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''A pound of pictures'' is a stream-of-consciousness celebration of the photographic medium, bringing together an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a sprawling array of subjects ? from Buddhist statues and birdwatchers to sun-seekers and busts of Abe Lincoln- this book reflects on the photographic desire to pin down and(...)
Alec Soth: A pound of pictures
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''A pound of pictures'' is a stream-of-consciousness celebration of the photographic medium, bringing together an entirely new collection of work by Alec Soth made between 2018 and 2021. Depicting a sprawling array of subjects ? from Buddhist statues and birdwatchers to sun-seekers and busts of Abe Lincoln- this book reflects on the photographic desire to pin down and crystallise experience, especially as it is represented and recollected by printed images. Throughout this eclectic sequence are the recurring presences of iconography, of souvenirs and mementos, and of the image-makers that surround us day to day. Forming a winding, ruminative road trip, Soth’s photographs are followed by his own notes and reflections in an extended afterword. 'If the pictures in this book are about anything other than their shimmering surfaces,' he writes, 'they are about the process of their own making. They are about going into the ecstatically specific world and creating a connection between the ephemeral (light, time) and the physical (eyeballs, film).' Each book contains five randomised replica vernacular photographs loosely inserted within the pages.
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The parameters of our cage
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and(...)
The parameters of our cage
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In January 2020, Alec Soth received a letter from Chris Fausto Cabrera, an inmate of the Minnesota Correctional Facility in Rush City, in which he asked the photographer to engage in a dialogue. This sparked an expansive and insightful correspondence over the following nine months which, set against the backdrop of the COVID-19 pandemic, Black Lives Matter Movement and growing unrest, reaches to the heart of contemporary America. In amongst their exchanges of personal histories and shared influences – from Ralph Ellison’s The Invisible Man and André 3000, to Robert Frank’s The Americans and Rilke’s 'Letters to a Young Poet' – developed a searing investigation of the redemptive power of art and the imagination, justice and accountability, life inside America’s prisons, and the astonishing capacity of empathy and curiosity to bring two people together.
Théorie de la photographie
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published(...)
Songbook (first edition.second printing)
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.
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Alec Soth: gathered leaves
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Alec Soth’s reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of(...)
Alec Soth: gathered leaves
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Alec Soth’s reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth’s prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman’s poem Song of Myself [1855] and references both the pages of his books gathered for consideration and the notion that his work is also a story about Soth himself. This catalogue is a special object, bringing together an essay by Aaron Schuman spread across 29 large format postcards, with mini facsimile versions of Soth’s 4 books [3 of which are now out-of-print], all housed together in a luxurious printed and embossed clamshell box.
Monographies photo
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular(...)
Alec Soth: I know how furiously your heart is beating
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.
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Niagara
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The photographer turns his eye to another iconic body of water, Niagara Falls. And as with his photographs of the Mississippi, these images are less about natural wonder than human desire.
Niagara
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The photographer turns his eye to another iconic body of water, Niagara Falls. And as with his photographs of the Mississippi, these images are less about natural wonder than human desire.
Monographies photo
Alec Soth: Niagara
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In the follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi", Alec Soth turned his eye to another iconic body of water, Niagara Falls. As with his photographs of the Mississippi, Soth’s pictures of Niagara are less about natural wonder than human desire. “I went to Niagara for the same reason as the honeymooners and suicide jumpers,” says(...)
Alec Soth: Niagara
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In the follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi", Alec Soth turned his eye to another iconic body of water, Niagara Falls. As with his photographs of the Mississippi, Soth’s pictures of Niagara are less about natural wonder than human desire. “I went to Niagara for the same reason as the honeymooners and suicide jumpers,” says Soth, “the relentless thunder of the Falls just calls for big passion.” Working over the course of two years on both the American and Canadian sides of the Falls using a large-format 8x10 camera, the photographs are rigorously composed and richly detailed. Soth depicts newlyweds and naked lovers, motel parking lots and pawn shop wedding rings. Throughout the book, Soth has interspersed a number of love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide.
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From Here to There: Alec Soth's America is the first exhibition catalogue to feature the full spectrum of the work of Alec Soth, one of the most interesting voices in contemporary photography, whose compelling images of everyday America form powerful narrative vignettes. Featuring more than 100 of the artist's photographs made over the past 15 years, the book includes new(...)
From here to there: Alec Soth's America
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From Here to There: Alec Soth's America is the first exhibition catalogue to feature the full spectrum of the work of Alec Soth, one of the most interesting voices in contemporary photography, whose compelling images of everyday America form powerful narrative vignettes. Featuring more than 100 of the artist's photographs made over the past 15 years, the book includes new critical essays by exhibition curator Siri Engberg, curator and art historian Britt Salvesen and critic Barry Schwabsky, which offer context on the artist's working process, the photo-historical tradition behind his practice and reflections on his latest series of works.
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Between 2022 and 2024, Alec Soth visited twenty-five undergraduate art programmes across the United States. "Advice for Young Artists" comprises work he made there. Its title – perhaps like the visits themselves – is misleading: rather than wisdom or guidance, Soth offers an angular and unresolved reflection on artmaking at different stages of life and the relations of(...)
Alec Soth: Advice for young artists
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Between 2022 and 2024, Alec Soth visited twenty-five undergraduate art programmes across the United States. "Advice for Young Artists" comprises work he made there. Its title – perhaps like the visits themselves – is misleading: rather than wisdom or guidance, Soth offers an angular and unresolved reflection on artmaking at different stages of life and the relations of photography, time, and ageing. The photographs here range from formal studies evocative of the classroom to more unruly works of self-expression. Ambiguous stagings, found forms, and lyrical portraits are interspersed with gnomic quotes and unfinished credos scrawled on Post-its. Among the students, Soth himself appears at intervals, an uncertain sage in their midst. Inspired by Walker Evans’s late Polaroids, this latest body of work reveals a new expansion of Soth’s practice and a new vantage, twenty years on from the publication of his first book. Recalling the conceit of Broken Manual, it uses an instructional format as a spurious cover for introspection and provocation. As much as a study of the experience of the young artist, this is a reckoning with the prospect of becoming an old one.
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Interviews by Carlo Ducci, Marta Gili, Karl Lagerfeld, Pamela Golbin, Eric Olson, Alec Soth, Franca Sozzani. In this beautifully produced third issue of the international art/fashion collectible Fashion Magazine, the acclaimed American photographer Alec Soth plays Editor-in-Chief, Advertising Director and sole photographic contributor--to quietly mesmerizing results.
Paris Minnesota. Fashion Magazine by Alec Soth
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Interviews by Carlo Ducci, Marta Gili, Karl Lagerfeld, Pamela Golbin, Eric Olson, Alec Soth, Franca Sozzani. In this beautifully produced third issue of the international art/fashion collectible Fashion Magazine, the acclaimed American photographer Alec Soth plays Editor-in-Chief, Advertising Director and sole photographic contributor--to quietly mesmerizing results.
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