1
1
O'Neil Ford, architect / Mary Carolyn Hollers George ; foreword by Hugh A. Stubbins ; color photographs by W. Eugene George.
Entrée principale:

George, Mary Carolyn Hollers, author.

Titre et auteur:

O'Neil Ford, architect / Mary Carolyn Hollers George ; foreword by Hugh A. Stubbins ; color photographs by W. Eugene George.

Édition:

1st ed.

Publication:

College Station : Texas A & M University Press, ©1992.

Description:

xiii, 273 pages : illustrations (some color) ; 29 cm.

Série(s):

Sara and John Lindsey series in the arts and humanities ; no. 1

Notes:
Includes bibliographical references (pages 258-260) and index.
From Pea Ridge to Pink Hill, 1905-17 -- Thr Crisis Years, 1917-24 -- Manual Training and Shakespeare, 1924-26 -- Apprenticeship with Dave Williams, 1926-32 -- The Deepening Depression, 1932-36 -- Acclaim, 1936-39 -- Along the San Antonio River, 1939-45 -- Connections, 1946-51 -- The Big Time, 1955-55 -- Technology Triumphs, 1956-59 -- Heroes and Villains, 1960-64 -- Too Many Irons in the Fire, 1965-69 -- The Apotheosis of O'Neil Ford, 1970-82 -- The Finale
Dust jacket.
Résumé:

"Himself designated a National Historical Landmark by the National Council on the Arts, O'Neil Ford with his associates designed some of the most famous architectural landmarks in Texas and elsewhere in the nation: the Texas Instruments Semiconductor Building in Dallas, the Little Chapel in the Woods at Texas Woman's University, campuses of the University of Texas at San Antonio, Skidmore College in New York, and Trinity University, San Antonio. The list of credits goes on and on for this remarkable architect who brought an indigenous Southwestern flair to homes, public buildings, and businesses. From the mid-1930s until his death in 1982, Ford was a pied piper for young architects, and the message he piped was always the same: sensitivity to the nature of materials the earth provided; concern for timelessness and the performance of a building over the long haul; adaptability to changing needs; and innovative approaches to budgetary constraints. In short, he advocated and practiced the building of structures that are expressions of something real and lasting. With 36 full-color photographs and 124 black-and-white pictures, this volume lavishly illustrates his vision and his legacy. O'Neil Ford was controversial, paradoxical, contradictory. No one who knew him or his work was lukewarm about him. Nor was he lukewarm about others. In his world there were only heroes and villains; the villains were the Vulgarians. Ford, long considered a leader of the Modern movement in the Southwest, was grieved by the concept of architecture as a product of superficial fashion with current "vocabularies" and design by stylish formulae. Now, in the "post-Post-Modern" epoch, his words again ring fresh and true, and his culturally well-grounded architecture inspires anew. Through extensive interviews with Ford and scores of others and using Ford's diaries (1951-82), Mary Carolyn Hollers George has traced Ford's life and work, as well as the cast of characters who peopled his world. His close, and eventually prominent, friends contributed immensely not only to his own development but to the artistic milieu of a budding Southwestern regionalism. Also part of the mix were the young architects who flowed through Ford's office, being inculcated with his ways of dealing with materials and his belief in the unity of structural and architectural forms, and who are still influencing the design understandings of today." -- Front jacket flap copy.

ISBN:

0890964335 (alk. paper)
9780890964330 (alk. paper)

Sujet:

Ford, O'Neil, 1905-1982 Criticism and interpretation.
Ford, O'Neil, 1905-1982.
Ford, O'Neil 1905-1982
Ford, O'Neil.
Architecture, Modern 20th century.
Architecture, Domestic United States History 20th century.
Architecture 20e siècle.
Architecture domestique États-Unis Histoire 20e siècle.
Architecture, Domestic.
Architecture, Modern.
United States.

Classification/genre:

Criticism, interpretation, etc.
History.

Vedettes secondaires:

George, W. Eugene, 1922-2013, photographer.
Sara and John Lindsey series in the arts and humanities ; 1.

Exemplaires:

Localisation: Bibliothèque main 92162
Cote: ID:93-B607
Statut: Disponible

1
1

Inscrivez-vous pour recevoir de nos nouvelles

Courriel
Prénom
Nom
En vous abonnant, vous acceptez de recevoir notre infolettre et communications au sujet des activités du CCA. Vous pouvez vous désabonner en tout temps. Pour plus d’information, consultez notre politique de confidentialité ou contactez-nous.

Merci. Vous êtes maintenant abonné. Vous recevrez bientôt nos courriels.

Pour le moment, notre système n’est pas capable de mettre à jour vos préférences. Veuillez réessayer plus tard.

Vous êtes déjà inscrit avec cette adresse électronique. Si vous souhaitez vous inscrire avec une autre adresse, merci de réessayer.

Cete adresse courriel a été définitivement supprimée de notre base de données. Si vous souhaitez vous réabonner avec cette adresse courriel, veuillez contactez-nous

Veuillez, s'il vous plaît, remplir le formulaire ci-dessous pour acheter:
[Title of the book, authors]
ISBN: [ISBN of the book]
Prix [Price of book]

Prénom
Nom de famille
Adresse (ligne 1)
Adresse (ligne 2) (optionnel)
Code postal
Ville
Pays
Province / État
Courriel
Téléphone (jour) (optionnel)
Notes

Merci d'avoir passé une commande. Nous vous contacterons sous peu.

Nous ne sommes pas en mesure de traiter votre demande pour le moment. Veuillez réessayer plus tard.

Classeur ()

Votre classeur est vide.

Adresse électronique:
Sujet:
Notes:
Veuillez remplir ce formulaire pour faire une demande de consultation. Une copie de cette liste vous sera également transmise.

Vos informations
Prénom:
Nom de famille:
Adresse électronique:
Numéro de téléphone:
Notes (optionnel):
Nous vous contacterons pour convenir d’un rendez-vous. Veuillez noter que des délais pour les rendez-vous sont à prévoir selon le type de matériel que vous souhaitez consulter, soit :"
  • — au moins 2 semaines pour les sources primaires (dessins et estampes, photographies, documents d’archives, etc.)
  • — au moins 48 heures pour les sources secondaires (livres, périodiques, dossiers documentaires, etc.)
...