textual records
AP197.S1.SS8.066
2007-2008
Copyright image requests for Comparative critical analysis publication
Actions:
AP197.S1.SS8.066
textual records
2007-2008
textual records
AP197.S1.SS8.001
2008-2010
Copyright image requests and permission contracts for Comparative critical analysis publication (A-E)
Actions:
AP197.S1.SS8.001
textual records
2008-2010
textual records, photographs
Quantity:
4 file
ANY 14 Correspondence and Background , ANY 14 Publicity , Alsa Tectonic Request , Tectonics Images
ARCH241920
1996
textual records, photographs
Quantity:
4 file
1996
textual records
AP197.S1.SS8.002
2010
Copyright image requests and permission contracts for Comparative critical analysis publication (F-O)
Actions:
AP197.S1.SS8.002
textual records
2010
textual records
AP197.S1.SS8.003
2010
Copyright image requests and permission contracts for Comparative critical analysis publication (P-W)
Actions:
AP197.S1.SS8.003
textual records
2010
textual records
AP197.S1.SS4.024
2006
Correspondence requesting various images for the 4th edition of Modern architecture: a critical history
Actions:
AP197.S1.SS4.024
textual records
2006
articles
What the future looked like
Sub-series
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
circa 1970-2015
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Subseries
circa 1970-2015
textual records
ARCH276260
Description:
19 files - Group contains materials related to Arthur Erickson's professional engagements, affiliations and activities such as book projects and radio/television appearances. Files include: Order of Canada; Planning Department Vancouver; Paramount; Rome Conference; RAIC; RCA; Red Cross; Requests General; Requests Jury; Architectural Design - Requests; Images - Requests; Speaking Engagements - Requests; CHUM, "V" Television.
1984-2001
Documents related to various projects, radio and television appearances
Actions:
ARCH276260
Description:
19 files - Group contains materials related to Arthur Erickson's professional engagements, affiliations and activities such as book projects and radio/television appearances. Files include: Order of Canada; Planning Department Vancouver; Paramount; Rome Conference; RAIC; RCA; Red Cross; Requests General; Requests Jury; Architectural Design - Requests; Images - Requests; Speaking Engagements - Requests; CHUM, "V" Television.
textual records
1984-2001
Empire
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery
8 December 2005 to 12 March 2006
Empire
Actions:
Description:
The exhibition presents Empire, a visual essay by American artist John Gossage on the relationship between architecture and power. Gossage’s photographs of government buildings and monuments in Washington, D.C. are juxtaposed with images of Egypt taken by German chemist Hermann Vogel in 1868, exposing the parallel actions of governments, over a century apart, in(...)
Octagonal gallery