photographs
AP075.S4.SS5.019
Description:
Includes slides of travels in Europe and Middle East.
1980s-1990s
Various slides of Cornelia Hahn Oberlander's travels abroad
Actions:
AP075.S4.SS5.019
Description:
Includes slides of travels in Europe and Middle East.
photographs
1980s-1990s
photographs
AP075.S4.SS5.020
Description:
Includes slides of travels in Europe and Middle East.
1980s-1990s
Various slides of Cornelia Hahn Oberlander's travels abroad
Actions:
AP075.S4.SS5.020
Description:
Includes slides of travels in Europe and Middle East.
photographs
1980s-1990s
photographs
AP075.S4.SS5.021
Description:
Includes slides of travels in Europe and the United States.
1980s-1990s
Various slides of Cornelia Hahn Oberlander's travels abroad
Actions:
AP075.S4.SS5.021
Description:
Includes slides of travels in Europe and the United States.
photographs
1980s-1990s
photographs
AP075.S4.SS5.022
Description:
Includes slides of travels in Europe and the United States.
1980s-1990s
Various slides of Cornelia Hahn Oberlander's travels abroad
Actions:
AP075.S4.SS5.022
Description:
Includes slides of travels in Europe and the United States.
photographs
1980s-1990s
photographs
AP075.S4.SS5.023
Description:
Includes slides of travels in Europe and the United States.
1980s-1990s
Various slides of Cornelia Hahn Oberlander's travels abroad
Actions:
AP075.S4.SS5.023
Description:
Includes slides of travels in Europe and the United States.
photographs
1980s-1990s
books
Livres sur le dessin
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
publié 1930
Livres sur le dessin
Actions:
ARCH257818
Description:
« Sketches Abroad » par Millard Sheets; « Heards from life », «How to draw the head », « Figures From Life » par Walter F. Foster; « How to Draw Horses » par Don Louis Perceval; « Modern Architecture » par Allen M. Weary.
books
publié 1930
Sub-series
Photographs
AP037.S1.D3
Description:
This subseries contains the photographs published and unpublished in T-Square and Shelter and USA Tomorrow magazines. Included are photographs of authors, prints and photostats of drawings, photographs of art works. This subseries also contains a collection of photographs by well known photographers, and albums of photographs on architecture, building and housing problems in the United States and abroad. Some photographs were removed from their original files and arranged together in this subseries.The photographs are in two lots: a first lot of photographs by photographer and by subject, and a second lot of removed photographs which are arranged according to the alphabetical order of their original files. The photographs are not described. This subseries consists of 2 boxes of photographs (BOX 37-07 to BOX 37-08).
n.d.
Photographs
Actions:
AP037.S1.D3
Description:
This subseries contains the photographs published and unpublished in T-Square and Shelter and USA Tomorrow magazines. Included are photographs of authors, prints and photostats of drawings, photographs of art works. This subseries also contains a collection of photographs by well known photographers, and albums of photographs on architecture, building and housing problems in the United States and abroad. Some photographs were removed from their original files and arranged together in this subseries.The photographs are in two lots: a first lot of photographs by photographer and by subject, and a second lot of removed photographs which are arranged according to the alphabetical order of their original files. The photographs are not described. This subseries consists of 2 boxes of photographs (BOX 37-07 to BOX 37-08).
File 3
n.d.
archives
Level of archival description:
Fonds
Álvaro Siza fonds
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
1958-2002
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
archives
Level of archival description:
Fonds
1958-2002
archives
Level of archival description:
Fonds
Ray Affleck fonds
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
1952-1989
Ray Affleck fonds
Actions:
AP088
Synopsis:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
archives
Level of archival description:
Fonds
1952-1989
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
14 October 1983 to 11 December 1983
The Villas of Pliny and Classical Architecture in Montréal
Actions:
Description:
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal