141 Results
Form:
books
books
Holdings:
Description:
xviii, 608 pages : illustrations ; 26 cm
Description:
xviii, 608 pages : illustrations ; 26 cm
Author:
Subject:
Publication:
London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
Title:
The city reader / edited by Richard T. LeGates and Frederic Stout.
Actions:
Holdings:
Description:
xviii, 608 pages : illustrations ; 26 cm
The city reader / edited by Richard T. LeGates and Frederic Stout.
Actions:
Holdings:
Description:
xviii, 608 pages : illustrations ; 26 cm
Form:
books
books
Publication:
London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
Author:
Subject:
Form:
books
books
Title:
Architektonika
Architektonika
Actions:
Price:
$45.00
(available to order)
Summary:
Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
$45.00
(available to order)
Summary:
Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Publication:
September 2014
September 2014
Title:
Architektonika
Actions:
Price:
$45.00
(available to order)
Summary:
Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Architektonika
Actions:
Price:
$45.00
(available to order)
Summary:
Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Form:
books
books
Publication:
September 2014
September 2014
Form:
books
books
Actions:
Price:
$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2019
January 2019
Title:
Bruce Nauman: spatial encounters
Actions:
Price:
$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Bruce Nauman: spatial encounters
Actions:
Price:
$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
journals and magazines
journals and magazines
Title:
Cabinet 55: love
Cabinet 55: love
Actions:
Price:
$17.50
(available to order)
Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
$17.50
(available to order)
Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
Title:
Cabinet 55: love
Actions:
Price:
$17.50
(available to order)
Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Cabinet 55: love
Actions:
Price:
$17.50
(available to order)
Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Form:
journals and magazines
journals and magazines
Publication:
August 2014
August 2014
Subject:
Magazines
Magazines
Form:
books
books
Price:
$52.95
(available to order)
Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
$52.95
(available to order)
Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
Subject:
Digital Architecture
Digital Architecture
Publication:
October 2007, Basel, Berlin, Boston
October 2007, Basel, Berlin, Boston
Title:
Space time play:computer games, architecture and urbanism: The next level
Actions:
Price:
$52.95
(available to order)
Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Space time play:computer games, architecture and urbanism: The next level
Actions:
Price:
$52.95
(available to order)
Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Form:
books
books
Publication:
October 2007, Basel, Berlin, Boston
October 2007, Basel, Berlin, Boston
Subject:
Digital Architecture
Digital Architecture
Form:
books
books
Actions:
Holdings:
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Author:
Subject:
Publication:
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Title:
Making things public : atmospheres of democracy / edited by Bruno Latour and Peter Weibel.
Actions:
Holdings:
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Making things public : atmospheres of democracy / edited by Bruno Latour and Peter Weibel.
Actions:
Holdings:
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Form:
books
books
Publication:
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Author:
Subject:
Form:
books
books
Actions:
Price:
$79.95
(available to order)
Summary:
L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
$79.95
(available to order)
Summary:
L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
Title:
Diapositive: histoire de la photographie projetée
Actions:
Price:
$79.95
(available to order)
Summary:
L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Diapositive: histoire de la photographie projetée
Actions:
Price:
$79.95
(available to order)
Summary:
L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Cabinet 45: Games
Cabinet 45: Games
Actions:
Price:
$12.00
(available to order)
Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
$12.00
(available to order)
Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
Title:
Cabinet 45: Games
Actions:
Price:
$12.00
(available to order)
Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Cabinet 45: Games
Actions:
Price:
$12.00
(available to order)
Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Magazines
Magazines
Form:
books
books
Actions:
Price:
$37.95
(available to order)
Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
$37.95
(available to order)
Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
Title:
Art et science-fiction: la ballard connection
Actions:
Price:
$37.95
(available to order)
Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Art et science-fiction: la ballard connection
Actions:
Price:
$37.95
(available to order)
Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Critical Theory
Critical Theory
Form:
books
books
Actions:
Price:
$58.50
(available to order)
Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
$58.50
(available to order)
Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
Publication:
April 2005, Minneapolis
April 2005, Minneapolis
Title:
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
Actions:
Price:
$58.50
(available to order)
Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
Actions:
Price:
$58.50
(available to order)
Summary:
One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
Form:
books
books
Publication:
April 2005, Minneapolis
April 2005, Minneapolis
