Graphic design 20th century
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With over five hundred colour reproductions, "Graphic Design 20th Century" represents a pictorial history of the last hundred years in graphic design. Alston Purvis presents all the significant designers of the twentieth century as well as the many styles that characterized this rich and tumultuous period: Art Nouveau, Arts and Craft, the Viennese Secession, the Russian(...)
novembre 2003, New York
Graphic design 20th century
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$38.95
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With over five hundred colour reproductions, "Graphic Design 20th Century" represents a pictorial history of the last hundred years in graphic design. Alston Purvis presents all the significant designers of the twentieth century as well as the many styles that characterized this rich and tumultuous period: Art Nouveau, Arts and Craft, the Viennese Secession, the Russian Avant-Garde, Punk, New Wave, and computer graphics are just a few of the subjects discussed in this essential reference book. The wealth of visual material presented, including iconic works by Aleksandr Rodchenko, H. Th. Wijdeveld, Frank Lloyd Wright, Paul Rand, Piet Zwart, Saul Bass, among many others, makes this a truly enjoyable and inspiring read and a handy guide for any designer, artist, or student. Alston Purvis is Chairman of Graduate Studies and the Department of Graphic Design at Boston University. He is the author of numerous publications on graphic design.
livres
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Cet ouvrage retrace l'évolution de la création typographique depuis 1985. Présentant les caractères dans leur contexte d'utilisation, affiches, panneaux, journaux, magazines, livres,etc., pour lesquels ils ont souvent été spécialement conçus, il constitue un précieux outil de référence à l'attention des designers graphiques et de tous ceux intéressés par la(...)
septembre 2006, Paris
Créations : typographiques de 1985 à nos jours
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Cet ouvrage retrace l'évolution de la création typographique depuis 1985. Présentant les caractères dans leur contexte d'utilisation, affiches, panneaux, journaux, magazines, livres,etc., pour lesquels ils ont souvent été spécialement conçus, il constitue un précieux outil de référence à l'attention des designers graphiques et de tous ceux intéressés par la typographie. Trois essais préliminaires explorent les partis pris du XXe siècle face aux enjeux constants de la typographie : lisibilité, expressivité, beauté formelle du caractère. Depuis les affiches de l'Art nouveau, les tendances, parfois antagonistes, du design typographique ont en effet nourri la création contemporaine et il importait d'évoquer cet héritage. Les fontes numériques actuelles sont aussi le reflet de besoins spécifiques en termes de communication, comme en témoignent, parmi les trente-quatre familles de caractères présentées dans la suite de l'ouvrage, Le Monde de Jean-François Porchez, ou Franklin Gothic revisité par ITC. Ces polices, toutes commercialisées, sont dues à des typographes oeuvrant tant en Europe qu'aux États-Unis, ou au Japon. Leurs sources d'inspiration, leur démarche créatrice sont explicitées ; des reproductions d'esquisses et de premières épreuves, un texte composé dans le caractère lui-même illustrent le propos. Ce livre s'achève très utilement par une description des caractères "historiques" - du Garamond, datant de 1543, au Akzidenz Grotesk, dessiné par Gunter Gerhard Lange en 1969 - , qui ont fait l'objet d'innombrables révisions, adaptations et libres interprétations contemporaines.
livres
septembre 2006, Paris
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In its debut edition in 1983, "A history of graphic design" received accolades from the Association of American Publishers as a publishing landmark. Now in its fourth edition, this work continues its long tradition of providing balanced insight and thorough historical background. Widely this fourth edition offers more than 450 new images, along with expansive coverage of(...)
novembre 2005, Hoboken
Meggs' history of graphic design
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In its debut edition in 1983, "A history of graphic design" received accolades from the Association of American Publishers as a publishing landmark. Now in its fourth edition, this work continues its long tradition of providing balanced insight and thorough historical background. Widely this fourth edition offers more than 450 new images, along with expansive coverage of such topics as Italian, Russian, and Dutch design. This book offers hundreds of full-color images supported by the latest information, including a new chapter on modern type design. With more than 1,000 illustrations, lucid text, and interpretive captions, this fourth edition reveals a saga of creative innovators, breakthrough technologies, and important design innovations.
H.N. Werkman
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Dutch designer and printmaker Hendrick Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of "De blauwe schuitt", a series of undergroud booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was arrested and imprisoned by German secret police in 1945 and(...)
septembre 2004, New Haven
H.N. Werkman
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Dutch designer and printmaker Hendrick Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of "De blauwe schuitt", a series of undergroud booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was arrested and imprisoned by German secret police in 1945 and executed without trial just three days before the country's liberation. This illustrated book is the first in English to focus on Werkman's remarkable graphic work and extraordinary life.
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"Creative Type" begins with three essays addressing such issus as the impact of the digital era on typography and the ways in which contemporary designers are harnessing the typefaces of the past to satisfy the needs of the present. It then goes on to illustrate 34 modern classic typefaces produced between 1985 and 2004, accompanied by comments from each font's designer.(...)
septembre 2005, New York
Creative type : a sourcebook of classic and contemporary letterforms
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"Creative Type" begins with three essays addressing such issus as the impact of the digital era on typography and the ways in which contemporary designers are harnessing the typefaces of the past to satisfy the needs of the present. It then goes on to illustrate 34 modern classic typefaces produced between 1985 and 2004, accompanied by comments from each font's designer. A section devoted to the great typefaces of the past from Garamond, created in 1543, to Akzidenz Grotesk, designed by Gunter Gerhard Lange in 1969, completes the volume.