Titre et auteur:

Boredom / edited by Tom McDonough.

Publication:

Cambridge, Massachusetts : The MIT Press, 2017.

Description:

236 pages ; 21 cm.

Série(s):

Documents of contemporary art

Notes:
Includes bibliographical references (pages 226-231) and index (pages 232-236).
Modernity's Empty Moments. Experience without qualities / Elizabeth S. Goodstein -- The Arcades Project, 1927-40 / Walter Benjamin -- Boredom and art, 2015 / Julian Jason Haladyn -- Boredom, 1924 / Siefgried Kracauer -- Boredom and bedroom : the suppression of the habitual,1996 / Georges Teyssot -- Aftershocks of the new : feminism and film history, 2002 Patrice Petro -- The Will to Boredom. Formulary for a new urbanism, 1953 / Ivan Chtcheglov -- The adventure, 1960 / Situationist International -- Critique of everyday life, 1961 / Henri Lefebvre -- Everyday speech, 1962 / Maurice Blanchot -- Things : a story of the sixties, 1965 / Georges Perec -- The revolution of everyday life, 1967 / Raoul Vaneigem -- Now, the SI, 1992 / Sadie Plant -- Indifference. Silence, 1961 / John Cage -- The aesthetic of indifference, 1977 / Moira Roth -- Identification, 1998 / Jonathan D. Katz -- Boredom and danger, 1968 / Dick Higgins -- Boredom and oblivion, 1998 / Ina Blom -- In conversation with Joseph Gelmis, 1969 / Andy Warhol -- Notes after reseeing the movies of Andy Warhol, 1970 / Jonas Mekas -- Warhol's aura and the language of writing, 2001 / Tan Lin --
Silence. On parts of some sextets, 1965 / Yvonne Rainer -- Three folds in the fabric and four autobiographical asides as allegories (or interruptions), 1989 / Robert Morris -- ABC art, 1965 / Barbara Rose -- The aesthetics of silence, 1967 / Susan Sontag -- The legacy of indifference, 1987 / Nicolas Bourriaud -- Allegories of boredom, 2004 / Jonathan Flatley -- No more boring art, 2001 / John Miller -- Nothing Happens. The feminine mystique, 1963 / Betty Friedan -- Les belles images, 1966 / Simone de Beauvoir -- Manifesto! Maintenance art : proposal for an exhibition "care", 1969 / Mierle Laderman Ukeles -- Waiting, 1971 / Faith Wilding -- On Jeanne Dielmann, 1996 / Ivone Margulies -- I must be boring someone, 2006 / Jennifer Doyle -- S.C.U.M manifesto, 1967 / Valerie Solanas -- No Future. Sigmar Polke - a contemporary visionary : in conversation with Mark Godfrey, 2014 / Peter Fischli -- England's dreaming : anarchy, Sex Pistols, punk rock and beyond, 1991 / Jon Savage -- The producer as artist, 1988 / Dan Graham -- The last Sex Pistols concert, 1989 / Greil Marcus -- Bleached roots : punks and white ethnicity, 1979 / Dick Hebdige -- CBGB as a physical space, 2006 / Richard Hell -- On the politics of boredom (a Communist pastiche), 1992 / Geoff Waite --
Blocs of the Mind. Homo sovieticus, 1982 / Aleksandr Zinoviev -- The aesthetics of boredom : Lithuanian photography 1980-1990, 2010 / Agne Narusyte -- Photographic ethics in the work of Boris Mikhailov, 1994 / Alla Efimova -- On emptiness, 1990 / Ilya Kabakov -- Negative emptiness, 1999 / Mikhail Epstein -- Comrades of time, 2009 / Boris Groys -- Disengage!. Case history and clinical report on the pastiche of boredom, 1992 / Critical Art Ensemble -- The pale king, 2011 / David Foster Wallace -- Stuplimity, 2005 / Sianne Ngai -- The performance-management model of performative subjectivity, 2006 / Christine Ross -- The cold world, 2009 / Dominic Fox -- Bedrooms boredoms (short escapes in New York City), 2004 / Bernadette Corporation -- Dear R., 2007 / Claire Fontaine -- The coming insurrection, 2007 / The Invisible Committee -- Lazy labour : chronopolitical remarks, 2014 / Sven Lütticken -- Art time, 2013 / Peter Osborne -- In conversation with Malcolm McLaren, 2006 / Stefan Brüggemann -- Twelve words, nine days, 2011 / Chris Kraus.

Résumé:

Without boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism's retreat into abstraction through subsequent demands placed on audiences, from the late 1960s to the present, the viewer's endurance of repetition, slowness or other forms of monotony has become an anticipated feature of gallery-going. In contemporary art, boredom is no longer viewed as a singular experience ; rather, it is contingent on diverse social identifications and cultural positions, and exists along a spectrum stretching from a malign condition to be struggled against to an something to be embraced or explored as a site of resistance. This anthology contextualizes the range of boredoms associated with our neoliberal moment, taking a long view that encompasses the political critique of boredom in 1960s France ; the simultaneous aesthetic embrace in the United States of silence, repetition, or indifference in Fluxus, Pop, Minimalism and conceptual art ; the development of feminist diagnoses of malaise in art, performance, and film ; punk's social critique and its influence on theories of the postmodern ; and the recognition, beginning at the end of the 1980s, of a specific form of ennui experienced in former communist states. Today, with the emergence of new forms of labor alienation and personal intrusion, deadening forces extend even further into subjective experience, making the divide between a critical and an aesthetic use of boredom ever more tenuous--Publisher's description.

ISBN:

9780262533447 (paperback) (alkaline paper)
0262533448 (pagerback) (alkaline paper)

Sujet:

Emotions in art.
Boredom.
Ennui (Lassitude)
20.06 philosophy of art.
Art and Design.
Kunsttheorie.
Verveling.

Classification/genre:

Essay
Interview
essays.
interviews.
Interviews.
Essays.
Essais.

Vedettes secondaires:

McDonough, Tom, 1969- editor.
Documents of contemporary art series.

Exemplaires:

Localisation: Bibliothèque main 294804
Cote: BIB 240671
Statut: Disponible