Titre et auteur:

Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman.

Publication:

New Haven : Yale University Press, 2009.

Description:

xiii, 604 pages : illustrations ; 27 cm

Notes:
Includes bibliographical references and index.
Cover -- Contents -- Acknowledgments -- Introduction: F. T. Marinetti and the Development of Futurism -- Part One: Manifestos and Theoretical Writings -- Introduction to Part One -- The Founding and Manifesto of Futurism (1909) -- Let's Murder the Moonlight! (1909) -- Manifesto of the Futurist Painters (1910) -- Futurist Painting: Technical Manifesto (1910) -- Against Passéist Venice (1910) -- Futurist Speech to the English (1910) -- Futurism and Woman (1910) -- Manifesto of Futurist Musicians (1911) -- Futurist Music: Technical Manifesto (1911) -- Selections from Le Futurisme (1911), translated as Guerra, sola igiene del mondo (1915) -- War, the Only Hygiene of the World -- Contempt for Woman -- Multiplied Man and the Reign of the Machine -- We Abjure Our Symbolist Masters, the Last Lovers of the Moon -- The Pleasure of Being Booed -- Electrical War -- The Exhibitors to the Public (1912) -- Manifesto of the Futurist Woman (Response to F. T. Marinetti) (1912) -- Futurist Sculpture (1912) -- Technical Manifesto of Futurist Literature (1912) -- A Response to Objections (1912) -- Futurist Manifesto of Lust (1913) -- The Art of Noises: A Futurist Manifesto (1913) -- The Plastic Foundations of Futurist Sculpture and Painting (1913) -- Destruction of Syntax -- Radio Imagination -- Words-in-Freedom (1913) -- Futurist Anti-tradition (1913) -- The Painting of Sounds, Noises, and Smells (1913) -- The Variety Theater (1913) -- Plastic Analogies of Dynamism: Futurist Manifesto (1913) -- The Subject in Futurist Painting (1914) -- Down with the Tango and Parsifal! (1914) -- The Circle Is Closing (1914) -- Geometrical and Mechanical Splendor and the Numerical Sensibility (1914) -- Weights, Measures, and Prices of Artistic Genius: Futurist Manifesto (1914) -- Absolute Motion + Relative Motion = Dynamism (1914) -- Futurist Men's Clothing: A Manifesto (1914) -- Futurism and English Art (1914) -- Futurist Architecture (1914) -- The Antineutral Suit: Futurist Manifesto (1914) -- The Futurist Synthetic Theater (1915) -- Futurist Reconstruction of the Universe (1915) -- Futurist Stage Design (1915) -- The Futurist Political Movement (1915) -- Dynamic and Synoptic Declamation (1916) -- The New Religion-Morality of Speed (1916) -- The Futurist Cinema (1916) -- Women of the Near Future [1] (1917) -- Manifesto of Futurist Dance (1917) -- Variations on the Theme of "Woman." To Save Woman??!! (1917) -- A Tranquil Thought (1917) -- Women of the Near Future [2] (1917) -- Manifesto of the Italian Futurist Party (1918) -- The Vote for Women (1919) -- Futurist Manifesto of Women's Fashion (1920) -- Beyond Communism (1920) -- Tactilism (1921) -- The Theater of Surprise (1921) -- Manifesto of Futurist Mechanical Art (1922) -- The Italian Empire (1923) -- Fascism and Futurism (1923) -- Futurist Sensibility (1927) -- Electrical Advertising Signs: An Open Letter to His Excellency Mussolini (1927) -- Manifesto of Aeropainting (1929) -- Manifesto of Futurist Sacred Art (1931) -- Futurism and Advertising Art (1931) -- The Radia: Futurist Manifesto (1933) -- Bas-Relief Murals (1934) -- Response to Hitler (1937) -- Qualitative Imaginative Futurist Mathematics (1941) -- Part Two: Visual Repertoire -- Introduction to Part Two -- Documentary Photographs and Materials -- Selection of Futurist Journals -- Works by Artists.
Dust jacket.

Résumé:

"In 1909, F.T. Marinetti published his first incendiary manifesto of Futurism, proclaiming, "We stand on the last promontory of the centuries!" and "There, on the Earth, the earliest dawn!" Intent on delivering Italy from "its fetid cancer of professors, archaeologists, tour guides, and antiquarians," the Futurists imagined that art, architecture, literature, and music would function like a machine, transforming the world rather than merely reflecting it. But within a decade, Futurism's utopian ambitions were being wedded to Fascist politics, an alliance that would tragically scar its reputation for decades." "Published one hundred years after the founding of Futurism, this is the most complete anthology of Futurist manifestos, poems, plays, and images ever to be compiled in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate Futurism and its haunting legacy for Western civilization."--Jacket.

Ressources:
Table of contents
Table of contents
Table of contents
Table of contents
to access electronic resource

ISBN:

9780300088755 (cloth ; alk. paper)
0300088752 (cloth ; alk. paper)
9780300156591
0300156596

Sujet:

Futurism (Art)
Futurism (Literary movement)
Arts, Modern 20th century.
Arts, Modern.
Futurisme (Art)
Futurisme (Mouvement littéraire)
Arts 20e siècle.
Futurist.
Futurismus
Kunst
Literatur
Ästhetik
♯sthetik.
Italien

Classification/genre:

Anthologie.
Anthologies.

Vedettes secondaires:

Rainey, Lawrence S.
Poggi, Christine, 1953-
Wittman, Laura.

Exemplaires:

Localisation: Bibliothèque main 263813
Cote: BIB 195109
Statut: Disponible