Inclus dans:

• Fonds: Fonds Anyone Corporation, 1990-2001
•    Série(s): ANY Magazine, ANY Events and Seminars, 1991-2000

Personnes et institutions:

• Anyone Corporation (creator)
• Anyone Corporation (archive creator)

Titre:

ANY Magazine, ANY Events and Seminars

Date:

1991-2000

Niveau de description archivistique:
Series 3

Collation:

• 550 files
  82 photographs
  57 magazines
  46 reprographic copies
  45 audiocassettes
  27 slides
  15 floppy disks
  9 videocassettes
  4 compact discs
  2 dummies
  1 sketch
  1 print
  0.03 l.m. textual records
  0.02 l.m. photographic materials

Présentation du contenu:
File documents the planning and production of the 26 issues of ANY magazine and related In ANY Event seminars. Series is arranged into twenty eight sub-series by issue title. Material in series was produced between 1991 and 2000.

Series contains administrative and planning files, editorial files containing drafts of articles, correspondence, transcripts and research. Other media files include video recordings of Events, audio recordings of interviews and presentations, research files of images as photographs, transparencies, laser prints and photocopies. Graphic material includes illustrations, various magazine layouts, and publicity such as posters and pamphlets.

Numéro de référence:

AP116.S3

Contient:

• AP116.S3.SS1, ANY Magazine Administration, 1991-1999
• AP116.S3.SS2, Writing in Architecture, 1992-1993
• AP116.S3.SS3, Seaside and the Real World: A Debate on American Urbanism, 1992-1993
• AP116.S3.SS4, A Tribute to James Stirling, 1992-1993
• AP116.S3.SS5, Electrotecture: Architecture and the Electronic Future, 1993
• AP116.S3.SS6, Architecture and the feminine: mop-up work, 1993-1994
• AP116.S3.SS7, Lightness, 1993-1994
• AP116.S3.SS8, Concrete Poetics: Reconsidering Tadao Ando, 1993-1994
• AP116.S3.SS9, Form Work: Colin Rowe, 1993-1994
• AP116.S3.SS10, Urbanism vs Architecture: The Bigness of Rem Koolhaas, 1994
• AP116.S3.SS11, Mech-In-Tecture: Reconsidering the Mechanical in the Electronic Era, 1994-1995
• AP116.S3.SS12, Legitimate Transcriptions: The Early Work of Charles Gwathmey, 1994-1995
• AP116.S3.SS13, The Dimensions of Play: Ways of Thinking Architecture and the City, 1995
• AP116.S3.SS14, Tate Frames Architecture: Cashes in on Culture Lottery!, 1995-1996
• AP116.S3.SS15, Tectonics Unbound: Kenform and Kunstform Revisited, 1995-1996
• AP116.S3.SS16, Philip Johnson: Festschift, 1996
• AP116.S3.SS17, Memory, Inc.: Return of Repressed Architectural Memory, 1996
• AP116.S3.SS18, Whiteness: White Forms, Forms of Whiteness, 1996
• AP116.S3.SS19, Forget Fuller?: Everything You Wanted to Know About Fuller But Were Afraid to Ask, 1996-1997
• AP116.S3.SS20, Public Fear: What's So Scary About Architecture?, 1996-1997
• AP116.S3.SS21, Dutch Moral Modernism, 1995-1997
• AP116.S3.SS22, The Virtual House, 1995-1998
• AP116.S3.SS23, How the Critic Sees: Seven Critics on Seven Buildings, 1996-1998
• AP116.S3.SS24, New York Stories, 1997-1998
• AP116.S3.SS25, Diagram Work: Data Mechanics for a Topological Age, 1997-1998
• AP116.S3.SS26, Design After Mies: Boxing the Long Shadow of IIT, 1997-1999
• AP116.S3.SS27, Being Manfredo Tafuri, 1995-2000
• AP116.S3.SS28, Being and Nothingness, 1999-2000