Entrée principale:

Moskowitz, Anita Fiderer, 1937- author.

Titre et auteur:

Italian Gothic sculpture : c. 1250-c. 1400 / Anita Fiderer Moskowitz.

Publication:

New York : Cambridge University Press, 2001.

Description:

xxvi, 401 pages : illustrations ; 29 cm

Notes:
Includes bibliographical references (pages 369-381) and index.
1. Introduction -- Geography and politics -- Economic growth, socioreligious factors, and the intellectual milieu -- The practice of sculpture -- Italian gothic sculpture: The background -- Italian Romanesque sculpture -- The milieu of Frederick II -- The classical and French connections -- 2. Central Italy c. 1250-c. 1310 -- Nicola Pisano The Pisa Baptistry pulpit -- The Arca di San Domenico -- The Siena pulpit -- The Fontana Maggiore -- Arnolfo di Cambio -- Perugia's second fountain -- The Guillaume de Bray monument and the tomb of Riccardo Annibaldi -- The Ciboria -- The Praesepe -- The tomb chapel of Boniface VIII -- The facade of Florence cathedral -- Giovanni Pisano -- Giovanni in Nicola Pisano's workshop == The Siena cathedral facade -- The pulpit in Sant' Andrew, Pistoia -- Madonnas and crucifixes -- The Pisa Duomo pulpit -- The tomb of Margaret of Luxemburg -- 3 Pisan and Sienese sculpture to 1330 -- Alternative currents -- Tino di Camaino in Tuscany -- Pisa 1301-1315 -- Florence 1321?-1323 -- Sienese sculpture after Tino -- Goro di Gregorio -- The Tarlati monument -- Giovanni di Agostino and Sienese pictorial relief -- Orvieto and "Lorenzo Maitani" -- Orvieto cathedral -- 4 Trecento Florence and Pisa -- Andrea Pisano -- The Annunziata and the baptistry doors -- The Campanile hexagons and niche figures -- Pisa and Orvieto -- Giovanni di Balduccio in Tuscany -- The second half of the Trecento -- The later Campanile workshops and Alberto Arnoldi -- Nino Pisano -- Andrea Orcagna at Orsanmichele -- The Arca di San Donato in Arezzo -- Florentine sculpture of the late Trecento -- From center to periphery: The diffusion of Tuscan ideals -- 5 Angevin patronage in Naples and Southern Italy -- Tino di Camaino in Naples -- The tomb of Catherine of Austria -- The tomb of Mary of Hungary -- The tombs of Charles of Calabria and Mary of Valois -- The votive relief of Queen Sancia -- Giovanni and Pacio Bertini da Firenze -- The second half of the Trecento and beyond -- 6 Lombardy -- Lombard sculpture before 1334 -- Azzone Visconti and Giovanni di Balduccio in Milan -- The Arca di San Pietro Martire -- The tomb of Azzone Visconti -- Masters of the mid-Trecento in Lombardy -- The Arca di Sant' Agostino -- The Ancona of the three magi -- Giovanni da Campione -- Bonino da Campione -- The Bernabò Visconti tomb -- Lombard assimilation of Tuscan style -- Gian Galeazzo Visconti and the international gothic current -- Embriachi ivories -- The duomo of Milan -- 7 Venice, the Veneto, and Verona -- Venetian sculpture, c. 1300-c.1340 -- Early Trecento tomb monuments and Venetian sculptured "portraits" -- Vere da Pozzo -- Andriolo de Santi -- The sculpture of the Palazzo Ducale -- Jacobello and Pierpaolo dalle Masegne -- The high altar in San Francesco, Bologna -- The iconostasis in San Marco, Venice -- Verona -- The Scaligeri tombs -- 8 Characteristic forms: tradition and innovation -- Pulpits -- The sculptured cathedral facade -- Tombs -- Saints' tombs -- Tombs of lawyers and professors -- Tombs of clerics -- Fourteenth-century secular tombs: Merchants, bankers, soldiers -- Rulers' monuments -- Tombs of women and children -- 9 Some problems in Italian gothic sculpture: case studies -- Developing a master's oeuvre: The problem of Nino Pisano -- An apparent forgery and a noteworthy imitation -- A hypothetical reconstruction: Nicola Pisano's Arca di San Domenico -- 10 Conclusion.

Résumé:

"Italian Gothic Sculpture c. 1250-c. 1400 examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art nor a mere preparation for the Early Renaissance, Anita Moskowitz demonstrates that this body of artworks is distinguished by a unique visual language and syntax. Tracing the developments of Italian sculpture, from Nicola Pisano's arrival in Tuscany around 1250 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Campania, Lombardy, and the Veneto. This study incorporates the most recent scholarly findings, including archival and archaeological discoveries and restoration and conservation efforts. Italian Gothic Sculpture also addresses broad questions of politics, patronage, and piety - topics that offer new ways of looking at and thinking about works of art."--Jacket.

Ressources:
Publisher description
Table of contents

ISBN:

0521444837
9780521444835

Sujet:

Sculpture, Italian.
Sculpture, Gothic Italy.
Sculpture, Italian History.
Christian art and symbolism Italy Medieval, 500-1500.
Sculpture italienne Histoire.
Sculpture gothique Italie.
Art chrétien Italie 500-1500 (Moyen Âge)
Sculpture italienne.
Scultura gotica Italia.
Christian art and symbolism Medieval
Sculpture, Gothic
Plastische kunst.
Gotiek.
Italy

Classification/genre:

History

Exemplaires:

Localisation: Bibliothèque main 218407
Cote: NB613 .M6 2001
Statut: Disponible