Entrée principale:

Bailey, Gauvin A., editor. edt

Titre et auteur:

The Andean hybrid baroque : convergent cultures in the churches of colonial Peru / Gauvin Alexander Bailey.

Publication:

Notre Dame, Indiana : University of Notre Dame Press, [2010].
©2010

Description:

xix, 642 pages, 144 unnumbered pages of plates : color illustrations ; 27 cm.

Série(s):

History, languages, and cultures of the Spanish and Portuguese worlds

Notes:
Includes bibliographical references (pages 599-620) and index.
Introduction: "Mestizo style" and Andean hybrid baroque -- The great debate : Andean hybrid baroque and Latin American art history -- Origins : Jesuit Arequipa (seventeenth and eighteenth centuries) -- The Arequipa region and Cotahuasi : Dominicans and other orders (seventeenth and eighteenth centuries) -- Caylloma I : eighteenth-century Colca Valley and Tisco -- Caylloma II : late-eighteenth- and early-nineteenth-century Colca Valley and Cotahuasi -- Jesuit Collao : the reduction of Juli and the origins of Collavino Andean hybrid baroque (seventeenth and eighteenth centuries) -- Non-Jesuit Collao in the eighteenth century I -- Non-Jesuit Collao in the eighteenth century II and the intermediate zone -- The outliers : Potosí and Northern Collao in the seventeenth and eighteenth centuries -- Chaos and order in the land of the Chunchos and the realm of Lord Yucyuc.

Résumé:

""In spite of decades of scholarship, our understanding of the Andean Hybrid Baroque and its churches has been severely handicapped by a lack of archival documentation and consistent stylistic analysis ... I wrote this study specifically to fill these gaps."--The Introduction" "The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque (also known as "Mestizo Style") was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings." "Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of Colonial Peruvian architecture in decades. The product of six years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of fifty churches. It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture."-- fJacket.

Ressources:
Titelblatt und Inhaltsverzeichnis

ISBN:

9780268022228 (cloth ; alk. paper)
0268022224 (cloth ; alk. paper)

Sujet:

Church architecture Peru.
Architecture, Spanish colonial Peru.
Architecture, Baroque Peru.
Sculpture, Peruvian Themes, motives.
Sculpture, Baroque Peru Themes, motives.
Decoration and ornament, Architectural Peru Themes, motives.
Decoration and ornament, Baroque Peru Themes, motives.
Architecture chrétienne Pérou.
Architecture coloniale espagnole Pérou.
Architecture baroque Pérou.
Sculpture péruvienne Thèmes, motifs.
Sculpture baroque Pérou Thèmes, motifs.
Décoration et ornement architecturaux Pérou Thèmes, motifs.
Décoration et ornement baroques Pérou Thèmes, motifs.
Architecture, Baroque.
Architecture, Spanish colonial.
Church architecture.
Decoration and ornament, Architectural Themes, motives.
Decoration and ornament, Baroque Themes, motives.
Sculpture, Baroque Themes, motives.
Architektur
Barock
Kirchenbau
Plastik
Bauplastik.
Kolonialismus.
Kultur.
Rezeption.
Peru.
Spanien.
Indianer.
Chiese Peru Sec. 17.-18.
Stained Glass.
Glass Painters.

Vedettes secondaires:

History, languages, and cultures of the Spanish and Portuguese worlds.

Exemplaires:

Localisation: Bibliothèque main 273161
Cote: BIB 206632
Statut: Disponible