
1 May 2023
Actions:
Bui Quy Son and Paul-Antoine Lucas of Exutoire in conversation with Léa Brami and Alexander Auris about the need for queer failures and the potential of a post-binary, queer world
Keyword(s):
queer, queer architecture, queer practice, Brussels, conversation, future of architectural practice
queer, queer architecture, queer practice, Brussels, conversation, future of architectural practice
Published:
27 March 2023
27 March 2023
Title:
Brussels: Struggles, Memories of Shared Experiences and Queer Tactics of Resistance
Bui Quy Son and Paul-Antoine Lucas of Exutoire in conversation with Léa Brami and Alexander Auris about the need for queer failures and the potential of a post-binary, queer world
Actions:
Brussels: Struggles, Memories of Shared Experiences and Queer Tactics of Resistance
Bui Quy Son and Paul-Antoine Lucas of Exutoire in conversation with Léa Brami and Alexander Auris about the need for queer failures and the potential of a post-binary, queer world
Actions:
Form:
articles
articles
Published:
27 March 2023
27 March 2023
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Cedric Price fonds
Cedric Price fonds
Reference number:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
People:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Title:
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
People:
Form:
events
events
Actions:
Location:
Shaughnessy House, CCA Keyword(s):
Indigenous-led design, place-based practices, place-based knowledges, pedagogy, environment, climate crisis, on-the-land learning
Shaughnessy House, CCA Keyword(s):
Indigenous-led design, place-based practices, place-based knowledges, pedagogy, environment, climate crisis, on-the-land learning
Date:
24 February 2024, 2pm to 3:30pm
24 February 2024, 2pm to 3:30pm
Form:
events
events
Date:
24 February 2024
2pm to 3:30pm
24 February 2024
2pm to 3:30pm
Location:
Shaughnessy House, CCA Keyword(s):
Indigenous-led design, place-based practices, place-based knowledges, pedagogy, environment, climate crisis, on-the-land learning
Shaughnessy House, CCA Keyword(s):
Indigenous-led design, place-based practices, place-based knowledges, pedagogy, environment, climate crisis, on-the-land learning
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Bird fonds
John Bird fonds
Actions:
Reference number:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
People:
Date:
1942 - 1992
1942 - 1992
Title:
John Bird fonds
Actions:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
John Bird fonds
Actions:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1942 - 1992
1942 - 1992
People:
Form:
events
events
Title:
The expanded role: SITU
The expanded role: SITU
Actions:
Description:
Bradley Samuels presents recent SITU Research work and the role that research plays within the larger practice of SITU as a whole. A series of case studies will be presented which explore an expanded role for architectural and spatial practice across a range of fields—from human rights and public policy to earth science and workspace design. SITU Research’s past work(...)
Bradley Samuels presents recent SITU Research work and the role that research plays within the larger practice of SITU as a whole. A series of case studies will be presented which explore an expanded role for architectural and spatial practice across a range of fields—from human rights and public policy to earth science and workspace design. SITU Research’s past work(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
14 January 2016
14 January 2016
Title:
The expanded role: SITU
Actions:
Description:
Bradley Samuels presents recent SITU Research work and the role that research plays within the larger practice of SITU as a whole. A series of case studies will be presented which explore an expanded role for architectural and spatial practice across a range of fields—from human rights and public policy to earth science and workspace design. SITU Research’s past work(...)
The expanded role: SITU
Actions:
Description:
Bradley Samuels presents recent SITU Research work and the role that research plays within the larger practice of SITU as a whole. A series of case studies will be presented which explore an expanded role for architectural and spatial practice across a range of fields—from human rights and public policy to earth science and workspace design. SITU Research’s past work(...)
Form:
events
events
Date:
14 January 2016
14 January 2016
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
People:
Date:
2003-2011
2003-2011
Title:
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2003-2011
2003-2011
People:
Form:
events
events
Actions:
Description:
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
20 October 2016, 6pm
20 October 2016, 6pm
Title:
Sound Advice and Clear Drawings: Design and Computation in the Second Machine Age
Actions:
Description:
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
Sound Advice and Clear Drawings: Design and Computation in the Second Machine Age
Actions:
Description:
That digital tools have changed the very nature of designing and making buildings is unquestioned. Yet formal innovation and ingenuity—and the technical competence needed to achieve those ends—are not merely a function of the virtuosity of form-making. Rather, they also make evident the dramatic impact that digital capabilities have on the roles, responsibility, and(...)
Form:
events
events
Date:
20 October 2016
6pm
20 October 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
People:
Date:
1911-1977
1911-1977
Title:
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Die gläserne Kette collection
Actions:
AP162
Synopsis:
The Die gläserne Kette CCA Collection documents the chain of correspondence exchanged between German architects Hermann Finsterlin, Paul Goesch, Wenzel Hablik, Hans Hansen, Carl Krayl, Hans and Wassili Luckhardt, Hans Scharoun, and Bruno and Max Taut between 1919 and 1920 on the subject of utopian architecture and society. This CCA collection features original copies and reproductions of the correspondence, as well as a limited number of drawings by the members of the group.
Form:
archives
Level of archival description:
Collection AP162
archives
Level of archival description:
Collection AP162
Date:
1911-1977
1911-1977
People:
