6 Résultats
Classification:
livres
livres
Prix:
$50.50
(disponible en magasin)
Résumé:
''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their(...)
$50.50
(disponible en magasin)
Résumé:
''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their(...)
Sujet:
Théorie de l’art
Théorie de l’art
Publication:
octobre 2023
octobre 2023
Titre:
Broken relations: infrastructure, asesthetics, and critique
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Prix:
$50.50
(disponible en magasin)
Résumé:
''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their systemic analysis. The reader views infrastructures not only as material phenomena and physical networks but also as immaterial relations and symbolic actions, which, in visible and invisible ways, form our present and, hence, our horizon of aesthetic perception. The interplay between the material and ideological conditions of production, distribution, and presentation directs our gaze, schooled as it is in institutional critique, onto real and symbolic orders, sites, and economies. The book is based on a cooperation between the Academy of Fine Arts Leipzig and the Academy of Fine Arts Vienna: this started in Leipzig in 2021 with the lecture series and exhibition ''Broken relations: infrastructure and interruption'' and continued in Vienna in 2022 with the exhibition ''Conditions and frameworks: infrastructure as form and medium'' and the conference ''Broken relations: infrastructure, aesthetics, and critique''.
Broken relations: infrastructure, asesthetics, and critique
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Prix:
$50.50
(disponible en magasin)
Résumé:
''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their systemic analysis. The reader views infrastructures not only as material phenomena and physical networks but also as immaterial relations and symbolic actions, which, in visible and invisible ways, form our present and, hence, our horizon of aesthetic perception. The interplay between the material and ideological conditions of production, distribution, and presentation directs our gaze, schooled as it is in institutional critique, onto real and symbolic orders, sites, and economies. The book is based on a cooperation between the Academy of Fine Arts Leipzig and the Academy of Fine Arts Vienna: this started in Leipzig in 2021 with the lecture series and exhibition ''Broken relations: infrastructure and interruption'' and continued in Vienna in 2022 with the exhibition ''Conditions and frameworks: infrastructure as form and medium'' and the conference ''Broken relations: infrastructure, aesthetics, and critique''.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Prix:
$50.00
(disponible sur commande)
Résumé:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of(...)
$50.00
(disponible sur commande)
Résumé:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of(...)
Titre:
Now-Tomorrow-Flux: an anthrology on the Museum of Contemporary Art
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Prix:
$50.00
(disponible sur commande)
Résumé:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of the museum of contemporary art are addressed. The anthology discusses the museum of contemporary art’s double character as a site of production as well as conservation, and emphasizes its relation to different public spheres, also exploring ways of dealing with the standards that emerge from the practices of collecting, organizing and educating. Included are contributions from art historians and cultural experts Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Heathfield, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat Wyss and Artur Zmijewski.
Now-Tomorrow-Flux: an anthrology on the Museum of Contemporary Art
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Prix:
$50.00
(disponible sur commande)
Résumé:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of the museum of contemporary art are addressed. The anthology discusses the museum of contemporary art’s double character as a site of production as well as conservation, and emphasizes its relation to different public spheres, also exploring ways of dealing with the standards that emerge from the practices of collecting, organizing and educating. Included are contributions from art historians and cultural experts Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Heathfield, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat Wyss and Artur Zmijewski.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a(...)
$34.95
(disponible sur commande)
Résumé:
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a(...)
Titre:
Cultures of the curatorial 3: Hospitality. Hosting relations in exhibitions
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$34.95
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Résumé:
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs.
Cultures of the curatorial 3: Hospitality. Hosting relations in exhibitions
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Prix:
$34.95
(disponible sur commande)
Résumé:
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs.
Classification:
livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$30.00
(disponible sur commande)
Résumé:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field(...)
$30.00
(disponible sur commande)
Résumé:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field(...)
Titre:
Curatorial things: cultures of the curatorial 4
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Prix:
$30.00
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Résumé:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field of the curatorial. Immanent to presentation as a mode of being (public) in the world, the curatorial has the potential to address, visualize, and question the central effects of the changing status and function of things. The presentational mode has played a generative role, vitally participating in the mobilization of things through its aesthetic, semantic, social, and, not least, economic dimensions. Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice-theory, the anthology 'Curatorial Things' is a new orientation of the analysis of things.
Curatorial things: cultures of the curatorial 4
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Prix:
$30.00
(disponible sur commande)
Résumé:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field of the curatorial. Immanent to presentation as a mode of being (public) in the world, the curatorial has the potential to address, visualize, and question the central effects of the changing status and function of things. The presentational mode has played a generative role, vitally participating in the mobilization of things through its aesthetic, semantic, social, and, not least, economic dimensions. Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice-theory, the anthology 'Curatorial Things' is a new orientation of the analysis of things.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
The Curatorial Condition
The Curatorial Condition
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$34.95
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Résumé:
In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art(...)
$34.95
(disponible en magasin)
Résumé:
In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art(...)
Titre:
The Curatorial Condition
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Prix:
$34.95
(disponible en magasin)
Résumé:
In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art and culture—as a domain of practice and meaning with its own structures, conditions, rules, and procedures. Von Bismarck focuses on the relations created by the curatorial—relations between human and nonhuman participants. Rather than foregrounding partial definitions of the activity of curating, the subjectivization of the curator, and the presentation format of the exhibition, she emphasizes the interplay of all these factors.
The Curatorial Condition
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Prix:
$34.95
(disponible en magasin)
Résumé:
In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art and culture—as a domain of practice and meaning with its own structures, conditions, rules, and procedures. Von Bismarck focuses on the relations created by the curatorial—relations between human and nonhuman participants. Rather than foregrounding partial definitions of the activity of curating, the subjectivization of the curator, and the presentation format of the exhibition, she emphasizes the interplay of all these factors.
Classification:
livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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Prix:
$66.00
(disponible sur commande)
Résumé:
On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented(...)
$66.00
(disponible sur commande)
Résumé:
On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented(...)
Publication:
février 2006, Ostfildern-Ruit
février 2006, Ostfildern-Ruit
Titre:
Veronika Kellndorfer : exterior and interior dreams
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Prix:
$66.00
(disponible sur commande)
Résumé:
On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented here in a design inspired by circuit diagrams.
Veronika Kellndorfer : exterior and interior dreams
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Prix:
$66.00
(disponible sur commande)
Résumé:
On a trip to Los Angeles in 2003, Munich-born Veronika Kellndorfer went to see the icons of the International Style: buildings by Eames, Schindler, Wright, and Neutra. They inpired a complex of works entitled Exterior and Interior Dreams--Blueprints for Modern Living, whose handmade models, silkscreened glass, projections and resulting layered spaces are all documented here in a design inspired by circuit diagrams.
Classification:
livres
livres
Publication:
février 2006, Ostfildern-Ruit
février 2006, Ostfildern-Ruit
