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Titre:
Fresher facts : the best buildings by young architects in the Netherlands

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Résumé:
The Netherlands Architecture Institute (NAI) awarded the first NAI Prize in 2002. It was awarded to the best building realized during the last two years by an architects under 40 years of age. the NAI will once again be awarding the prize under the title AM-NAI Prize 2004. Fresher Facts presents the four nominated projects in detail and explains the context in which these four buildings were created.

Titre:
Qu'est-ce que l'OMA : à propos de Rem Koolhaas et de l'Office for Metropolitan Architecture

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$55.95
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Résumé:
“À propos de Rem Koolhaas” offre une vision claire du rôle de l'architecte et de son agence, l'Office for Metropolitan Architecture. Des auteurs de réputation internationale, dont les compétences dépassent celles de l'architecture, revisitent le travail de l'OMA à la lumière des développements sociaux et économiques récents. Toutes les facettes de Koolhaas sont passées en revue : sa prise de position sur la théorie architecturale et son dispositif conceptuel, sa vision de l'urbanisme et de la ville contemporaine, les conceptions mises en pratique par l'OMA et les projets de recherches de l'AMO, cellule de réflexion qui navigue en dehors des frontières immédiates de l'architecture. Ce livre brosse un tableau complet de la portée des réalisations de l'OMA et de l'influence grandissante de Rem Koolhaas.

Titre:
False flat : why Dutch design is so good

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Résumé:
This book provides a timely overview of innovative contemporary design in the Netherlands, an international hotbed of design creativity. 1,000 images offer a visual sourcebook of Dutch design in all forms, including architecture, urban planning, industrial design and graphic design. False Flat features work by Ren Koolhaas, MVRDV, Ben van Berkel and Caroline Bos among others.

Titre:
Landscrapers : building with the land

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$49.00
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Résumé:
Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.

Titre:
The de Young in the 21st century : a museum by Herzog & de Meuron

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Résumé:
The new de Young museum in San Francisco’s Golden Gate Park has been designed by the Swiss firm of Herzog & de Meuron. This book is a case study in design and urban planning, documenting the complex five-year process that has resulted in this outstanding contribution to contemporary museum architecture. Founded by San Francisco Chronicle publisher Michael de Young, the museum's permanent collection includes the art of Africa, Oceania and traditional cultures of the Americas; American painting and sculpture from the colonial period to the present; and both Western and non-Western textiles. After the museum was damaged in a 1989 earthquake, its fate became the focus of intense public debate, in which issues of environmental sensitivity and the role of cultural institutions in urban parks were paramount. Illustrated with colour photographs as well as plans, drawings and models, this book traces the architects’ creative process in detail. Principal photography by Mark Darley.

Titre:
The monster Leviathan: Anarchitecture

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Résumé:
Lurking under the surface of our modern world lies an unseen architecture—or anarchitecture. It is a possible architecture, an analogous architecture, an architecture of anarchy, which haunts in the form of monsters that are humans and machines and cities all at once; or takes the form of explosions, veils, queer, playful spaces, or visions from artwork and video games. In The Monster Leviathan, Aaron Betsky traces anarchitecture through texts, design, and art of the twentieth and early twenty-first century, and suggests that these ephemeral evocations are concrete proposals in and of themselves. Neither working models nor suggestions for new forms, they are scenes just believable enough to convince us they exist, or just fantastical enough to open our eyes.

Titre:
What is OMA : considering Rem Koolhaas and the Office for Metropolitan Architecture

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Résumé:
This book provides a clear insight into the role and significance of Rem Koolhaas and the Office for Metropolitan Architecture. Authors of international repute from beyond the province of architecture examine OMA's work in the light of social and economic developments. The many facets of Koolhaas come under review: his take on architectural theory and the conceptual apparatus he employs, his vision of urbanism and the contemporary city, the designs put into practice by OMA and the research projects of the AMO think-tank, which exist outside the immediate boundaries of architecture. Essays by Aaron Betsky, Ian Buruma, H.J.A. Hofland, Okwui Enwezor, Neil Leach, Matthew Stadler, Bruce Sterling, and Bart Verschaffel. Excerpts by Jean Attali, René Boomkens, Fredric Jameson, Fritz Neumeyer, Michael Sorkin, Anthony Vidler, and Sarah Whiting.

Titre:
Icons : magnets of meaning

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Résumé:
Published in conjunction with a major exhibition at the San Francisco Museum of Modern Art, this striking volume explores selected icons as benchmarks for the current state of design and suggests new ways to look at the interconnectedness of design, consumer culture, and the aesthetics of desire.

Titre:
Lot-ek : mobile dwelling unit

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Résumé:
Since 1955, when they were first standardized, shipping containers have had a radical effect on our physical reality. Seven million of these steel containers are now moving around the world, and their measurements have defined the design of ships, railroad cars, trucks, and cargo airplanes, as well as the landscape of ports, airports, and trucking yards. And that doesn't even begin to touch on the wider and much more invisible system of distribution, of just-in-time-inventory, of information networks in which the container moves. LOT/EK, the New York-based studio with a reputation for creating architecture and environments using industrial objects, here takes on the standard shipping container as medium. The Mobile DwellingUnit (MDU) is "a shipping container transformed into a dwelling that nevertheless retains the attributes of a shipping container, i.e. it remains shippable." It is a "discreet mobile element" that can be moved around the globe, to anywhere with that can receive standard shipping containers. It's full-service interior includes push-out elements with space for sleeping, storage, eating, bathing, and cooking; these elements can be pushed smoothly back into the container when the occupant moves and needs to ship his or her living space along. Consider the MDU a trailer home for travelling between global villages. LOT/EK: Mobile Dwelling Unit, the book, will not only document the MDU concept but will provide greater understanding of the work’s cultural and social context with essays by leading architectural critics, theorists, historians, and practitioners. An interview with the designers by Chris Scoates will illuminate LOT/EK’s process in the creation and development of the MDU as well as their unique approach to architecture. Henry Urbach will place the MDU project in the context of LOT/EK’s larger body of work. Professor Robert Kronenberg, a leading expert on portable architecture, will consider the project within the history of the genre. Aaron Betsky, a leading design critic and Director of NAi, will explore the meaning of the MDU within a larger contemporary cultural and social context of mobility and habitation. A visual essay by Andrew Blauvelt and LOT/EK will explore the territories of the MDU’s inspiration and related themes of nomadic travel and industrial systems of transportation.

Titre:
Lignes d'horizon : l'architecture et son site

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Résumé:
Depuis la découverte de la caverne, les hommes n’ont cessé d’utiliser les formations géologiques qu’offre notre planète. Il a fallu cependant attendre une date récente pour que des avancées dans le domaine de l’ingénierie structurelle permettent de considérer la surface de la terre comme un élément architectural à part entière. La prise de conscience de la raréfaction des ressources naturelles et l’influence grandissante des architectes paysagistes ont également incité certains créateurs parmi les plus prestigieux à inventer des formes qui s’intègrent à la topographie naturelle d’un lieu, la déploient, la subliment et à créer ce que l’on pourrait appeler des gratteterre en opposition aux gratte-ciel. Du terminal de tramway de Zaha Hadid en France à la bibliothèque d’Alexandrie de Snøhetta en Egypte, de la maison nichée dans une colline du Pays de Galles de Future Systems au Spencer Theatre d’Antoine Predock aux Etats- Unis, les cinquante projets présentés dans ce livre révèlent l’importance de cette nouvelle voie architecturale.