Entrée principale:

Judd, Donald, 1928-1994.

Titre et auteur:

Donald Judd / edited by Nicholas Serota.

Publication:

New York : D.A.P., 2004.

Description:

284 pages : illustrations (chiefly color) ; 31 cm

Notes:
Published on the occasion of an exhibition held at the Tate Modern, London, England, Feb. 5-Apr. 25, 2004; K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, June 19-Sept. 5, 2004, and Kunstmuseum Basel, Switzerland, Oct. 2, 2004-Jan. 9, 2005.
Published on the occasion of an exhibition held at Tate Modern, London, Feb. 5-Apr. 25, 2004, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, June 19-Sept. 5, 2004, and at Kunstmuseum Basel, Oct. 2, 2004-Jan. 9, 2005.
Includes statements by Donald Judd.
Includes bibliographical references (pages 272-273) and index.
[Table of Contents] -- Foreword -- Donald Judd (Artist at Work) / Rudi Fuchs -- Donald Judd, Safe from Birds / Richard Shiff -- Everything as Colour / David Batchelor -- Judd's Moral Art / David Raskin -- Donald Judd: A Sense of Place / Nicolas Serota -- 101 Spring Street, New York, and Marfa, Texas / Donald Judd -- Some Aspects of Color in General and Red and Black in Particular / Donald Judd -- Catalogue / Marianne Stockebrand -- Chronology / Jeffrey Kopie -- Selected Reading -- Selected Exhibitions -- List of Works -- Lenders and Credits -- Index.
Dust jacket.

Résumé:

"One of the most influential American artists of the post-war period, Donald Judd (1928-1994) changed the course of modern sculpture. Seen as a leading figure in Minimalism (a term he disliked), Judd constantly confounded expectations through the breadth of his own vision and the intensity of his critical engagement with both his own and other artists' work. This fully illustrated examination of his work, featuring essays by leading authorities from around the world, is the most comprehensive and up-to-date publication on Judd available. Beginning as a critic and painter, Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like. The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist." -- Dust Jacket.

ISBN:

1891024892
9781891024894

Sujet:

Judd, Donald, 1928-1994 Exhibitions.
Judd, Donald, 1928-1994 Expositions.
Judd, Donald, 1928-1994
Chinati Foundation
Minimal art United States Exhibitions.
Art minimal États-Unis Expositions.
Minimal art
United States

Classification/genre:

Exhibition publications.
Quotations (texts)
exhibition catalogs.
Exhibition catalogs
Catalogues d'exposition.

Vedettes secondaires:

Serota, Nicholas.
Judd, Donald, 1928-1994
Tate Modern (Gallery)
Kunstsammlung Nordrhein-Westfalen (Germany)
Öffentliche Kunstsammlung Basel.

Exemplaires:

Localisation: Bibliothèque main 231158
Cote: NA44.J92.23 D6 2004
Statut: Disponible