Entrée principale:

Willumson, Glenn Gardner.

Titre et auteur:

W. Eugene Smith and the photographic essay / Glenn G. Willumson.

Publication:

Cambridge [England] ; New York, NY, USA : Cambridge University Press, 1992.

Description:

xiii, 351 pages : illustrations ; 29 cm

Notes:
Includes bibliographical references (pages 331-345) and index.
PART ONE: Life Magazine and the Photographic Essay -- The Art Form -- The Magazine -- The Man -- PART TWO: "Country Doctor" -- Concept and Publication -- Narrative and Aesthetic Reading -- Political and Ideological Reading -- Public Reception -- PART THREE: "Spanish Village" -- Concept and Publication -- Narrative and Aesthetic Reading -- Political and Ideological Reading -- Public Reception -- PART FOUR: "Nurse Midwife" -- Concept and Publication -- Narrative and Aesthetic Reading -- Political and Ideological Reading -- Public Reception -- PART FIVE: "A Man of Mercy" -- Concept and Publication -- Narrative and Aesthetic Reading -- Political and Ideological Reading -- Public Reception -- PART SIX: Photournalistic Practice -- Conceptual Framework -- The Negative -- The Print.
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Dust jacket.

Résumé:

This is the first in-depth study of one of the most important photojournalists of the postwar period in America. Examining the antecedents for the photo-essay, a genre that Smith perfected, Glenn Willumson closely analyses the four works that he produced for Life magazine, and for which he is best known: 'Country Doctor', 'Spanish Village', 'Nurse-Midwife', and 'Man of Mercy'. In his study of these works, now acknowledged to set the standard by which the photo-essay is judged, Willumson also argues that Smith's essays are significant cultural documents. An engaging account of Smith's career, W. Eugene Smith and the Photographic Essay reproduces his work as it originally appeared in Life, making it accessible to a new generation.
Doctor," "Spanish Village," "Nurse Midwife," and "A Man of Mercy." In his study of these works, now acknowledged to set the standard by which the photo-essay is judged, Willumson explores the conception, history, political context, and public and critical reception of the essays. Analysis of previously unknown details surrounding the completion of each assignment demonstrates Smith's commitment to the photographic essay as a vehicle for social change. Celebrated for his dramatic, individual photographs, Smith was a serious artist who made efforts to link his visual interpretation with an appropriate text, whose multiple meanings Willumson unravels. Smith also struggled to exercise control over the selection, sequence, and layout of his photographs. Frustrated by the tradition of investing authorial control in the hands of editors, Smith demanded increasing authority over the presentation of his photographs. In 1954, however, Life editors published Smith's photo-reportage of Albert Schweitzer against the wishes of the photographer. Smith, at the height of his fame, resigned from Life magazine in protest. The result of his decision was immediate and personal, plunging him into an abyss of self-doubt that haunted him until his death in 1978. Willumson's narrative traces the history of this conflict and its implications for photojournalism. An engaging account of Smith's career, W. Eugene Smith and The Photographic Essay reproduces his work as it originally appeared in Life, making it accessible to a new generation of scholars and photography enthusiasts.

Ressources:
Publisher description
Publisher description

ISBN:

0521414644 (hardback)
9780521414647 (hardback)

Sujet:

Smith, W. Eugene, 1918-1978.
Photojournalism.
Photographie de presse.
journalistic photography.
Photographers United States.
Photography

Vedettes secondaires:

Smith, W. Eugene, 1918-1978.

Exemplaires:

Localisation: Bibliothèque main 288936
Cote: BIB 230982
Statut: Disponible