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Résumé:
This book is published to coincide with the exhibition "A Civic Utopia" at The Courtauld Gallery of Art, 2016. In addition to the ‘Introduction’ by the authors, it contains an essay entitled ‘Law, Order and the Beautiful’ by Nicholas Olsberg and ‘Case Studies’ by Basile Baudez. The essay explores the Enlightenment themes: A New Rome, Porta, Ratio, Lex, Sanitas,(...)
juillet 2016
A civic utopia : architecture and the city in France, 1765-1837
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$39.95
(disponible sur commande)
Résumé:
This book is published to coincide with the exhibition "A Civic Utopia" at The Courtauld Gallery of Art, 2016. In addition to the ‘Introduction’ by the authors, it contains an essay entitled ‘Law, Order and the Beautiful’ by Nicholas Olsberg and ‘Case Studies’ by Basile Baudez. The essay explores the Enlightenment themes: A New Rome, Porta, Ratio, Lex, Sanitas, Spectaculum, Lexicon and Exemplum. The case studies examine the work of Louis Combes, Pierre-François-Léonard Fontaine, André Sainte-Marie Châtillon, Paul Piot, François-Joseph Bélanger and Louis-Pierre Baltard.
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This publication traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions(...)
Inessential colours: architecture on paper in early modern Europe
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$95.00
(disponible sur commande)
Résumé:
This publication traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, this book challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.
Dessin d’architecture