Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
22 October 2015 , 6pm
Displaying Architecture: First Office
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Anna Neimark and Andrew Atwood of First Office present recent work on exhibitions and display, including a temporary screening room installed at the MAK Center for Art and Architecture in Los Angeles. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
8 October 2015 , 6pm
Displaying Architecture: Kuehn Malvezzi
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Johannes Kuehn and Simona Malvezzi present a lecture on Kuehn Malvezzis recent work, including their winning proposal for the Insectarium in Montreal. Presented as part of Displaying Architecture, a CCA series that looks at the relationship between architecture and spaces of display.
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
15 October 2015 , 6pm
Displaying Architecture: Andreas Angelidakis
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Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Main galleries
15 May 2003 to 14 September 2003
Traces of India: Photography, Architecture, and the Politics of Representation
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Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Main galleries
Project
AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
1995
Architecture of Display, Comme des Garçons
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AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
File 12
1995
Architecture as Evidence
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
16 June 2016 to 11 September 2016
Architecture as Evidence
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Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Octagonal gallery and library rotunda
12 April 2007 to 9 September 2007
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
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Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Octagonal gallery and library rotunda
PH1981:1066:012
ca. 1872
Display of casts of ironwork details at the Royal Architecture Museum, London
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PH1981:1066:012
drawings
Quantity:
11 panel(s)
Panels, with 4 crates containing aluminium elements used to mount the wall for displaying the panels
ARCH183760
1999
drawings
Quantity:
11 panel(s)
1999
PH1981:1066:010
1872-1873
Display of casts from Chartres Cathedral at the Royal Architecture Museum, London
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PH1981:1066:010