Titre et auteur:

Utopian display : geopolitical curating / edited by Marco Scotini ; Pierre Bal-Blanc [and fourteen others].

Édition:

First edition.

Publication:

Macerata : Quodlibet, 2019.
©2019

Description:

221 pages ; 22 cm.

Série(s):

NABA insights

Notes:
Includes bibliographical references.
Art and curating with the geography of power / Marco Scotini -- Self expropriated museums / Anselm Franke -- The making of an institution / Ute Meta Bauer -- From open museum to open city / Hou Hanru -- Art institutions in the age of post-publicness / Vasif Kortum -- The cultural logic of contemporary art foundation in the era of late capitalism / Pierre Bal-Blanc -- Curating across agonistic worlds / Geeta Kapur -- Goodbye-identity, welcome difference. From Latin American art to art from Latin America / Gerardo Mosquera -- Some considerations on the geopolitics of contemporary Palestinian art / Tina Sherwell -- What do you want to know? / What, How &For Whom/WHW -- A Picasso in search of a context / Charles Esche -- The city in the blue day / Simon Njami -- Around the postcolony museum. Curatorial practice and decolonizing exhibition histories / Rasha Salti -- The iconographic turn. The denormalization of bodies and sensibilities in the work of Latin American women artists / Andrea Giunta -- The transvestite museum / Miguel A. López -- Exhibition as exhibition / Carol Yinghua Lu.

Résumé:

That contemporary art, by means of biennials, neo-museum institutions and financial markets, has currently become a global phenomenon is a given. Much less of a given is that the paradigm "Art," as it has become established through its modernist legacy, is affiliated with a multiplication of visions, with a latitude of different and interlocking histories and with transversal and diverse contexts. Within the contemporary artistic scene, one has the impression that "being equal" means nothing more than adhering to the same Art institution. To emancipate oneself thus means belonging to Art as to a same world, sharing an already established world that, as such, can only infinitely reproduce that which is already implicit within it. Despite everything, our model of art continues to be very similar to that of an institution capable of determining the integration of minorities as a majoritarian measure (in their identity, their unity) or their exclusion. With a degree of skepticism towards both globalization effects and the latest premises of the so-called de-globalization, the anthology Utopian Display attempts to bring together curatorial experiences that have matured over the past thirty years in various geopolitical contexts--from Africa to China, from India to Latin America, from the Middle East through to the post-Soviet areas. The authors, all from different generations, are amongst the most important and experimental voices of contemporary, curatorial research.

ISBN:

9788822904157
882290415X

Sujet:

Art and globalization.
Art museums Curatorship.
Art museums History 21st century.
Art, Modern 21st century.
Art et mondialisation.
Musées d'art Conservation.
Art 21e siècle.
curating.
Art, Modern
Art museums

Classification/genre:

History

Vedettes secondaires:

Scotini, Marco, editor.
Bal-Blanc, Pierre, contributor.
NABA insights.

Exemplaires:

Localisation: Bibliothèque main 308766
Cote: BIB 254100
Statut: Disponible