Titre et auteur:

Tapestry in the Baroque : threads of splendor / Thomas P. Campbell, editor ; essays by Pascal-François Bertrand [and others] ; catalogue entries by Jeri Bapasola [and others] ; photography by Bruce White.

Publication:

New York : Metropolitan Museum of Art ; New Haven : Yale University Press, ©2007.

Description:

x, 563 pages : illustrations (some color) ; 32 cm

Notes:
Catalogue to an exhibition at the Metropolitan Museum of Art, New York, Oct. 17, 2007-Jan. 6, 2008; and at the Palacio Real, Madrid, Mar. 6-June 1, 2008.
Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Oct. 17, 2007-Jan. 6, 2008; and at the Palacio Real, Madrid, Mar. 6-June 1, 2008.
Includes bibliographical references (pages 509-542) and index.
Introduction: The Golden Age of Netherlandish tapestry weaving / Thomas P. Campbell -- The disruption and diaspora of the Netherlandish tapestry industry, 1570-1600 / Thomas P. Campbell -- The development of new centers of production and the recovery of the Netherlandish tapestry industry, 1600-1620 / Thomas P. Campbell -- Stately splendor, woven frescoes, luxury furnishings: tapestry in context, 1600-1660 / Thomas P. Campbell -- The Parisian workshops, 1590-1650 / Isabelle Denis -- The Mortlake Manufactory, 1619-49 / Wendy Hefford -- Tapestry in the Spanish Netherlands, 1625-60 / Guy Delmarcel -- Tapestry production in Florence: The Medici tapestry works, 1587-1747 / Lucia Meoni -- Tapestry production in seventeenth-century Rome: The Barberini Manufactory / James G. Harper -- Collectors and connoisseurs: the status and perception of tapestry, 1600-1660 / Thomas P. Campbell -- Tapestry production at the Gobelins during the reign of Louis XIV, 1661-1715 / Pascal-Francois Bertrand -- Manufacture Royale de Tapisseries de Beauvais, 1664-1715 / Charissa Brewer-David -- Flemish production, 1660-715 / Koenraad Brosens -- Continuity and change in tapestry use and design, 1680-1720 / Thomas P. Campbell.

Résumé:

"Drawing from collections in more than fifteen countries, Tapestry in the Baroque presents forty-five rare tapestries made between 1590 and 1720. About half of these derive from Flemish workshops, including such highlights of the Brussels tapestry industry as the Triumphs of the Church designed by Rubens for Archduchess Isabella in 1626 and tapestries from the Austrian state collection designed by Jacob Jordaens and others in the 1630s and 1640s. Flemish weavers also played key roles elsewhere in Europe, establishing new enterprises and training native weavers, and the publication also features rare examples from these new workshops."--Jacket.

Ressources:
Table of contents
Contributor biographical information
Publisher description
Contributor biographical information
Publisher description

ISBN:

9781588392299 (Metropolitan Museum of Art ; hc)
1588392295 (Metropolitan Museum of Art ; hc)
9781588392305 (Metropolitan Museum of Art ; pb)
1588392309 (Metropolitan Museum of Art ; pb)
9780300124071 (Yale University Press ; hc)
0300124074 (Yale University Press ; hc)

Sujet:

Tapestry, Baroque Exhibitions.
Tapestry Europe History 17th century Exhibitions.
Tapestry Europe History 18th century Exhibitions.
Tapisserie baroque Expositions.
Tapisserie Europe Histoire 17e siècle Expositions.
Tapisserie Europe Histoire 18e siècle Expositions.
Tapestry
Tapestry, Baroque
Wandtapijten.
Ceremoniën.
tapisserie Europe Baroque catalogue d'exposition.
Tapestry Exhibitions.
Europe

Classification/genre:

Exhibition catalogues.
Exhibition catalogs.
exhibition catalogs.
History
Catalogues d'exposition.

Vedettes secondaires:

Campbell, Thomas P. (Thomas Patrick), 1962- editor.
Bertrand, Pascal-François, 1956-
Bapasola, Jeri.
White, Bruce, 1962- photographer.
Campbell, Thomas P.
White, Bruce, 1962-
Metropolitan Museum of Art (New York, N.Y.)
Palacio de Oriente (Spain)

Exemplaires:

Localisation: Bibliothèque main 256849
Cote: BIB 187286
Statut: Disponible