Titre et auteur:

What ever happened to new institutionalism? / James Voorhies, editor ; contributors, Martin Beck [and twenty-two others].

Publication:

Cambridge, MA : Carpenter Center for the Visual Arts ; Berlin : Sternberg Press, [2016]
©2016

Description:

192 pages : illustrations (chiefly color) ; 25 cm

Notes:
Includes bibliographical references.
Prologue: to a beautiful problem / James Voorhies -- New Nordic critique / Tone Hansen -- New institutionalism: introduction / Jonas Ekeberg -- From relational aesthetics to new institutionalism, and now? / James Voorhies -- Program / Martin Beck -- Instutional cross-benching as a form of critical production / Markus Miessen -- Nothing too good? The politics of new buildings for fine art in postwar Britain / Owen Hatherley -- The way we live now, modernist ideologies at work -- Brand new institutionalism / James Goggin -- Practice / Fernanda Fragateiro -- Integrative institutionalism: a reconsideration / Maria Lind and Alex Farquharson -- School of life: an interview / James Voorhies with Simon Fujiwara -- Simon Fujiwara: three easy pieces -- In-between things and times / Henriette Huldisch -- Album / Eline Mugaas and Elise Storsveen -- CCVA Program timeline -- CCVA in situ -- 9 x 9: Nina Beier, Silvia Benedito, Ulla von Brandenburg, Katarina Burin, Simon Dybbroe Møller, Damon Krukowski, Gloria Sutton, Naomi Yang, Amy Yoes.
Includes reproduction of CCA collection material.

Résumé:

New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism?s dispersed and varied approaches to curating sought to reconfigure the art institution from within, reshaping it into an active, democratic, open, and egalitarian public sphere. 'What Ever Happened to New Institutionalism?' reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture. The first in a series of readers examining changing characteristics of art institutions, this publication thinks through New Institutionalism by bringing together facsimiles of seminal texts, new critical essays, a history of trends and practices, and commissioned artist projects and contributions. These are complemented by documentation from the inaugural year of programming at the Carpenter Center for the Visual Arts at Harvard University focused on reimagining CCVA as a twenty-first-century institution.

ISBN:

3956792343
9783956792342

Sujet:

Carpenter Center for Visual Arts
Art museum curators.
Museums Curatorship.
Art and society.
Art, Modern.
Conservateurs de musée d'art.
Art et société.
Art museums
Centre canadien d'architecture Collection

Vedettes secondaires:

Voorhies, James Timothy, editor.
Beck, Martin, 1962- contributor.
Voorhies, James Timothy editor
Beck, Martin, 1962- author
Carpenter Center for Visual Arts issuing body

Exemplaires:

Localisation: Bibliothèque main 293034
Cote: BIB 237640
Statut: Disponible