Titre et auteur:

Orientalism's interlocutors : painting, architecture, photography / edited by Jill Beaulieu and Mary Roberts.

Publication:

Durham ; London : Duke University Press, 2002.

Description:

ix, 227 pages : illustrations (some color) ; 25 cm.

Série(s):

Objects/histories

Notes:
"A number of the papers in this book originated from a symposium entitled 'The Oriental Mirage: Orientalism in Context' held at the Art Gallery of New South Wales, Sydney, in February 1998. This event was held in conjunction with the exhibition 'Orientalism: Delacroix to Klee'"--P. [xi].
Includes bibliographical references (pages 205-216) and index.
Orientalism's interlocutors / Jill Beaulieu and Mary Roberts -- Speaking back to orientalist discourse / Zeynep Çelik -- Colonial tutelage to nationalist affirmation : Mammeri and Racim, painters of the Maghreb / Roger Benjamin -- The mosque and the metropolis / Mark Crinson -- Earth into world, land into landscape : the "worlding" of Algeria in nineteenth-century British feminism / Deborah Cherry -- Henri Regnault's wartime orientalism / Hollis Clayson -- Contested terrains : women orientalists and the colonial harem / Mary Roberts.

Résumé:

"Until now, Orientalist art - exemplified by paintings of harems, slave markets, or bazaars - has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints - especially women's - within Western Orientalism decentered and destabilized colonial authority"--Publisher's description.
"Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal 'Third Space' created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon"--Publisher's description.

Ressources:
Table of contents
Table of contents
Book review (H-Net)
Book review (H-Net)

ISBN:

0822328593 (alk. paper)
9780822328599 (alk. paper)
0822328747 (ppk. ; alk. paper)
9780822328742 (ppk. ; alk. paper)

Sujet:

Orientalism in art.
Orientalism Social aspects.
Orientalisme dans l'art.
Orientalisme Aspect social.
Kunst
Orientalismus
Oriëntalisme.
Schilderkunst.
Bouwkunst.
Fotografie.
Exoticism in art.
Orientalism
Arts, European Oriental influences

Classification/genre:

Conference Publications.
Conference publications.

Vedettes secondaires:

Beaulieu, Jill, editor.
Roberts, Mary, 1965- editor.
Beaulieu, Jill
Roberts, Mary, 1965-
Oriental Mirage: Orientalism in Context (1998 : Art Gallery of New South Wales)
Objects/histories.

Exemplaires:

Localisation: Bibliothèque main 225438
Cote: NX650.E85 O7 2002
Statut: Disponible