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Titre:
Paula Scher: Works

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$105.00
(disponible en magasin)

Résumé:
This definitive, chronological visual record spans Paula’s early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25-year engagement with Pentagram. The monograph is also a visual record of contemporary New York’s urban fabric, indelibly transformed by the designer’s innovative approach to environmental graphics and identity design: from MoMA to Charter Schools; from the High Line to Shake Shack. Her logos for global corporations and cultural institutions have cemented her reputation as a giant of identity design. A large section is devoted to the designer’s socially and politically-motivated posters, New York Times Op-Ed illustrations and campaign work. The book also provides the most up-to-date look at Paula’s idiosyncratic hand-painted maps, an unusually prolific artistic practice complementing her still-growing graphic legacy.

Titre:
Lance Wyman: the visual diaries 1973-1982

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$108.00
(disponible en magasin)

Résumé:
Throughout his long career Lance Wyman has kept a daily record of his creative processes: working drawings for logos; detailed specifications for urban way-finding systems; sketches for typefaces; notes to himself; records of conversations; colour swatches; Polaroids; and other forms of printed ephemera. Now, many hundreds of pages from Lance Wyman’s ‘designlogs’ have been photographed, edited and made into a beautifully designed 872pp book.

Titre:
Impact 2.0: Design magazines, journals and periodicals 1974-2016

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Prix:
$68.00
(disponible en magasin)

Résumé:
In this book you will find the covers of design magazines, journals and periodicals of all kinds. They cover many topics – graphic design, typography, architecture, interiors, print, theory and history. But above all, they are brilliant specimens of innovative visual design. There’s no better place to view the stylistic rollercoaster of graphic design than the covers of design magazines – it’s a fast-track education in the history of design and typography. As Steven Heller notes: “As we head deeper into the age of hand-held devices, covers will become obsolete. So, it is for this reason that preserving and archiving these documents of international design, one cover at a time, is beyond useful.”

Titre:
Graphic design: a user's manual

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$36.00
(disponible sur commande)

Résumé:
This book offers students, novice designers and battle-toughened professionals alike an insider’s guide to the complexities of current graphic design practice and thinking. It contains all you need to know to survive and prosper in the complex, ever-shifting world of graphic design.

Titre:
SPIN/ Adventures in typography

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Prix:
$39.95
(disponible en magasin)

Résumé:
Continuing the conversation started with the studio’s 2015 monograph SPIN 360° [Unit 19], SPIN/Adventures in Typography looks at the typographic flotsam and jetsam of Spin’s creative process; a repository for trains of thought, itches that needed to be scratched, as well as fresh new journeys. Spread over 52 pages, SPIN/Adventures in Typography is a visual record of SPIN’s creative interests and outputs – combustive explorations not afraid to plunge into the abstract, teetering on the edge of legibility. A journal boisterous with typographic riffs, remixes, and rearrangements – SPIN/Adventures in Typography is an invitation to engage in conversation, an ellipses rather than a full stop.

Titre:
Studio culture

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$48.00
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Résumé:
Studio Culture provides a unique glimpse into the inner workings of 28 leading graphic design studios. In a series of penetrating interviews, the mechanics of building and maintaining a vibrant studio culture are laid bare with disarming frankness.

Titre:
How to be a graphic designer, without losing your soul

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Prix:
$25.00
(disponible sur commande)

Résumé:
Designers are quick to tell us about their sources of inspiration, but they are much less willing to reveal such critical matters as how to find work, how much they charge, and what to do when a client rejects three weeks of work and refuses to pay the bill. "How to be a graphic designer without losing your soul" addresses the concerns of young designers who want to earn a living by doing expressive and meaningful work, and who want to avoid becoming hired drones working on soulless projects. Written by a designer for designers, it combines practical advice with philosophical guidance to help young professionals embark on their careers. How should designers manage the creative process? What's the first step in the successful interpretation of a brief? How do you generate ideas when everything just seems blank? "How to be a graphic designer" offers clear, concise guidance for these questions, along with focused, no-nonsense strategies for setting up, running, and promoting a studio, finding work, and collaborating with clients. The book also includes interviews with ten leading designers, including Rudy VanderLans (Emigré), John Warwicker (Tomato), Neville Brody (Research Studios), and Andy Cruz (House Industries).

Titre:
Type plus

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Prix:
$78.00
(disponible sur commande)

Résumé:
"Type plus" investigates the practice of combining typography with images to increase effectiveness, potency and visual impact. Today, graphic designers use type in partnership with graphic elements in ways that turbo charge meaning and impact. Type plus image – or images – can greatly enhance typographic expression. And letterforms themselves, when redrawn, combined, distorted, or augmented with decorative embellishments, can enhance meaning and lend emotive qualities to all kinds of typographic communication. By focusing on a host of contemporary practitioners from around the world, "Type plus" creates a picture of a new dynamism in typographic expression. The era of type as a passive, semi-invisible holder of meaning is long gone. Includes interviews with Non-Format, TwoPoints.Net and Erik Brandt.

Titre:
Illustration book pro 02

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Prix:
$39.95
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Résumé:
Following “Illustration Book Pro 01,” this second volume presents more than 1,000 updated works by about 150 of the hottest illustrators in Japan. About 75 illustrators are renewed in the new book. Artworks are grouped by illustrators and accompanied by portrait, profile and related website address.

Titre:
Impact 1.0: Design magazines, journals and periodicals 1922-1973

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Prix:
$68.00
(disponible sur commande)

Résumé:
In this book you will find the covers of design magazines, journals and periodicals of all kinds. They cover many topics – graphic design, typography, architecture, interiors, print, theory and history. But above all, they are brilliant specimens of innovative visual design. There’s no better place to view the stylistic rollercoaster of graphic design than the covers of design magazines – it’s a fast-track education in the history of design and typography. As Steven Heller notes: “As we head deeper into the age of hand-held devices, covers will become obsolete. So, it is for this reason that preserving and archiving these documents of international design, one cover at a time, is beyond useful.”