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Titre:
Uneternalcity, urbanism beyond Rome, section of the 11th international architecture exhibition directed by Aaron Betsky

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Prix:
$79.00
(disponible en magasin)

Résumé:
Uneternalcity is a multiplicity of projects performed by a dozen architects from around the world, some of them local, some from far away, that provoke a revelation of what Rome is and always has been, and what Rome has become and continually is becoming. If it is possible to figure it out and to re-imagine and reimage Rome the way it appears in our mind’s eye when we think of city, then we can make sense of any post-city urban landscape that is our new home in the world.

Titre:
Frank Havermans: Architectural constructions

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$60.00
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Résumé:
Working without the interventions of an engineer or building contractor, Dutch architect Frank Havermans constructs complex structures that display his fascination with architectonic space. His activities include the design of furniture, interior and exterior design projects and large-scale urbanism. Documenting his work since 1998, this monograph presents maquettes and scale models alongside images of the realized projects.

Titre:
Making it modern: the history of modernism in architecture and design

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$46.95
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Résumé:
At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying to catch what has already appeared - an attempt to fix life as it is being lived. Modernity is just the very fact that we as human beings are continually remaking the world around us through our actions, and are doing so consciously. Modernism is a monument to or memory of that act, which in its own making tries to remake the world it is pretending to represent.

Titre:
Norihiko Dan and associates

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Prix:
$50.00
(disponible sur commande)

Résumé:
A concrete tree trunk growing in the middle of a commercial street in Tokyo, an airport terminal that looks almost like a bird's wing, a skyscraper facade that seems to move like ocean waves, a visitors' center perfectly integrated into the landscape of Taiwan's largest lake - nature is everpresent in Japanese architect Norihiko Dan's buildings. His architecture never stands alone, for Dan always seeks symbiosis; this appears in his combination of geometric-archetypical with organic forms, in his urban planning projects, which bring submerged historic and cultural identities back to light, as well as in the ecological orientation of his buildings.